© 2011 Showbox/Mediaplex. Korea had a bad 20th century. First Japan occupied the country, then Allied forces occupied it, then a war ripped it in half, then North Korea became a dictatorship, then South Korea experienced a coup followed by a decade of military rule, followed by another decade of martial law, followed by the assassination of the president, another coup, another military regime, and, finally, in 1987, a return to constitutional government. The Front Line: Why do Koreans love bleak war movies?
Movies for a desert island You don’t need much of a setup for this one: It’s a Desert Island List of visual media that I’d like to have with me if I were shipwrecked. Here are the rules: 1.
Guillermo del Toro’s Top 10 - Explore Sheer terror and sheer poetry, but both stem from distinctive medieval traditions. Häxan is the filmic equivalent of a hellish engraving by Bruegel or a painting by Bosch. It’s a strangely titillating record of sin and perversity that is as full of dread as it is of desire and atheistic conviction, and a condemnation of superstition that is morbidly in love with its subject. Vampyr is, strictly speaking, a memento mori, a stern reminder of death as the threshold of spiritual liberation. Like any memento mori, the film enthrones the right morbid imagery (skull, scythe, white limbo) in order to maximize the impact of the beautiful, almost intangible images that conclude it. If only Criterion had acquired my commentary track—sigh—from the UK edition.
s 50 Scariest Movies Of All Time, 40-31
Almodóvar’s films, ranked from best to worst Photo by Miguel Bracho, © Sony Pictures Classics. All rights reserved. After weeks spent spotting recurring patterns in Pedro Almodóvar’s films, it was a pleasure to tackle a task that involved ordering rather than counting.
9/11 movies: Four brilliant 9/11 films that get overlooked. - By Bill Wyman From the fall of Troy to the bombing of Hiroshima, the response of artists to tragedy and cataclysm has been wide and varied. In the years since 9/11, we've seen everyone from Bruce Springsteen (The Rising) to Don DeLillo (Falling Man) try to make sense of the senseless in one way or another. As the 10th anniversary looms, the New York Times has published an almost comically long list of 9/11-related arts events. I can't help wondering: Have these last 10 years helped us understand the tragedy any better? One of my former colleagues at NPR, Renee Montagne, explored the idea that we're expecting too much too soon in an interview with Kurt Vonnegut on an earlier 9/11 anniversary. One of Vonnegut's most searching works, Slaughterhouse-Five, was inspired by events nearly a quarter of a century earlier, when he'd witnessed Britain's firebombing of Dresden, a horrific extinguishing of innocent life as well as the physical obliteration of a gem of a city.
11 Scariest Horror Movies of All Time If the first 10 amendments to the Constitution went before today’s voters, how would they fare? Change of Heart About the Bill of Rights?… Is it possible that some of our constitutional rights aren’t the dreamboats we think they are? Maybe they’re even cheating on us.
Um Where's the original Terminator? @bishop1j: I really think Terminator 2 is a better movie. @Charlie Jane Anders: I loved T2, but T1 even with it's lower quality production values was in my opinion a better film. Not as cheesy, truly conveyed the bleakness of the future, and forever set the tone of how evil the Terminators and Skynet are. The near final scene where the Terminator is chasing Linda Hamilton through the factory and she thinks it's dead only to have it come back to life clawing it's way towards her with it's hand inches from her ankle was enough to make anyone jump from shock. & not to mention the phone call to Sarah's mother. 25 classic science fiction movies that everybody must watch
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