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SwipeView

http://cubiq.org/swipeview Due to memory constraints and limited resources, endless –or very long– carousels are problematic on the mobile browser. A common trick is to use only three switching master pages. Once the user swipes right the first element to the left is placed at the end of the row, the content inside the switched element is cleared and filled with new data.

Getting Started - Building iPhone Apps with HTML, CSS, and JavaScript - OFPS - O'Reilly Media

http://ofps.oreilly.com/titles/9780596805784/ch01_id35816709.html Chapter 1. Getting Started Before we dive in and start building applications for the iPhone, I’d like to quickly establish the playing field. In this chapter, I’ll define key terms, compare the pros and cons of the two most common development approaches, and present a crash course in the three core web technologies that are used in this book.

CSS Paged Media - @page Rule

Paged media differ from continuous media in that the content of the document is split into one or more discrete pages. Paged media includes paper, transparencies, pages that are displayed on computer screens, etc. The CSS2 standard introduces some basic pagination control features that let authors help the browser figure out how to best print their documents. The CSS2 page model specifies how a document is formatted within a rectangular area -- the page box -- that has a finite width and height. http://www.tutorialspoint.com/css/css_paged_media.htm
This article shows you how to implement a sliding touch panel in JavaScript. jQuery is the only dependency of the touch slider. The rest is pure JavaScript and HTML. It runs fast, feels natural, and works on every mobile device with touch support. Each cell has a fixed width and padding and we lay them out in a single row. We set the overflow property on the container to hidden so we don’t get scroll bars on the grid.

Creating a Mobile Touch Slide Panel with JQuery

http://www.zackgrossbart.com/hackito/touchslider/
Dans le chapitre précédent nous avons vu entre autres comment structurer son texte avec les balises de paragraphes et les titres, dans celui-ci nous allons approfondir le sujet. Les listes non ordonnées aussi appelées listes à puces servent comme leur nom l’indique à lister des éléments de contenu sans ordre particulier. Chaque élément de la liste est placé dans une balise double li . Les listes ordonnées servent comme leur nom l’indique à lister des éléments de contenu dans un ordre particulier. Chaque élément de la liste est placé dans une balise double li . Les listes de définitions comme leur nom l’indique servent à lister des définitions.

HTML 5 : Donner du sens au texte | Web-Petit

http://www.web-petit.com/html-5-donner-du-sens-au-texte

Reader: Paging the Web

http://people.opera.com/howcome/2011/reader/ Around 2000 years ago, the Romans developed the codex . Different from scrolls – the previously accepted literary format – the codex had pages that were bound together into what we today call books. The codex gradually replaced scrolls, and by the 5th century scrolls were no longer used in Western cultures. There are good reasons for this: the codex is compact, sturdy, and you can quickly go to the start, end, or anywhere in between. They are a lot more portable and easier to manage than scrolls.
Like you, we love building awesome products on the web. We love it so much, we decided to help people just like us do it easier, better, and faster. Bootstrap is built for you. For all skill levels Bootstrap is designed to help people of all skill levels—designer or developer, huge nerd or early beginner. http://twitter.github.com/bootstrap/#about

Bootstrap, from Twitter

http://www.netmagazine.com/tutorials/building-parallax-scrolling-storytelling-framework

Building a parallax scrolling storytelling framework | Tutorial | .net magazine

I would like to teach you to make a Parallaxer of your own, show you one way of drawing assets for it, and ultimately inspire you to trailblaze the internet storytelling frontier in your own direction. Parallax as a means of faking 3D space is pretty counterintuitive. When you look around you with a simple 50mm camera lens, you see that as the distance to an object increases, bigger things can fit into your field of view. At about half a metre, you can see a full book. At about three metres you can see a whole couch.

Typographie web : gérer la taille du texte avec les « em » - Alsacreations

http://www.alsacreations.com/article/lire/563-gerer-la-taille-du-texte-avec-les-em.html Ce tutoriel présente l'unité em et la démarche à suivre pour l'utiliser à bon escient, ainsi que quelques conseils pour vous aider à assurer autant que possible la lisibilité du texte sur votre site… et donc à en améliorer la qualité générale. Pour concevoir un site web dont le texte sera lisible par tous, quelle que soit la configuration matérielle ou les besoins spécifiques de l'utilisateur, il faut permettre le redimensionnement du texte. Cela implique l'abandon des tailles de texte en pixels , et l'utilisation d'unités relatives, qui ont deux caractéristiques principales :
Après avoir appris sur Internet quoi de plus normal que de partager à son tour ? Passionné par le web depuis un peu plus de 5 ans maintenant j'aime partager mes compétences et mes découvertes avec les personnes qui ont cette même passion pour le web : Vous . http://www.grafikart.fr/tutoriels/all/page:2

Tutoriels vidéos, page 2 | Grafikart.fr

Tutoriel Vidéo HTML-CSS : Effet de parallaxe en CSS | Grafikart.fr

Dans ce tutoriel vidéo vous apprendrez comment créer un effet de parallaxe en CSS. Cet effet, découvert chez Silverback , permet de donner un effet de perspective lorsque l'utilisateur redimensionne sa fenêtre.
The control which designers know in the print medium, and often desire in the web medium, is simply a function of the limitation of the printed page. We should embrace the fact that the web doesn’t have the same constraints, and design for this flexibility. But first, we must “accept the ebb and flow of things.” The English architect Christopher Wren once quipped that his chosen field “aims for Eternity,” and there’s something appealing about that formula: Unlike the web, which often feels like aiming for next week, architecture is a discipline very much defined by its permanence. A building’s foundation defines its footprint, which defines its frame, which shapes the facade.

A List Apart: Articles: Responsive Web Design