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These Designers Are Remaking the Portfolio Into a Client Magnet Secret Weapon. For established firms, freelance professionals, and students just starting out, today’s portfolio needs to be more than just the simple presentation of past work. The portfolio has to be a representation of aesthetic, vision, and personality — it has to tell the story of who this person is and all of what they can accomplish. “Creating a great portfolio today requires a very different approach than previous times,” says Gregory Walker, principle at Houser Walker Architecture firm of Atlanta. “We’re always looking to communicate the stories of how a design solution emerged over time,” he says, “how the final solution communicates the designer’s intent and also the client’s needs.” Add To Collection Save this image to a collection A Blurb book by Houser Walker With advances in print-on-demand through companies like Blurb, the portfolio can now be precisely tailored to meet individual needs, while also maintaining an unmatched level of quality.

Blurb book by Terry Jackson. CORNAR: Looking Around Corners - Camera Culture Group, MIT Media Lab. Home | News | Join Us | People | Projects | Publications | Talks | Courses Team Ramesh Raskar, Associate Professor, MIT Media Lab; Project Director (raskar(at)mit.edu)Moungi G. Bawendi, Professor, Dept of Chemistry, MITAndreas Velten, Postdoctoral Associate, MIT Media Lab; Lead Author (velten(at)mit.edu)Christopher Barsi, Postdoctoral Associate, MIT Media LabEverett Lawson, MIT Media LabNikhil Naik, Research Assistant, MIT Media LabOtkrist Gupta, Research Assistant, MIT Media LabThomas Willwacher, Harvard UniversityAshok Veeraraghavan, Rice UniversityAmy Fritz, MIT Media LabChinmaya Joshi, MIT Media Lab and COE-Pune Current Collaborators:Diego Gutierrez, Universidad de ZaragozaDi Wu, MIT Media Lab and Tsinghua U.Matt O'toole, MIT Media Lab and U. of TorontoBelen Masia, MIT Media Lab and Universidad de ZaragozaKavita Bala, Cornell U.Shuang Zhao, Cornell U.

Paper A. Velten, T. Download high resolution photos, videos, related papers and presentations Abstract Earlier Work: Time-Resolved Imaging. Architects are starting to 3D print houses—but without a house-sized printer. A couple of months ago, Dutch architect Janjaap Ruijssenaars announced that he was building a curvy, loopy and for some reason, largely see-through building, to be made with the help of Enrico Dini’s D-Shape 3D printer. The project would cost up to 5 million euros ($6.4 million) and be completed in 2014. Janjaap Ruijssenaars’s twisty, loopy 3D-printed building. Universe Architecture Another group quickly piped up, declaring that a similar project they were working on would be done even faster and cheaper. Softkill Design’s web-like confection of a building. This month, another Dutch company jumped into the fray. DUS Architects plan to use non-traditional 3D printing methods to build a traditional house along a canal in Amsterdam. 3d house-printing—it certainly sounds like a brilliant idea.

But what does this 3d house-printing actually mean? How it works First, the basics: Simply put, 3D printing works through a process of layering. 3D printing big things is a challenge Printing with swarms. Adaptive Building Initiative - POLA Ginza Building Façade. [Sub]Code. This page is set up to host bits of codes and sample algorithms. Those algorithms are free to be explored or even shared with proper recognition to the author.Please let me know if you reached any interesting result using any piece of the code provided.

Before downloading anything from Digital [Sub]stance you consent to the following license agreement Digital [Sub]stance by Marios Tsiliakos is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License. Based on a work at digitalsubstance.wordpress.com. Permissions beyond the scope of this license may be available at “If you Enjoyed anf found the content of this blog useful please consider donating to keep Digital [Sub]stance up and running.” Grasshopper Definitions.