Responsive Logos. Google Visual Assets Guidelines - Part 1 on Behance. Google’s brand is shaped in many ways; one of which is through maintaining the visual coherence of our visual assets.
In January 2012, expanding on the new iconography style started by Creative Lab, we began creating this solid, yet flexible, set of guidelines that have been helping Google’s designers and vendors to produce high quality work that helps strengthen Google’s identity. What you see here is a visual summary of the guidelines, divided into two Behance projects: Google design style: Executive Creative Director: Chris Wiggins Graphic Designers: Jesse Kaczmarek, Nicholas Jitkoff, Jonathan Lee, Andy Gugel, Alex Griendling, Christopher Bettig, Jefferson Cheng, Roger Oddone, Yan Yan, Zachary Gibson. Google Visual Assets Guidelines - Part 2 on Behance.
Google’s brand is shaped in many ways; one of which is through maintaining the visual coherence of our visual assets.
In January 2012, expanding on the new iconography style started by Creative Lab, we began creating this solid, yet flexible, set of guidelines that have been helping Google’s designers and vendors to produce high quality work that helps strengthen Google’s identity. What you see here is a visual summary of the guidelines, divided into two Behance projects: Part 2: User interface icons and Illustrations Google design style: Executive Creative Director: Chris WigginsGraphic Designers: Jesse Kaczmarek, Nicholas Jitkoff, Jonathan Lee, Andy Gugel, Alex Griendling, Christopher Bettig, Jefferson Cheng, Roger Oddone, Yan Yan, Zachary Gibson.
Examples of Work — Identity, Polyester. Visual image of the the Ljubljana Architecture and Design Museum - brand - top design - AD518.com. Wallonia.be on Behance. What’s in a brand? Belgium’s regions put their best foot forward. Date: 26/07/2013 11:05:00 All three of Belgium’s regions – Brussels, Flanders and Wallonia – have gone through a significant rebranding in the past year.
As the new logos and marketing campaigns start to roll-out, the regions hope to strengthen their position both internationally, and within the borders of their own country. Brussels unveiled a new logo and marketing campaign in July 2012, while Wallonia and Flanders have followed suit in the past months. To help position themselves on international markets, all three regions have notably chosen a slogan in English. A Study in Brand Minimalism. Check out more examples showing the progression of these packaged brands from their current appearance to their core elements.
Some examples show a progression to a fourth level. While a few of them might work at this generic level (on merits of name alone, such as Guiness and Polo), most work best at the 3rd level of distillation, where the logo alone functions on a colored field with a particular shape (such as Pringles and Nutella). Documents » Landscape Monolith.
To Create The Future Of Brand Identity, Ideo Looks Inward. On March 25, the designers at each of Ideo’s 11 international offices put their other projects aside and spent the day thinking about Ideo.
The aim was to brainstorm a new identity system--the second time it’s been overhauled since the firm was founded in 1991--and the ideas, which can be viewed on a Tumblr dedicated to the project, took many forms. There were experimental business cards and animated GIFs, handmade crafts and polished mini-movies. One designer envisioned a "biannual cosmic event," in which an "optical obelisk" would project a massive Ideo logo on a nearby building on the days of the vernal and autumnal equinox.
All of the proposals have something to do with Ideo--they reflect its outlook, its ethos, its employees, or its services--but at the same time, they’re all reaching towards something greater, too. Meet The Accidental Designer Of The GitHub And Twitter Logos. Simon Oxley was drinking beer and watching TV on his couch (like any good freelancer) when he noticed that a hot new startup called Twitter was using his art as a logo.
At first, he thought he was drunk. “I checked the label on the beer I was drinking and called my wife to come see,” he says. “It was a total, surreal surprise.” Oxley, who is British-born and Tokyo-based, was (and is) a freelance contributor to iStockphoto, one of the web’s most popular resources for stock photos and illustrations. He originally joined the service because Adobe Creative Suite came with a free membership. DING3000 product design company visual image - brand - top design - AD518.com.
Russian Mikhailov & Partners PR strategy consulting firm Brand - brand - top design - AD518.com. The Houses of Westeros poster - Darrin Crescenzi. Yesterday, owner Michael Jordan unveiled the new visual identity for the 2014–15 Charlotte Hornets NBA team, a project I’m pleased to announce I helped develop for Jordan Brand alongside the fine folks at Rare Design and with the aid of collaborator David Iglesias.
Excited to share the full case study soon. I’m speaking tomorrow, November 8, at the NYU Stern GMA Conference, part of a panel on creating and maintaining brand identity in a multi-channel environment. 11:30am, NYU Kimmel Center. Stop by and say hello! A Top Nike Designer Rebrands Game Of Thrones. If you’re Nike Brand Design rock star Darrin Crescenzi, and you’ve created everything from the Nike Fuel gauge to the U.S.
Men’s Olympic Basketball uniforms, what do you do in your spare time? You, like the rest of us, get hopelessly addicted to George R.R. Martin’s fantasy series Game of Thrones. (Warning: Extreme, esoteric geeking out ahead. If you have no idea what the heck Game of Thrones is, go read the series, then meet me back here in a few months.) The Art of Logo Design. Help Remedies. I don't know what the back of my head looks like I don't know who wrote Poor Richard's Almanack/what time it is I need to buy a gift for someone I don't know which fork to use I don't want to clean up my mess I can't chew gum because I have braces.
Welcome to UAE Nation Brand. More4 Rebrand by ManvsMachine. We caught a teaser of the new More4 identity a few months back with a showing of just the logo by ManvsMachine .
I was a little unsure of it then, and even after seeing it in all its dynamic glory, I am still unsure about the basic logo now. The new More4 logo feels a little too busy in it’s static form, and I am a little weirded out by the hanging E which was more appropriately enclosed in the previous More4 logo by Spin. Follow-Up: DC Comics. Yesterday, DC Comics officially unveiled its new identity, after the whole internet (including us) stole its thunder at the start of the week when we all judged its new branding effort based on a single, black-and-white rendition of their new logo. Now it’s an uphill battle to get people on board with what is actually a fairly good looking and flexible identity designed by Landor.
The design of the new DC Entertainment identity uses a “peel” effect — the D is strategically placed over the C with the upper right-hand portion of the D peeling back to unveil the hidden C — symbolizing the duality of the iconic characters that are present within DC Entertainment’s portfolio.— Press Release I’ll be the first to admit that this is a contagiously exciting identity and to reconsider my stance on not liking it at first. Paul Rand + Steve Jobs. I can’t help thinking that Paul Rand and Steve Jobs are cooking up a new identity for a heavenly company. In 1986 Jobs approached Rand to design the logo for his NeXT educational computer company. After obtaining permission from IBM, Jobs offered Rand a handsome sum to develop a logo for a product that was not yet public. Zurich Instruments on the Behance Network.
Trade marks and symbols by Stefan Kanchev. 40 Examples of Trendy Web Illustrations in Logos at DzineBlog. Here's Looking At Hue.