Innovation. Hamburg. Browse By Person: Cunningham, Stuart. Group by: Item Type | Date Number of items: 137.
Book Hartley, John, Potts, Jason D., Cunningham, Stuart D., Flew, Terry, Keane, Michael A., & Banks, John A. (2013) Key concepts in creative industries. SAGE Key Concepts series. Sage Publications Ltd., London, United Kingdom. Local - Build downtown creative incubator: report. "The Rise of the Creative Class" by Richard Florida. Purchase Richard Florida's related book As I walked across the campus of Pittsburgh's Carnegie Mellon University one delightful spring day, I came upon a table filled with young people chatting and enjoying the spectacular weather.
Several had identical blue T-shirts with "Trilogy@CMU" written across them---Trilogy being an Austin, Texas-based software company with a reputation for recruiting our top students. I walked over to the table. "Are you guys here to recruit? " I asked. Building Better Bicycle Cultures: World's Most Liveable Cities 2010. I was perusing Monocle Magazine's list of the World's Most Liveable Cities.
Here's the top 20 for 2010. 01 Munich 02 Copenhagen 03 Zurich 04 Tokyo 05 Helsinki 06 Stockholm 07 Paris 08 Vienna09 Melbourne 10 Madrid11 Berlin 12 Sydney 13 Honolulu14 Fukuoka 15 Geneva 16 Vancouver17 Barcelona 18 Oslo19 Montreal 20 Auckland We'll always say that the bicycle is the most important and effective tool in our liveable toolbox. Creative Cities Summit: Using Art to Change Cities in Lexington, Kentucky. Posted by Justin on Tuesday, April 6, 2010 · 1 Comment In just a couple days, Danielle and I will be headed down to Lexington, Kentucky, where I’ll be presenting at this year’s Creative Cities Summit as part of the Using Art to Change Cities panel.
The summit runs from April 7 – 9, 2010, I’ll be presenting on Friday, April 9th. Toronto Cultural Policy. Creative-city-planning-framework-feb08.pdf (application/pdf Object) The City of Toronto is proud to play a vital role in the cultural life of the city.
Committed to the development of arts and culture in the Toronto, the Cultural Services section undertakes a range of responsibilities including: the operation and administration of many museums, historic sites, performing and visual arts centres; financial support for cultural activity and individual artists; encouraging public art projects in both private and public developments; and assisting a wide range of community arts organizations in accessing and sharing municipal services and facilities.
Culture of Cities Center. Toronto Cultural Policy. Stop talking about the knowledge economy. Start building a wisdom economy. We know we're in the middle of seismic shifts in the way the world operates.
We don't know where they'll end up, or where any of us will be when the dust settles, if it ever does. Will we have a job? A pension? A home? Someone to care for us in old age? We do know, though, that we'll need to be more resilient, more adaptable, and more responsible to face the future. Google and Mountain View Recast Company-Town Model.
La culture et le développement durable. Notes d'une conférence prononcée par Laurent Laplante le jeudi 6 octobre 2005 devant le réseau Ville et villages d'art et de patrimoine.
Flew. The Cultural Economy Moment?
Knowledge policy: challenges for the 21st century. The production of knowledge has become central to economic life.
Competitiveness in the 21st century market place is now characterized by the ability to translate scientific and technological knowledge into innovation. But does this render cultural and social knowledge unimportant? This unique book advocates a broader epistemological base for the term ‘knowledge’ and develops policy implications from this perspective. By examining long-term challenges, the volume argues that fresh policy thinking is needed not only in the obviously knowledge-intensive portfolios but across all areas of knowledge production and questions how the different dynamics of the knowledge era affect defence, employment, environment, indigenous and international relations, multiculturalism and urban policy. Contributors: R. Urban Statistics « ResourceShelf. FreePint FreePint supports the value of information in the enterprise.
Read more » Colloque de Culture Montréal sur l'économie des arts en temps de crise. De nombreux organismes culturels explorent actuellement de nouvelles avenues pour améliorer leur situation financière, situation d’autant plus fragilisée par la crise économique. Lors de ce colloque, des gestionnaires chevronnés aborderont diverses solutions, qu’il s’agisse de créer une fondation; d’élargir sa palette de commandites avec l’appui d’entrepreneurs; de créer une politique de prix souple afin de tirer un maximum de profit de la vente de billets; d’augmenter les opportunités de tournées tout en minimisant les coûts; ou de réduire ses frais de fonctionnement en partageant espaces, équipements et ressources. Creative Places + Spaces: Collaborate or Die. This week, the third-ever Creative Places + Spaces has been bending my brain with a near-perfect melange of speakers: the obvious brilliant locals like Richard Florida and Mayor Miller are on stage with a dash of international thinker-stars like Sir Ken Robinson and inspiring outside-the-box artists like Kat Cizek (filmmaker-in-residence at St Michael's Hospital), naked crowd photographer Spencer Tunick, and Cape Farewell artist-founder David Buckland.
The basic topic of discussion is "the collaborative city". Which is also the creative city. The creative economy = the ‘direct economy’ For the purpose of understanding the evolution of our economy and our quality of life, if there was ever one definitive graphic, this is it. However, to understand the current creative, knowledge-based, whole new mind economy we’re in from an individual’s point of view, you have to get to know the work at Think Studio, a global think tank based in Switzerland.
The chart above illustrates the direct economy, where “customer knowledge is replacing producer knowledge”. ThinkStudio illustrates this economic model through the two dimensions of knowledge and interactivity. The five progressive levels of knowledge: 1. Passive - Listening to music, surfing the web. 2.