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As simple as this formula is, and as basic as it will appear to you once I explain it, I am constantly surprised (shocked to be honest!) At how few people pay attention to this simple number. Even veteran freelancers don’t seem to know what their daily C.O.D.B. number is. C.O.D.B stands for "Cost of Doing Business. " Basically it’s a number that represents what it costs you to operate your business for every day that you work. On a basic level, you add up all of your purchases and expenses to run your business, as well as your salary (I suggest you add your salary, but some people don’t) and divide that by the total number of days you expect to work each year.
'Do What You Love. You'll Be Better at It': Making Choices in Your Film Career. It’s hard to follow your dreams.
For every thousand kids that want to be an astronaut, there are only a very few who actually end up in outer space. This is true for any endeavor, especially indie film, where the ratio of effort to reward can seem daunting (i.e., it might take years of working away with no reward to finally get your film made, or your script sold.) It’s all about making choices, and over at Chris Jones’ film blog he has a great post on making choices related to your indie film career, as well as an excellent and inspiring video. Click below to learn how to make the choices that will lead to a fulfilling life and career.
Whether you’re a painter, a writer, or a filmmaker, in order to turn your passion into a viable career you’ll have to make some tough choices — choices that are usually high-risk, but also high-reward. What am I good at? When you think of what you’re good at, beware of the “curse of competence.” OPEN SOURCE FURNITURES. Plastic palette raised floor / プラスチックパレット ｜ OA floor consists of the plastic palette units covered with the wood panel.
Cables to every direction are concealed in the units by passing through that. We can use it by taking cables from the inspection doors which are set on every unit. ｜ プラスチックの物流パレットでOAフロアを構築し内部にケーブルを通すことで、各所の点検口から取り出して使用可能です。 Plastic palette raised floor / プラスチックパレット ｜ OA floor consists of the plastic palette units covered with the wood panel. Cables to every direction are concealed in the units by passing through that.
We can use it by taking cables from the inspection doors which are set on every unit. ｜ プラスチックの物流パレットでOAフロアを構築し内部にケーブルを通すことで、各所の点検口から取り出して使用可能です。 Polycarbonate panels enable to edit space / ポリカーボネートパネルのパーテション Using polycarbonate panels, you can edit the space as your purpose when you use. ポリカーボネートパネルを用いて、目的に応じた空間を容易に作るためのパーティションを作ることができます。 Sign / サイン ｜ The signature consists of dots, which is the reproduction of the feeling of a pixel of the screen. This shouldn't be possible! It seems to break the laws of physics! The Metabones Speed Booster is a device that sounds impossible.
But it isn't, and RedShark contributor Craig Marshall thinks it's a good investment Anyone who has worked with either still or video lenses has heard of and maybe even bought a ‘Focal Extender’ or ‘Teleconverter’. These devices are typically fitted between the camera and the lens to extend your focal range. For example, I want to get up close to the subject with my 300mm telephoto so I fit a 2x Extender and voila, I’m looking through the equivalent of 600mm. Sounds great! Good quality Extenders have traditionally been very expensive. Case study Before I answer that, let’s look at a typical case study. The Sony FS700 = A perfect documentary tool? Guest post by Sam Price-Waldman: Here’s a picture of my final configuration, before heading out into the field I was in Ethiopia recently, as cinematographer for Talkingstick Pictures on a documentary about the transformation of Ethiopia’s agriculture system.
Over the course of two weeks, I found myself shooting in a crowded marketplace in Addis Ababa, shooting oxen plowing through large dirt fields, and living with a small family in the countryside. For this project, I chose to use the Sony FS700, a camera that features a super-35mm size sensor, built-in NDs, super slow motion, and wide dynamic range. Comparatif cartes d'acquisition. Magic Lantern RAW video : l'avis d'un pro - Creative Pixels. S-log For Dummies. Vodkaster - Le cinéma à partager. 250bestmoviesmap - f250bestmoviesmap.pdf. De l'utilité d'un second assistant opérateur en tournage HD DATA. Voici un bon article issu de la lettre de l'AOA de mai 2009: Un Second Assistant Caméra en HD DATA, ça sert à quoi finalement ?
Jusqu’à peu, le déchargement des rushes DATA (à savoir : enregistrés sur un support type carte ou disque dur) ne connaissait aucun vrai cadre, aucun protocole concerté. Chacun utilisait sa méthodologie, plus ou moins rigoureuse, souvent en utilisant son propre ordinateur, voire ses propres disques durs dans certains cas.