?FUN? (Rand0MiZer) ♫ Tony-b Machine ♫ Music Machines: TR-808/samples. Devenez un artiste sponsorisé par The Pirate Bay. Devenez un artiste sponsorisé par The Pirate Bay Amis artistes, si votre plus gros problème n'est pas le piratage de vos œuvres, mais plutôt de vous faire connaitre mondialement et enfin pouvoir vivre de votre talent, j'ai peut être un truc pour vous. C'est The Pirate Bay qui a mis en place une page spéciale sur son site où les artistes (ciné, musique ou autre) peuvent s'inscrire et proposer une oeuvre à promouvoir en pleine page d'accueil du site pour 3 pays différents.
Un beau cadeau qui vous propulsera au top mondial si vous avez la chance d'être sélectionné et si l'équipe de TPB aime votre musique, vos livres ou vos films. Ça se tente non ? Allez, à vous de jouer ! Ps: Carmin, tu le tentes ? Vous avez aimé cet article ? View topic - The Drums Thread. I analyzed the chords of 1300 popular songs for patterns. This is what I found. | Blog – Hooktheory. For many people, listening to music elicits such an emotional response that the idea of dredging it for statistics and structure can seem odd or even misguided. But knowing these patterns can give one a deeper more fundamental sense for how music works; for me this makes listening to music a lot more interesting.
Of course, if you play an instrument or want to write songs, being aware of these things is obviously of great practical importance. In this article, we’ll look at the statistics gathered from 1300 choruses, verses, etc. of popular songs to discover the answer to a few basic questions. First we’ll look at the relative popularity of different chords based on the frequency that they appear in the chord progressions of popular music. Then we’ll begin to look at the relationship that different chords have with one another. For example, if a chord is found in a song, what can we say about the probability for what the next chord will be that comes after it?
The Database 1. 2. 3. How to Make a Skrillex/Knife Party Dirty Formant Lead. Massive Tutorial | How to make a big pluck/pad (Porter Robinson/Knife Party style) Bitcrushed Lead *NI Massive Tutorial* View topic - How To Make This Sound - January 2012. Hardware, software, tips and tricks Forum rules By using this "Production" sub-forum, you acknowledge that you have read, understood and agreed with our terms of use for this site.
Click HERE to read them. If you do not agree to our terms of use, you must exit this site immediately. We do not accept any responsibility for the content, submissions, information or links contained herein. Users posting content here, do so completely at their own risk. Quick Link to Feedback Forum BryceFury Posts: 31 Joined: Sat Aug 07, 2010 10:06 am Contact: High Pad/Lead Post by BryceFury » Wed Feb 01, 2012 9:15 pm Could anyone point me in the right direction to making the high-pitched sound in this song: Most clearly heard around 4:07 I'm using Reason but a couple of hints on waveforms/filters would be a big help if you're not using reason narrator Posts: 313 Joined: Sun Apr 12, 2009 5:41 pm Re: How To Make This Sound - January 2012 Post by narrator » Thu Feb 02, 2012 4:01 pm Hi, Thanks It can be heard @ 1:29seconds Earjax.
Knife Party's Extreme High Pitch Filthy Bass-Tutorial (NI Massive) "Kill The Noise" "Skrillex" SOUND PRODUCTION & THEORY. Ableton live. Making Electro House Music in Ableton Live by Timofey. Leçon de house music à ceux qui se prennent pour des DJ de génie | Rue89 Culture. Maintenant, quasiment tout le monde peut faire de la musique. Il suffit d’avoir un iPhone, en gros, et un ordinateur.
Ce n’est pas une raison pour massacrer le genre : les Blacks et les folles ne l’ont pas élevé au rang d’art pour en arriver là. Comme j’en ai marre d’écouter les merdes pondues par ces DJ blancs hétérosexuels qui se prennent pour de grands compositeurs, j’ai décidé de leur révéler ce que j’ai appris ces dernières années sur la house. En sept mini-leçons. Un boum-boum bien placé Une des grosses différences entre la musique de gros bourrins et la house élégante est que la grosse caisse, aussi omniprésente soit-elle, n’est pas forcément une machine à concasser les oreilles. En anglais on l’appelle « bass drum », mais ça ne veut pas dire qu’elle doit couvrir toutes les basses : il faut de la place pour la basse elle-même, qui va donner le groove au morceau.
Surtout, la grosse caisse n’est jamais aussi désirable que quand on l’attend. Même fréquence pour les percussions. View topic - The Dubstep Production Bible (updated 2009-06-03) Hardware, software, tips and tricks Forum rules By using this "Production" sub-forum, you acknowledge that you have read, understood and agreed with our terms of use for this site. Click HERE to read them. If you do not agree to our terms of use, you must exit this site immediately.
We do not accept any responsibility for the content, submissions, information or links contained herein. Users posting content here, do so completely at their own risk. Quick Link to Feedback Forum daft cunt Posts: 1702 Joined: Thu Feb 01, 2007 8:58 pm Location: Toulouse, France The Dubstep Production Bible (updated 2009-06-03) Quote Post by daft cunt » Fri Feb 09, 2007 11:30 am Large thanks to everybody who contributed, Futures Untold, Johnny Beat, Klimaxx, Deadly Habit & Junglist/Rendr in particular. The old version of the bible is still available there. Plz help with the unlinked chapters. 1. 2. 3. 4. 5. 6. Last edited by daft cunt on Fri Dec 11, 2009 6:12 pm, edited 46 times in total. vonboyage Posts: 6736 Contact: x2. Frameset Sampling Studio Music Friends. ACAPELLAS4U • Portal. Musician Tutorials: Content / Category / Inspiration and Creativity. The worlds most Ableton Tips in one Video Blog! The most Ableton Live Tips, tricks and shortcuts packed into 1 video!
If you are new to Ableton or just want 1 resource to increase your knowledge, this should help quite a bit. Feel free to add to this list in the comments section. Enjoy! 1. If these tips have helped you, please consider making a Donation or picking up one of my Full collections. P.S. – Don’t forget to comment & tweet (down below) & “like” (up above).All your feedback & support is appreciated! This Template is the result of 100's of hours of passionate work. Randal Helm (aka @MrBitterness) has REALLY outdone himself with this sampled synth. Ultimate Ableton Collection 1 A must for anyone new to Ableton or wanting to dive deeper into the depth of this program.
Ultimate Ableton Collection 2 This collection makes an incredible companion to the first collection and gets into the newest features in Ableton. Advanced Warping Collection This collection is a must for DJ's and remixers! Producer's Deluxe Collection Comments comments. DJ Times July 2011 Digital Edition. View topic - Skrillex Interview (Computer Music) Warbeats. How to make a Wobblebass with Sytrus. Reason Tutorials. View topic - The Drums Thread. Lots of ghost piccalo snares pon the triplets. Do this in like, every bro tune I make... Looooaaads of non-drum-percussive sounds if your writing bro too... lots of little whooshes and whishes and timestretchy things and funky gunshot percussion sounds and explosions every few bars and blehblehblehbleh...
Fill the hell out of the 16s, like, bunch of little white noise hats in there... the energy is in the 16s, and the dj matches to the 16s, just make sure they arent overwhealming in the mix... In brostep, dont overdo the kick and the snare. Big mistake people make out the bat... Get some damn breakbeats in there somewhere. Lots of crashes and rides... Yeah use alot of drums though. Facebook. Index of /samples/wav.
Index of /samples/wav Name Last modified Size Description. View topic - Skrillex is a sampler. View topic - Skrillex reveals details on how he makes his basslines. View topic - How To Sound Like Skrillex & Make Skrillex Bass. Turnipish Thoughts wrote:Brilliant work on the organization front Wub, tirelessly bringing all these threads together into one easily findable database. Must have taken you a long time and signifies a dedication to the forum, so big respect for that. See, that's the thing - it didn't. I used Advanced Search to show all threads within the Production sub forum with 'Skrillex' in the thread title.
Opened up each thread in a seperate tab, weeded out a couple which weren't relevant then cut & paste the URLs of the others together with their thread titles. The google search took slightly longer, but again the search criteria I used were "skrillex bass how" and "sound like skrillex", then the same cut & paste on the search results. Probably took about 20mins at most, including editing the URLs and making it look pretty. It's the old adage of education vs. innovation. This isn't so much reflective on Dubstep culture as a whole, more a by product of the Internet generation. Agreed. How do people like skrillex make their tracks? Dubstep Basics. Technique : Composing / Arranging Like drum & bass and jungle before it, dubstep showcases the inventiveness of British urban music. We explain some of its fundamental production techniques, from ‘wobbly’ bass lines to half-time drum programming. Pete Jenkins New genres appear on an almost daily basis in electronic music, but few have had the impact of dubstep.
From the grimy nightclubs of Croydon to mainstream radio airplay, via high-profile endorsement from acts as disparate as Snoop Dogg and Radiohead, its meteoric rise is unrivalled. Labels like Tempa and Hyperdub laid the foundations with artists such as Horsepower Productions, Kode9, Skream, Benga and Burial. Technical Dubstep’s main characteristics lie in its rhythms, bass and dark sound, with heavy use of spatial atmospherics, low-end frequencies and swing. Wall Of Sound A key feature of dubstep production is the use of atmospherics and textures to create a full and spacious mix. Kick & Sub There is no set method to making dubstep. SteezTracks. Danyrockjr. Vidéo Prodigy - baby's got a temper Accapella - Acapella - Vocals de hervet (Musique - hervet.
Songwriting Exercises - Handout. Songwriting Exercises by Joel Mabus Scaffolding Stuck? Here’s an old trick to get you going. What a good song offers is structure, repetition, form and balance. Try this exercise: A) Take some song you like — any song at all from any era, any style — just so long as it is familiar to you. B) Write a new lyric to that song. C) Take that new lyric and write completely new music to it. D) Edit. (Or you could do A-C-B-D — write the new music to the “scaffold” song and then write a new lyric.) What remains is a new song with only a hint of the “ghost” song that acted as a scaffold for the process.
Listmaking Out of ideas? A list could become a song (remember “My Favorite Things” or Tom T Hall’s “I Love...”) or could be a starting pad for an essay song, enumerating facts or feelings. Focused Imaging Similar to listmaking, but more purposeful, is putting your imagination to work in creating a scene, place or mood. Imagine a perfect day in your childhood – or the day your childhood sweetheart left you. Virtual Instruments / VST for Mac. Accueil - Samplestation. WaterFall Records Learning to Record Lesson Two. Lesson 1 You're here: Lesson 2 Log In: You must be a 'Member" to view Lessons 3 thur 9 Using a Compressor?
Hello all, Ken here. How many of you really know how to use a compressor? If you are coming here from Recording Tips 7: show me the Magic Frequencies! Using one is really easy; the trick to it is to "listen to your music" and feel the flow of the mix. To set the compressor (assuming you have a constant meter in the song like the snare Mute out all the other tracks so you can work on the track. You want the compressor to breath in time with the song. Look at a compressor as an instrument in your sound. I hope this helps all of you in your mixing and recording. Here are some Magic Frequencies Tip: Set your frequencies up as presets. Good Luck! Web Design by Michael R. Vengeance Sound. Loopmasters Pro Sample Cds, Download Samples, Royalty Free Sounds, Sample Libraries and Boutique.