Shambhala. In Tibetan Buddhist and Hindu traditions, Shambhala (also spelled Shambala or Shamballa; Sanskrit: शंभाल; Tibetan: བདེ་འབྱུང་; Wylie: bde 'byung, pron. de-jung; Chinese: 香巴拉; pinyin: xiāngbālā) is a kingdom hidden somewhere in Inner Asia. It is mentioned in various ancient texts, including the Kalachakra Tantra[2] and the ancient texts of the Zhang Zhung culture which predated Tibetan Buddhism in western Tibet. The Bön[3] scriptures speak of a closely related land called Olmolungring. Hindu texts such as Vishnu Purana (4.24) mention the village Shambhala as the birthplace of Kalki, the final incarnation of Vishnu who will usher in a new Golden Age (Satya Yuga).[4] Whatever its historical basis, Shambhala gradually came to be seen as a Buddhist Pure Land, a fabulous kingdom whose reality is visionary or spiritual as much as physical or geographic.
§In the Buddhist Kalachakra teachings[edit] Shambhala is ruled over by Lord Maitreya. Manjushri Yashas (Tib. §See also[edit] §[edit] Kalachakra. The Kalachakra (Sanskrit: कालचक्र Kālacakra, Tibetan: དུས་ཀྱི་འཁོར་ལོ།, Wylie: dus kyi 'khor lo; Mongolian: Цогт Цагийн Хүрдэн Tsogt Tsagiin Hurden; Chinese: 時輪) is a term used in Vajrayana Buddhism that means wheel of time or "time-cycles". The word Kālacakra is usually used to refer to a very complex teaching and practice in Tibetan Buddhism. Although the teaching is very advanced and esoteric, there is a tradition of offering it to large public audiences. Kālacakra tradition[edit] The Kālacakra deity represents a buddhahood and thus omniscience.
The Kālacakra refers to many different traditions: for example, it is related to Hindu Shaiva, Samkhya, Vaishnava, Vedic, Upanishadic and Puranic traditions and also to Jainism. Text of the Kālacakra Tantra[edit] The Kālacakra Tantra is divided into five chapters.[4] Ground Kālacakra[edit] The first two chapters are considered the "ground Kālacakra. " Path and fruition[edit] Astrology[edit] History and origin[edit] Manjushri Kirti (Tib. Practice[edit] Zhangzhung. Zhangzhung (Tibetan: ཞང་ཞུང་ ; Tibetan pronunciation: [ɕaŋɕuŋ]; Chinese: 象雄; Chinese pinyin : Xiàngxióng) was an ancient culture and kingdom of western and northwestern Tibet, which pre-dates the culture of Tibetan Buddhism in Tibet. Zhangzhung culture is associated with the Bon religion, which in turn, has influenced the philosophies and practices of Tibetan Buddhism.
Zhangzhung people are mentioned frequently in ancient Tibetan texts as the original rulers of central and western Tibet. Only in the last two decades have archaeologists been given access to do archaeological work in the areas once ruled by the Zhangzhung. Recently, a tentative match has been proposed between the Zhangzhung and an Iron Age culture now being uncovered on the Changtang plateau of northwestern Tibet. [citation needed] §Extent of the Zhang Zhung kingdoms[edit] Tradition has it that Zhang Zhung consisted "of three different regions: sGob-ba, the outer; Phug-pa, the inner; and Bar-ba, the middle.
§See also[edit] Baphomet. "Bahomet" redirects here. It is not to be confused with Bahamut. The 19th century image of a Sabbatic Goat, created by Eliphas Levi. The arms bear the Latin words SOLVE (separate) and COAGULA (join together), i.e., the power of "binding and loosing" usurped from God and, according to Catholic tradition, from the ecclesiastical hierarchy acting as God's representative on Earth. The original goat pentagram first appeared in the book "La Clef de la Magie Noire" by French occultist Stanislas de Guaita, in 1897. Baphomet (/ˈbæfɵmɛt/; from Medieval Latin Baphometh, Baffometi, Occitan Bafometz) is a term originally used to describe an idol or other deity that the Knights Templar were accused of worshiping, and that subsequently was incorporated into disparate occult and mystical traditions.
§History[edit] The name Baphomet appeared in July 1098 in a letter by the crusader Anselm of Ribemont: Two Templars burned at the stake, from a French 15th-century manuscript §Alternative etymologies[edit]
Linguistics. Philosophers. Philosophy since the Enlightenment, by Roger Jones.