Music production. Synthe. Portable Mini-Lyre. Episode One : Your Korg MS-2000 is a Drum Machine. View topic - Yamaha PSS-570. So after a year it is time to revive this topic. It's done my Yamaha..... So what's in it? Left panel: The upper three switches are from left to right for clipping circuit on a build in Mufffuzz effect, true bypass for fuzz effect and a mild distortion switch that also eliminates the drum section. The three pots are for the stereo chorus mod, which controls depth and intensity. The middle pot is for the fuzzzzz. The two pedalswitches are connected to some points on the CPU that need a shit shot to create mayhem. The big on/off switch is for total distortion....... Astuce : Kick avec le mfb. - Cikira - Sound_quest_uni_quest.rar Des téléchargements à partir de Hotfiles, Rapidshare, et bien plus encore ! Nitro Downloads.
ReacTIVision 1.3 et la Reactable. Captation d’objets tangibles Un logiciel pour représenter, visualiser et interagir avec des artéfacts Première publication : .Mise en ligne: 28 mai 2007.Modifié le : 27 mai 2007. Par Jocelyne Quelo Développé par Martin Kaltenbrunner et Ross Bencina au sein du groupe de Technologie musicale à l’université Pompeu Fabra de Barcelone, ce logiciel fait partie du projet Reactable, un instrument de musique électro-acoustique basé sur une interface utilisateur tangible. Reactable La reactable est un instrument de musique électro-acoustique pour utilisateurs multiples. Utilisant le dessus d’une table vitrée comme interface utilisateur tangible, plusieurs personnes peuvent dès lors partager simultanément le contrôle de l’instrument.
La Reactable Fabriquer sa reactable Schéma de construction de la Reactable Plus chip, la solution proposée par Jean-Yves Gratius 1 carton d’emballage 32*32*26 cm 1 plaque de plexiglass 25*50 cm 1 miroir 30*30 cm une webcam avec une qualité correcte à 640*480 le module reacTiVision. Logiciel libre d'enregistrement et de montage audio. SuperCollider » About. Editeur MIDI. Music Generators. Wanting to make a Digitech FS3X footswitch for JAMMAN.
You only need SPST switches. I didn't feel like spending lots of money so I got two 2 packs of plastic SPST's and two 1N4001 diodes. It is actually really simple to do. I'm going to attempt an ASCII schem for you: rec loop dn loop up __I__ __I__ __I__ <--switches o o o o o o gnd | gnd | gnd | _ ring | | || | V-----------------------( |)-----------------L----->|------| the L's are junctions, the brackets is a jump| | ^----------------------L------------------>|------------L where the vertical is not T tip diodes connected to the horizontal gnd Now I don't know if that is comprehendable, but if you can read it that is what you need to do. I made the exact same thing like this and it works great. Hope this helps, -Joe Edit: Oh, forgot to answer your previous question. DiscoFreq's Effects Database.
Des photos de vos home-studios et les discussions qui vont avec - forum Studio & Home Studio (637/2777) Muff's Modules & More :: View topic - If you think you can be happy with one small modular rack. . . . you are in for a shock! As the year comes to a close I been reflecting on how rapidly my modular(s!) Have grown! Here is a brief pictoral history of my current run, about 2.5 years of planning and buying . . . (so far . . . shhhh! ) In the summer of 2008 I started seriously thinking about getting a small rack with a Q960 sequencer in it to run my MiniMoog.
Then I arrived at the conclusion I would get one medium sized rack of modular with possibly another medium or small one one as expansion. September 2008: I had a bunch of modules and powered it up for the first time: December 2008: I've expanded to two racks but I've already run out of room for a 960 sequencer! April 2009: I had expanded to two more medium racks.
Plenty of room now for everything i could want . . . . November 2009: Most spaces filled but I have the Q960 sequencer AND a M569 sequencer now. April 2010: Now up to 7 modular racks (and the 2 MIDI ones). I'm outa room! August 2010: All holes spoken for! Play. Glurkys_graphiks. Voice of Saturn Fully Assembled. ModularSynth.com--Modular Analog Music Synthesizers.
Modulaire. Polivoks. Moog music. Nord Electro. Sinthesizers. Vintage Synth Explorer. Inside synthesis. Mellotron. Experimentalsynth.com. A bit of history for you… Let’s see what this sounds like. Clusterflux #moog #moogerfooger It’s resting now #film #video #moog #subphatty and friends An old oud pic of me #oud #worldmusic Studio work with Billy Cardine #mooglapsteel #badasspedalboard Billy Cardine’s badass pedal board #moogerfooger #eventide Asheville Electro Music Festival emavl.com #synth #electromusic #moogguitar #theremin #synth #moog #moogerfooger #moogerfooger #moog #moogfest Check it out. #moogerfooger #moogfest #moog. Museum of Soviet synthesizers. Polivoks Photo Description Polivoks is the portable electronic musical synthesizer which is designed for playing different musical compositions of any genre. It is also intended for creating some musical effects in cinema and play scoring, in studio.
There are 4 octaves on the keyboard. The inclined desk is divided into the following functional sections: Modulator, Generator #1, Generator #2, Mixer and Amplifier. They give one a possibility to synthesize a broad spectrum of sounds and to change sounding at any time. There are 3 internal audible signal sources in the instrument: to broad-ranged of the Generators with changed form of oscillations and a noise generator for creating a non-musical sounds such as wind, surf, whine, etc. Possibility to connect an external audible signal sources to the synthesizer is provided for (e.g. guitars, electropianos and electroorgans). Specifications: Sounds Polivoks | Manuals | Schemes | Tuning of the pitch.
How to make DIY noise with feedback loops. DIY Noise With Feedback Loops You're interested in noise. Noise as an experimental music genre (if we can loosely call it that). The whole deal is that everything's open. You could plug a synth into this chain. A guitar, or bass. A contact microphone or a regular microphone. You could add a mixer. With experimental music, time limits, radio edits, record company agendas, and expectations are not a factor. It's more important to try new things. Or nothing except effects to feed the effects, as in a "no input" source where a mixer's AUX sends are used to create a feedback loop with effects processing the loop. WARNING: This stuff gets loud so be careful or you'll blow your speakers or destroy your (or someone elses) ears!
A simple feedback loop like the one above will give you an almost instant "screeching" sound. EQ's are good for bringing up feedback frequencies outside of the original "screech" range. Phasers, Flangers, and Chorus pedals will "smear" the sound to varying degrees. Sound Synthesis Education // synth.tk. SDIY. Eowave Filterbug - Real Analogue 24 dB Low-pass Stereo Filter | DiscoFreq's Effects Database. Pictures Controls Gaincontrols the volumeLFO Speedcontrols the speed of the LFOLFO Depthcontrols how much the LFO moves the filterEnvcontrols how the filter responds to the envelope of the input signalCut Offcontrols the filter's cut off frequencyResonancecontrols the filter's resonance Various Eowave FilterBugs are analog stereo 24 dB low-pass filters with the extraordinary capability to give a real analog feeling to any digital sounds from your synths, samplers or computers.
Because they are real analog, they will always sound different and bring warmth and depth only analog technology can generate. They can also reach frequency ranges no digital technology will ever admit. Most recent forum threads No forum threads about this effect yet. Link to this page Here's some code to post a link with image on forums, eBay, websites,... Eowave Filter Bug stereo analog filter. DIY | Page perso d'Fx. Sdiyfr :: Index. Powertabs.net - your friendly guitar, bass, and other instrument.
Nord Electro 3 - Information. CGS - Ken Stone's Modular Synthesizer. MUSICAL FUN. PICTURES. WEB ART. PHOTOGRAPHY. CINEMA.