Www.acousticvision.com.au/Portals/0/Quietstone/Quietstone-Brochure.pdf. Auditorium of the School of Music in Groningen, The Netherlands by Alex van de Beld. Presentation ‹ Tisseyre+associés. Tisseyre + Associés is a company of acoustical engineering Environmental acoustics, to visualize, analyse and control sound pollution in the environmentArchitectural acoustics, to control sound pollution inside buildings but also to optimise construction and layouts to adjust acoustics to the uses (Tertiary, Conference rooms, Theatres, Operas…).
Two axes of strong competences: development of tools to simulate the acoustic phenomena; innovation and custom design through the control of building materials. The School Music Room - Critical Design Considerations. School music programs teach students discipline, teamwork and how to express themselves in constructive ways that enrich the community.
This is why top schools invest in music education - an investment that begins with specialized rooms for music rehearsal and performance. Many believe that designing a space for music instruction need be no more than a high-ceilinged room of regular proportions lined with acoustical panels. Steven Holl - House. Steven Holl - Intertwining: Clasificarea artei. Busqueda. Resonance, Essays on the Intersection of Music and Architecture - Google Books. Pamphlet Architecture 16: Architecture as a Translation of Music - Google Books. Daniel Libeskind’s Proms Lecture [Tesugen]
It’s a real challenge to take notes while listening to Daniel Libeskind’s Proms Lecture 2002 (RealAudio stream; listed in BBC ’s Architecture on 3 program archive ).
![Daniel Libeskind’s Proms Lecture [Tesugen]](http://cdn.pearltrees.com/s/pic/th/libeskind-lecture-tesugen-54508191)
You just can’t keep up with him; he not only talks fast, but spurts interesting ideas, so you have to rewind all the time. I guess it would be better to just relax and listen, and pause in five-minute intervals to dump thoughts. I don’t recommend reading these notes instead of listening to the actual lecture. Formalized Music: Thought and Mathematics in Composition - Iannis Xenakis - Google Books. Taipei Performing Arts Center in Taiwan by B+U. March 20th, 2011 by Sanjay Gangal Urban Concept – The proposal for the Performing Arts Center in Taipei creates a world-class institution which is characterized by both its response to its urban and cultural environment, and by its formal and structural elegance.
The project embraces the concept of a Grand Plaza as being a center hub between the Shilin night market and the TRTS Jiantan station. This is achieved by lifting the multiform theater off the ground and creating a covered outdoor linkage space between Cheng De Road and Wen Lin Road. This linkage space is the center access to the grand foyer and all three theaters. On the south side the Grand Plaza transitions into a garden that gently slopes up towards Jiantan road to allow for shops and restaurants to be placed underneath and accessible from street level. Taipei pop music center in Taiwan by Kotaro horiuchi architecture. January 24th, 2012 by Sumit Singhal Article source: Kotaro horiuchi arhitecture At a slender site placed in the redeveloped area in Taipei, a new hub of Asian music center is projected.
Magazine 57. Three recent events triggered my removal from inertia , un-digging from the past a beloved subject in which I had immersed myself way back , in the late sixties, when in London, at the PLACE, back to back around the corner to the Flaxman House at Flaxman Terrace, and the association with its dancers, particularly one from my own homeland...To this one, the various 8mm films, the Videos, and all the other items in my archives, books on Dance and Music, along with the particular piece below, are dedicated !
My next stimulation , was a book I just read, by five teacher/architects, all teachers of Architecture at the Athens Polytechnic, entitled "Music and Architecture parallel routes: Countepoint as a tool of Music and architectural composition" (Mousikes kai Arxitektonikes symporefsis"/ "Μουσικες και αρχιτεκτονικες συμπορεύσεις: η αντίστιξη ως εργαλείο μουσικής και αρχιτεκτονικής σύνθεσης" , Πατακης , Αθήνα 2011 . Other Arts and Artists preconceptions regarding generally accepted ideas. Durată (muzică) Notiuni generale de teorie muzicala. Parametric modeling - 3d modeling, video tutorials, rhino grasshopper - parametric-modeling.net. Sg2011 cluster: responsive acoustic surfacing. At Smart Geoemtry 2011, the Responsive Acoustic Surfaces group began an investigation into the sound scattering properties of doubly ruled surfaces.
The work was inspired by Gaudí's architecture, which is almost exclusively built from doubly ruled surfaces, and that has a surprising lack of audible reverberation considering the surfaces are all reflective. During Smart Geometry 2011 this phenomena was investigated at three different scales: in digital simulations, in 1:10 prototypes and in a 1:1 prototype. The digital prototypes: Using custom software built on top of Open Cascade, the participants developed strategies for populating hyperboloids across surfaces. These were tested in a Virtual Anechoic Chamber to test the sound scattering properties. Project 1 - ARCH 689: Simulating Dynamical Features of Escape Using Grasshopper Physics Engine. Fatalities are likely to happen in panic situations when people try to evacuate Buildings.
In this report, I will show how Kangaroo physics engine in Grasshopper can be applied to simulate crowd behavior. This simulation is accurate enough to receive support from recent literature in this area. Agent Based Modeling Many systems are created by smaller similar subsystems that interact with each other to create a whole. Fractal Geometry in Architecture and Design - Carl Bovill - Google Books. Yet another geek/ nerd/ dork at work? yet another lame blog? Sound activated motion. Noise Scape II. Berlin GERMANY.
Evolutionary Algorithms. This grasshopper definition was made when the Galapagos evolutionary solver was released for GH.
The inspiration for this simple approach on evolutionary algorithms was drawn by a genetic algorithm I have written in Processing, that I might share later on. It is a fairly simple way to understand how Genetic Algorithms perform an how this can be implemented through GH. Millipede : ISO surface test. Neoarchaic. A collection of point based curve and surface equations GEODEX is a collection of mathematical curve and surface equations for Grasshopper 3d. Using a combination of Polar, Parametric, and Cartesian equations as best suited, simply plug in a list or tree of unitized numbers (t) or points (uv) values into each component and they will be evaluated returning x,y,z coordinates. Most components include additional input parameters which manipulate the curve.
These fall into two type, (r) values (radius & length) which relate to rhino units, and (p) values which are unit less variable parameters of the equation. Components fall under the categories of: NeoArchaic Design. Marzo 2011. Responsive Acoustic Surfacing Cluster - Smart Geometry 2011, Copenhagen... INHABIT SOUNDSCAPE. The Bartlett Faculty of the Built Environment matteomelioli@yahoo.co.uk Abstract In 'Space', the object - or architecture - is generated by a cumulative process of information (geometrical transformations, visual sequences, sound structure…) directly related to the psychological and physiological user’s frames.
Each interaction transforms the visible environment in a dynamic, elastic and multidirectional imaginary space. The relationship between the object-space system (geometrical and phenomenological determinate) and the body-mental projection system (subjective view /aural decoded data ) induces new modes of perception strictly connected to the inner spatial geometry and its physical reflecting (aural and lighting) phenomena. Sound as well light reveals cryptic information about the space via echo and reverberations. This process enhances how the same acoustic phenomena distorts the architectural space creating “ghost-spaces”. Introduction Geometry as frozen music Left: Venice and St. Frozen: Sound as space. Fischer & Maus: Reflection, Widrig & Booshan: Binaural 5 Days Off MEDIA: Frozen Wed 2 through Sat 26 July 2008 Melkweg Mediaroom & Paradiso, Amsterdam Frozen (part of the 5 Days Off MEDIA festival) is an exhibition of experiments in the representation of sound in media beyond the auditory.
It examines the sound signal as a virtual space, presenting possible mappings that visualize or interpret the structures contained within the soundwaves. Frozen was proposed and commissioned by Jan Hiddink and the 5 Days Off MEDIA festival in Amsterdam, and consists exclusively of original work. It was conceived with Generator.x 2.0 as a conceptual reference (all four artists in the show were also involved in Generator.x 2.0), but with a clearly defined focus: The representation of sound as spatial structures, realized as physical objects through the use of digital fabrication technologies.
Frozen: Sound as space.