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Cours du vendredi 19 novembre 2021- L'image comme matériau

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WORKS — Anne Deleporte. Hannah Höch - Archives of Women Artists, Research and Exhibitions. Salvador Dalí, "Le Phénomène de l'extase", 1933. ‘Bash’, Sir Eduardo Paolozzi, 1971.

Nalini Malani, Remembering Mad Meg, 2007-2011 Vidéo / théâtre d’ombres - - Copie

Women Are Heroes, Brazil, JR, 2008. Rio de Janeiro, Brazil 28 Millimètres, Women Are Heroes, JR explaining his project Women Are Heroes, 2008 Moro de Providencia is a place of which the name has become synonymous for violence in Rio de Janeiro.

Women Are Heroes, Brazil, JR, 2008

However the reason this favela located in the center of Rio appeared on television screens in August 2008 wasn’t the regular scenes of clashes between drug dealers and the police but to present the art exhibition Women. 28 Millimètres, Women Are Heroes, Brazil, JR explaining his project, 2008. (page 188) Kara Walker. Gone: An Historical Romance of a Civil War as It Occurred b'tween the Dusky Thighs of One Young Negress and Her Heart. 1994. This wall installation, first exhibited in Walker's 1994 New York debut, inaugurated the artist's signature medium: black cut-out silhouettes of caricatures of antebellum figures arranged on a white wall in uncanny, sexual, and violent scenarios.

(page 188) Kara Walker. Gone: An Historical Romance of a Civil War as It Occurred b'tween the Dusky Thighs of One Young Negress and Her Heart. 1994

In reviving the eighteenth-century cut-paper silhouette to critique historical narratives of slavery and the ongoing perpetuation of ethnic stereotypes, Walker has transformed the craft into a new type of epic history painting. In the work's elaborate title, "Gone" refers to Margaret Mitchell's 1936 novel Gone with the Wind, set during the American Civil War. While Walker’s narrative begins and ends with coupled figures, the chain of tragicomic, turbulent imagery refutes the promise of romance and confounds conventional attributions of power and oppression. "The history of America is built on . . . inequality, this foundation of a racial inequality and a social inequality," the artist has said. Le procès de la trahison. KRUGER Barbara pdf. BK untitled1. Version 1 KRUGER Barbara pdf. William Kentridge, Remembering the Treason Trial, 2013. Remembering the Treason Treal, (souvenir du procès pour trahison) 2013, 63 lithographie sur papier, 193.04 x 179.71 cm.