Bryan Schutmaat. Todd Hido. Olivia Arthur. KayLynn Deveney Photographer. Kelli Connell. Judith Joy Ross. AMANI WILLETT. Larry Sultan. KURT SIMONSON | Northwoods Journals. HARLEY WEIR. Archive Ask me anything NEWS represented by > 2015/07/10 652 notes 2015/07/10 138 notes 2015/06/25 651 notes 2015/06/25 577 notes 2015/06/25 261 notes 2015/06/25 494 notes 2015/06/25 62 notes 2015/06/25 817 notes 2015/06/10 249 notes 2015/05/30 705 notes 2015/05/30 59 notes 2015/05/14 74 notes gaspar noe. Julia Hetta. Josh Quigley. Portfolios — MELISSA ANN PINNEY. E.J. BELLOCQ: "'Bellocq Epoque' - Nan Goldin on Photographer E.J. Bellocq" (1997) By Nan Goldin, Originally Published in ArtForum, May, 1997 Late one Berlin night in 1991, a famous German fashion photographer invited me and two friends to join him for a trip to Bel Ami, his favorite brothel in the Grunewald.
The presence of a woman as a customer created a ripple of surprise, but the photographer, being a regular and popular visitor, put them at ease. Glossy prints of his published photographs of the house, group portraits of the “girls” who worked there and the pimp (“host”), were hanging on the walls. Though the setting was a German villa, the props were familiar: patterned wallpaper, heart-shaped velvet pillows, mirrors, chandeliers, gilded Turkish figurines holding red lamps, pink fleshy faux-Baroque nude paintings. One could imagine the same prevalence of gold and red in the brothels of Storyville, the red-light district of New Orleans in the early part of the century. Without Friedlander’s intervention, no one would know the work of E.J.
(All rights reserved. Vanessa Winship. INFO - Airyka Rockefeller. Airyka Rockefeller is from a small island in the Pacific Northwest. She graduated from Sarah Lawrence College in New York with a BA in cultural studies and photography, and received her MFA from California College of the Arts in 2005. Rockefeller's art works turn attention to repurposed landscapes, worldly metamorphosis, and the paradigms between the symbolic and factual value of things and places.
Long fascinated by the popular tendency to monumentalize particular landscapes, architectures or objects, while determining others as insignificant, her work investigates the overlooked and vestigial on an intimate scale. Her ongoing series of self-portraits, Between Or Before, was recently included in Auto Focus: The Self-Portrait in Contemporary Art, a publication by Susan Bright, and a photograph from the same project is featured on the cover of Photo World magazine from China for their March 2014 issue. Petra Collins. Katy Grannan. Paul D'Amato. Nigel Shafran. Gillian Laub. OLIVIA BEE. Katharina Hesse photography. Christopher Anderson Photographs. Old Work — ALYSSA MINAHAN. Michael Ackerman. ANDERS PETERSEN. Larry Sultan. Sally Mann. Ryan McGinley. Jen Davis. Alec Soth. Nan Goldin. TAMARA LICHTENSTEIN.