How to Use a Patchbay With a Mixer. - Bass Guitar Part 1. Bass Guitar Part 1 Comparing the sound of each of three mics aimed at a cab from various distances and angles.
By Michael Schulze and Lorenz Rychner Begins with the use of a single mic on the bass cabinet, exploring miking distance, mic location, and proximity effect. Front and Center. When we think of stereo recording, left/right stereo typically comes to mind: two independent channels of audio, one carrying information from the left of the soundstage, the other carrying information from the right.
Recording & Mixing M/S Tracks With the bx_digital V2 EQ Plug-In. Brainworx bx_digital V2 EQ In this article, Brainworx’s lead developer Dirk Ulrich will walk you through how to record and EQ a Mid-Side (M/S) recording session using the Brainworx® bx_digital V2 EQ Plug-In.
For a basic overview of how to set up your microphones for Mid-Side recording, check out UA’s Studio Basics article: Mid-Side (M/S) Mic Recording Basics. To follow along, make sure to boot up the demo of the bx_digital V2 EQ, download the following sample session audio files and presets, and import them into your favorite DAW. Click here for M/S Recording Demo Session Download [404 MB]
Gain Structuring With Plug-Ins. For those of us who toiled over faders back when the earth was still cooling, the concept of gain structure was fairly easy to grasp.
Each separate box was a link in the audio chain, visibly connected via patch cables, and analog distortion was easy to hear and identify. The Basics of Reverb. Reverb is arguably one of the most often-used effects in modern recording, and probably one of the most misunderstood.
It’s interesting to consider the fact that, as with so many things, we’ve spent decades perfecting different ways to imitate something that occurs on its own in nature. This month we’ll take a look at one of modern recording’s favorite effects – how it has evolved, its use and its misuse. Let’s start with a little bit of history. Early Reflections. Bottom End: The Lowdown on Bass Recording. Aug 1, 2004 12:00 PM, By Maureen Droney Invariably, it's a song's lyrics and melody that most obviously and immediately grab the listening public's attention.
But often, as any good music producer knows, what really drives a piece of music is its bass line. That's what sets the tone, lays down the groove, complements the melody and leads you through the song. But because bass resides in a certain narrowly prescribed area of the audio spectrum, it's often difficult to capture it properly when recording.
3 Tips for Getting a Good Bass Sound. Do you struggle to get bass guitar to sound right?
Is it always either too loud or too thin or too boomy or too round? Better Bass: The Complete Guide To Recording, Mixing & Monitoring The Low End. Technique : Recording / Mixing Bass is the linchpin for so much of today's music, anchoring the other sounds and providing a foundation for the mix as a whole.
But at the same time, it can seem maddeningly difficult to pin down and control. Matt Houghton Bass instruments — whether acoustic, electric or electronic — are crucial to the majority of modern music. Mojave Audio Recording Tips. 1.
Mic Preamps The signal produced by a microphone is a relatively low level signal and needs to be amplified to 'line level' in order to be processed, routed and recorded. Next to the microphone itself, the choice of preamps is critical in achieving a great sound. As with microphones, there is no perfect preamp. While every recording console has built in mic pres, many engineers favor the quality produced by outboard mic pres. Waves SSL Channel vs Metric Halo Channel Strip. Recording nylon string Guitar. Because we can, we have stuck 6 different mics in front of the guitar.
A big expensive ribbon, a large diaphragm condenser, 3 small diaphragm condensers and finally a classic cheap dynamic mic. Setting up a Patchbay in your Home Studio by TweakHeadz lab. Increase your creative options with flexible signal paths by Tweakheadz Lab Yoursignificant other barges in your studio and screams the usual blood curdling scream at that always annoying pitch. There you lay on the floor, under the desk, and you aren't moving. The SO probably thinks you electrocuted yourself again. But you know you are alright, just trying to plug your new synth into inputs 7-8 of your audio interface. Tommy Emmanuel - Recording Technique - Mics. Integrating Outboard Hardware With Logic. Many Logic users have external hardware processors and effects units, which can easily be used inside projects.
Read on to find out how... John Moores As computers and DAW applications become more and more powerful, there is a drive towards the 'mix in the box' approach to music production. And it has its benefits. Firstly, less space is required: you don't need a massive mixing desk any more. For those who have adopted this way of working, the issue of what to do with all the 'old' hardware will almost certainly have arisen. It is important to note that, to take advantage of your external gear you will need multiple inputs and outputs to your computer system. ASK Video - Logic Pro 9 Tutorial Level 3 - External Effects. How To: Logic Pro 9 Tutorial #8 - Chopping Up Samples With Logic (option #1) and the EXS24 Sampler. How To: Logic Pro 9 Tutorial #9 - Fast Ways to Chop Samples In Logic - Option #2. Logic EXS24 : Creating Your Own Multi-Sampled Instrument Part 2. Logic EXS24 : Creating Your Own Multi-Sampled Instrument Part 1.