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Boston detectives subpoenaed Facebook for Philip Markoff's account information. This document includes the subpoena as well as the information Facebook returned. Nettleton 199 / RL House / Swing Table por Duffy London / Moon Glasses / Vasos Revolution por fferrone design / ZEbag / Cocoon Fires / Dual Cut de Kitmen Keung / Glass Garden Globe / Urban Garden Bag / Mesas Fiss por My Own Super Studio / Mesas Les frères Plo / Homework Table / Juego de té KOOKII FOR 6 / Hole In The Floor de Raw Edges / Magazin / Maleta gigante de metal / Nautica Hanging Chair / Lámpara de mesa Page by Page / Snap Skateboard / Spilt Milk Bowl / Tiffin Lunch Kit / Cara B / Cinema / Elegant Silence / Ciclopep Tees / Honey Gueco / Philippe Dubuc / Tom Rebl / BIOSBCN / Hotel DO: Plaça Reial / Mini Cooper S Clubman and Airstream / Musikorner / Sita Murt / Hoss Intropia / Confezioni Crosby / Band of Outsiders / Acne / ComplexGeometries / Kenzo / Carven Carven / J.
Issuu - You Publish
Blogging etiquette gets personal | Media | The Guardian
A discussion that began on a journalist's personal blog has sparked a wider debate on ethics in the age of social media as the lines between journalists' professional work and their personal activities blur. It began when Adam Tinworth, the head of blogging development for Reed Business International, criticised the National Union of Journalists on his blog for still not "getting" social media such as Facebook and Twitter, and for responding defensively to calls to include social media in their training. In a follow-up post, Tinworth noted that an NUJ representative had visited his blog from an email with the subject "effing blogs" ( http://bit.ly/blogs2 ). This turned into an unseemly spat when Chris Wheal, a freelance journalist and the head of the NUJ professional training committee, who had sent the email, criticised Tinworth for not contacting the union first for a comment before publishing his post.
Scan This Book!
In several dozen nondescript office buildings around the world, thousands of hourly workers bend over table-top scanners and haul dusty books into high-tech scanning booths. They are assembling the universal library page by page. The dream is an old one: to have in one place all knowledge, past and present.Paper publishing will never be the same again. It is deeply affected by a dual contradictory need. On one hand, real-time updating is pervading the printed page space with various technologies, and on the opposite, the need for something reliable and not dependent on the lack of tcp/ip waves or electricity is more and more precious for a generation stuck for most part of the day close to their unstable laptops. Various disembodiment of paper is practiced on the net and in connected devices, but the immobility (so the reassuring stability) of the printed page is on the other end growing and finding new customized way of production and consumption. Cellulose and electricity are not married, yet, but their vital relationship can still be taken as an opportunity for a new independent pervasive publishing wave.
The Persistence of paper, Alessandro Ludovico
Ever wondered how your surname has influenced your life? Or wished that you could tell if someone is lying? Or wanted to understand more about seduction?
http://quirkology.com/
Bill McCoy has assembled a mouth-watering schedule of the International Digital Publishing Forum IDPF meeting on 23-24 May during Book Expo in New York. registration info and full program at http://idpf.org/digitalbook2011 . The program includes a special keynote from multiple Hugo and Nebula award-winning best-selling science-fiction authors Neal Stephenson and Greg Bear, who will discuss their experience with The Mongoliad, a ground-breaking project in direct-to-consumer and community-augmented online serial publishing. "Special Keynote: The Mongoliad, Year One - a ground-breaking investigation into the future of publishing" - Neal Stephenson and Greg Bear, Subutai Corporation "The Future of Digital Reading and the Business of Digital Publishing" - Masaaki Hagino, Voyager Japan, Inc.; Brad Inman, Vook; Peter Balis, John Wiley
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WritersWeekly.com
**(If you want to bypass the formal submission process, you can email your manuscript to Angela directly for consideration at angela -at- booklocker.com ). ***Prices above based on least expensive package offered by each publisher on similar offers targeting U.S. authors. Fees include interior formatting (based on a 200-page book), original cover design with up to 5 images, print proof, ebook creation, up to 25 interior photos/graphics, an ISBN, barcode, a listing on the publisher's website and distribution by Ingram, all within 6 weeks. NOTE: All publishers above currently offer distribution through Ingram (the largest book distributor), as well as inclusion of their titles in the major online (amazon.com, barnesandnoble.com, etc.) and physical bookstore systems. NOTE: Many companies offer perks that others don't, some try to upsell authors on extraneous services, and a few even claim ownership of files the author has paid them to create.
BuzzMachine » Blog Archive » New News: Deconstructing the newspa
[Here's another in a very occasional series of posts suggesting how to change newspapers, all tagged and headlined "NewNews." Prior posts addressed the need to inspire an imperative for change and suggested turning the newsroom into a classroom to recast journalists' relationships with the public. In this post, I'll look at what newspapers do not need to be; in a future post, we will look at what they do need to be.] Newspapers waste too much money on ego, habit, and commodity news the public already knows.A l'occasion de la 4e édition du Bookcamp qui se déroulait au Labo de l'édition à Paris, samedi 24 septembre, retour sur l'un des ateliers proposé par Abeline Majorel l'infatigable lectrice de Chroniques de la rentrée littéraire , sur le thème de l'organisation du circuit de correction à l'heure du numérique. Comment ce circuit s'organise-t-il dans l'édition traditionnelle et dans le numérique ? Les techniques des uns et des autres peuvent-ils aider à optimiser une meilleure "correction permanente" ? Comment récupérer les corrections des lecteurs et les traiter ? Le Comité de lecture est une association de lecteurs bénévoles qui produit pour chaque lecture acceptée un retour de lecture argumenté, pointant les incohérences, les fautes, offrant une appréciation de lecture argumentée, mais bienveillante.
