Home Page - CGMA 2D Academy. The Art Hacker. Schoolism. Lesson Plan Lesson 1 - The Idea One of the most common questions I get is how do I come up with my ideas?
In this lecture, we will talk about generating great ideas, how to make them memorable and, more importantly, how to make them viral. Lesson 2 - Sketching, Drapery, and Skin Sketching is to a painting what notes are to an essay. Lesson 3 - Research, Reference, and Three-Tone Sketches Great work springs from great preparation. Lesson 4 - Fur In this lesson, we will unravel the complexities and mysteries of fur. Lesson 5 - Rough Tonal. Jenny Le - Envato Tuts+ Profile. Monika Zagrobelna - Envato Tuts+ Profile. How to Learn to Draw: Stage Four, Style. How to Learn to Draw: Stage 3, Visual Database. How to Learn to Draw: Stage Two, Precision. How to Learn to Draw: Stage One, Manual Skills. Think With Forms, Not Lines: Take Your Drawing to the Next Level. Digicode by AquaSixio on DeviantArt. New Masters Academy. Poser un personnage et le dessiner. La première fois qu’on m’a montré un mannequin en bois, j’ai vraiment cru qu’on se payait ma tête.
Je me suis tout de suite demandé: « mais qu’est ce que c’est que ce truc en bois bizarre qui ressemble au personnage de la pub Océdar dépoussiérant? ». Je ne voyais pas trop l’intérêt, et d’ailleurs personne ne me l’a jamais vraiment expliqué. Et vous? Vous vous êtes déjà posé la question? Non mais c’est vrai quoi, les concepteurs auraient pu au moins faire un effort pour le design. Au risque de me répéter, je vous conseille de lire mon guide sur la perspective si ce n’est pas déjà fait. N’ayant pas de mannequin en bois sous la main (j’ai revendu le mien il y a maintenant quelques années), j’ai travaillé avec un logiciel 3D pour vous illustrer l’article qui suit. Le gentil bonhomme en bois est utile pour: La reconnaissance dans l’espace des formes globales qui constituent le personnage, et leur comportement dans la perspective.
Ce bonhomme est capable de poser plus naturellement. Resources — Level Up! Painting Perfect Skin. Painting skin is one of the hardest tasks faced by every photorealistic painter, due to the number of factors that make up a final effect – colour choices, blending techniques, special brush usage and custom texturing are all equally important to achieve a truly realistic effect.
It’s also crucial to remember that different types of skin require a different approach and therefore a different combination of these elements. A delicate porcelain skin tone will require a similar technique to the transparent skin typical for babies, but will drastically differ to darker skin rendition methods. Guide du Digital Painting #1 : Avant de commencer. COMPOSITION D'UN TABLEAU. Une bonne composition c’est l’art de bien disposer ce qu’on a choisi.
La composition a été codifiée dès l’Antiquité. Figuredrawing.info. Mike mattesi. Words of wisdom. Some good advice by Gregory Manchess: 1.
Draw Now. Think Next. Ideas without followthrough are useless. Conceptual art without skill is nothing. Draw. 2. You are already connected. 3. 4. 5. 6. DrawingTutorialsOnline.com. Arkhip Kuindzhi. Arkhip Ivanovich Kuindzhi was a highly regarded Russian (Ukrainian) landscape painter and a member of the amazing group of Russian painters known as the Peredvizhniki (“Itinerants” or “Wanderers”, see my related posts).
Kuindzhi was noted for his unorthodox compositions and daring experiments with lighting effects, perhaps partly stemming from his limited formal training. He grew up in a poor family, son of a Greek shoemaker, and lost his parents at an early age. He was largely self-taught, though he eventually attended the St. Petersburg Academy of Arts for a time. During his early years he was influenced by the Russian (Crimean) landscape artist Ivan Aivazovsky. Art Sketchbooks, Wacom, and Art Forum. Living Tuts : Tutoriels de qualité pour apprendre Photoshop, le webdesign, le développement web, le digital painting, etc…
Mouvements décomposés. Welcome to our Magazine // Heba El Mawazini 's Animation Blog. How does one deal with GREEN in nature? - Drawing Academy. Question from JayC.
I think this is my biggest problem. Greens in nature are so varied, but I rarely stumble upon good combinations for getting the warm greens, the cool greens, the very bright greens of spring, the grey greens, etc. Any tips would be appreciated! Feedback from Vladimir London, Drawing Academy Tutor Ivan Ivanovich Shishkin – Album Landscape paintings by Ivan Ivanovich Shishkin. Right-click and choose “Save Link As” to save this Album. Download Album » Dear Jay C Many thanks for your question. I have to say that the most natural way is to “stumble upon” a good mixture. If you are serious about painting, then learning the colors of materials is essential.
How to draw muscular superhero arms. Anatomy Process: "Drawing the Head with Ron Lemen" covers light and head anatomy. Recap of my Gnomon Workshop LectureThe start…First, thank you for attending the workshop.
I apologize if what I said came across in any way confusing, and that is why I am writing this reprise, to clear the air of any confusing thoughts, etc. And to redeem the drawings if you found them less than satisfactory…heh When we start an idea, and since I am drawing portraits here for the ideation of character design or panels in comics or storyboards, I can’t emphasize enough how you cannot start with foundation to help you find something new. New cannot grow from what we already do.
If you have learned an art system, all that can be done with it has already been. These systems are foolproof ways of gaining insight into the world of creation, which is not a system. We will sketch the frames in Black and White to get the forms reading clearly. Ctrl+Paint - Digital Painting Simplified. Film Studies: Capturing stills. Exaggeration.