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Yesterday I had the opportunity of being a guest on #RTB on the Radio . Many of you may be familiar with this crew, but if you’re not…you’re really missing out!
Yesterday at the Googleplex, journalists, technologists and Googlers converged for the TechRaking summit. Our goal was to figure out how to break news of its bad habits lingering from the pre-Web era. We compared notes about our own organizations, shared examples of stories and projects, and dreamed up ways to serve you better.
Janine Armin writes in The New York Times of 15 June 2010: The Creative Landscape of Independent Curators LONDON — You may not have heard of the “precarious age,” but for freelance curators in Europe, the term sums up today’s job market. In the late 1990s, a strong sampling of their predecessors were snapped up by museums full time and presented atypical ideas to unsuspecting visitors. In 1999, the freelancer Nicolaus Schafhausen took the reins at the Kunstverein Frankfurt, and in 2002 he presented a group show on the nebulous topic of nonplaces.
Shel Holtz has more than 35 years’ experience of organisational communications, in in-house and consulting roles with mostly Fortune 500 companies. He is a Fellow of the International Association of Business Communicators (IABC), the author or co-author of numerous books in the communications arena, and a frequent speaker. These days he is principal of Holtz Communication + Technology , helping enterprises communicate better in the online space. One of his focus areas is watching how the social world uses online technologies, and applying that in enterprises to improve internal and external communications.
Online Content Curation
The Curator's Abstract My current art practice takes many forms, including painting, sculpture, drawing, curation, installations, video, web design, digital images, teaching and the study of the creative process. In this report I show how different facets of my perception, motivation and process are informed with underlying elements. The Six forms include Material Frame, Perspective, Ground, figure and Strategy, all derived from painting practice. In this report I describe sections of my life and history, influences, as they relate to my work.