Tech. Teenage Engineering - OP-1 (Tech) Do you remember the Casio VL-Tone series of mini-keyboards from the '80s?
Still considered by many to be an achievement in engineering, what it lacked in functionality it made up for in portability, design and fun. A couple of years back, a peculiar group of Swedes who called themselves "Teenage Engineering" started showing up at the big music gear trade shows with a prototype of a new synth called the "OP-1" that appeared to be a modern rework of the VL-Tone. The physical design was deeply rooted in the original, but it had a distinctly 21st century industrial feel, as if Jony Ives himself had gone to work for Casio. Despite the slick exterior, it was hard to take the TE boys very seriously at the time, because for a while the demos didn't make any sound.
But as more and more people started seeing this new synth—and the big gadget blogs start catching on—a nearly unprecedented level of anticipation started building. To answer that question, you have to start out with what it does. Event Electronics - Opal active Studiomonitor : Monitors and amps. Puremagnetik Max Fuel, the First. YouTube via Puremagnetik | July 28, 2010 "Max Fuel, the First is a bundle of ten highly refined Max For Live devices.
All were created with the musician in mind and work well in Live for either production or performance. The devices fall into three categories. Max For Live opens new doors in Ableton for interesting, unique content to step through. Event Opal - Studio Monitor (Tech) We all know how important high-quality monitoring is in the studio; there is simply no point in having all of the synths, effects processors and fancy plug-ins in the world if you can't do them and your mixes justice.
We know too that monitors are available in all shapes and sizes and that decent quality monitoring is now available at a fraction of the price it was even a few years ago. However, the old adage of "you get what you pay for" is as true now as it was then. For producers who take their work seriously and have pockets deep enough to justify a heftier outlay, there are some great semi-pro and pro solution monitors available right now. Amongst those earning rave reviews and praise are the Event Opal monitors so, despite having been available for a while, we decided it was time we had an in-depth look and listen for ourselves. So, what performance can be expected from this involved design? Do the Opals justify their hype and almost universal praise? Trance, Progressive, House, Techno, PsyTrance, Chillout, Lounge, Ambient. DDM4000. Products Support Forum Our Story Join Us Buy Now Artists Blog English Language: You are here: Home » Products » DJ Mixers » DIGITAL PRO MIXER DDM4000 Ultimate 5-Channel Digital DJ Mixer with Sampler, 4 FX Sections, Dual BPM Counters and MIDI 32-bit digital DJ mixer with beat-synchronized sampler, 4 multi-FX sections, 2 BPM counters, digital crossfader and MIDI4 Phono/Line stereo channels allowing up to 8 signal sources to be connected simultaneously.
Cognitone Music Prototyping. USB2.0 Audio links. Ableton Live, Reason, Logic, Cubase, Pro Tools, FL Studio, DJ Tutorials, Reviews, Previews, Interviews & much more. View topic - nanoKontrol + Ableton Live button toggles. Ableton. Netzstaub » Writing Ableton Control Surface Scripts. I’ve been dabbling with ableton control surface scripts about one year ago (some people may have seen the FCB1010 control surface script: FCB1010 Mappings, which I don’t really have the time to support at the moment).
Btw I have a new version of the mappings, but they’re not really documented, but if you’re a bit into programming you may be able to get the mappings from the consts.py file: new undocumented mappings. In the following, I assume you know how to use remote control surface mappings inside ableton (the whole Midi Devices Input Output thingie). But let’s get down to the business of writing ableton remote control surface scripts. The scripts are written in Python and are stored inside the Ableton Live application in the Resources folder under Windows, or inside the application bundle under MacOSX. The directory containing the scripts is called “MIDI Remote Scripts”.
The main problem with developing Ableton scripts is that you have no direct interface to debugging the scripts. Welcome to Opus Locus. NanoKontrol for Reaper (XP & OS X) This little controller works very good in Reaper.
I make this keymap for 39 Tracks that can be controlled with the 4 Scenes of the Korg nanoKontrol. (Volume, Pan, Solo, Mute). It works on XP and OS X. In Reaper Preferences the nanoKONTROL SLIDER/KNOB must be set to Enabled+Control or Control Only. nano_reaper.nktrl_set must be load into the nanoKontrol with the Korg Kontrol Editor. Nano1.ReaperKeyMap you can import in Reaper/Actions. Magesy R-Evolution. Korg nanokontrol forum. Synthesizer and electronic music news, synth and music software reviews and more! Tom Cosm. Gearslutz.com. Synthesizer and electronic music news, synth and music software reviews and more!