How to Choose a Typeface. Advertisement Choosing a typeface can be tricky.
The beauty and complexity of type, combined with an inexhaustible supply of options to evaluate, can make your head spin. But don’t be baffled — and don’t despair. While there are no easy-to-follow rules on how best to choose a typeface, there are many tried-and-true principles you can quickly learn and apply to make an appropriate typeface choice. If you work systematically through the options below, you’ll have a winning typeface choice in no time. What Is Your Goal? The first thing you have to do in order to choose a typeface is form a strong impression in your mind about how you want your audience to react to the text.
Perhaps the hardest part of breaking down the typeface selection process is understanding which parts are more subjective and which parts are more objective. Legibility It may seem at first glance that legibility and readability are the same thing, but they are not. Quick tips for great legibility: Readability Design Intent. Technical Web Typography: Guidelines and Techniques. Advertisement The Web is 95% typography, or so they say.
I think this is a pretty accurate statement: we visit websites largely with the intention of reading. That’s what you’re doing now — reading. With this in mind, does it not stand to reason that your typography should be one of the most considered aspects of your designs? Unfortunately, for every person who is obsessed with even the tiniest details of typography, a dozen or so people seem to be indifferent. Creative and Technical Typography I’m not sure these two categories are recognized in the industry but, in my mind, the two main types of typography are creative and technical. Creative typography involves making design decisions such as which face to use, what mood the type should create, how it should be set, what tone it should have — for example, should it be airy, spacious and open (light) or condensed, bold and tight, with less white space (dark)?
We’ll focus on technical type in this article. On Choosing Type. First Principles Typography is not a science.
Typography is an art. There are those who’d like to ‘scientificize’; those who believe that a large enough sample of data will somehow elicit good typography. However, this sausage-machine mentality will only ever produce sausages. That typography and choosing type is not a science trammeled by axioms and rules is a cause to rejoice. Before we get to the nitty-gritty of choosing type, let’s briefly talk about responsibility. If you’ve understood the above two paragraphs, then you’ll know that what follows is not a set of rules, but rather a list of guiding principles. Sans or Serif? In my opinion, a lot of time is wasted attempting to prove that one is better than the other for setting extended text.
Rather than write another ten paragraphs on this topic, I’ll simply say that we read most easily that which we are most familiar with. Guideline One: honour content This, of course, should be every typographer’s mantra. Guideline Two: read it. The non-typographer’s guide to practical typeface selection. Warning: This article contains nothing nearly as meaty and complex as my dissertation about chiasmi from a few weeks back.
But I promised I’d follow up with a more detailed report of my five minutes of fame at SXSW 2005, so here she goes. Let’s be frank right off the bat: I don’t presume to be a typographer, or even anything close to an expert with a replete knowledge of typography and its history. Instead, I take a more practical approach to typeface selection, given the environment I’m generally in rarely requires that I need to complicate the process further. My apologies beforehand (have I prefaced this article with enough disclaimers already?) If you find I disappoint you with the simplicity of the process. Disclaimers now aside, let’s discuss the process in detail.
This process primarily applies to web design, but I use a similar process for print design. 1. Don’t reinvent the wheel here. Typeface selection is one of the most transparent ways of detecting good — and bad — design. 2. Typographer's Glossary. Serif: Serif's are semi-structural details on the ends of some of the strokes that make up letters and symbols.
A typeface that has serifs is called a serif typeface (or seriffed typeface). Some of the main classifications of Serif type are: Blackletter, Venetian, Garalde, Modern, Slab Serif, Transitional, and Informal. Fonts in each classfication share certain similiar characteristics including the shape or appearance of their serifs. Serif fonts are widely used in traditional printed material such as books and newspapers. Show all Serif Didone is a typeface classification characterized by slab-like serifs without brackets; vertical orientation of weight axes. Descargar fuentes. The League of Moveable Type.