typographie

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Geneo, designed by Stéphane Elbaz, is a synthesis of historic and present-day visions of typography, a slab serif constructed on an oblique axis. Its subtle contrast evokes both Renaissance elegance and the robustness of the Egyptian typefaces that were in vogue during the 19th century. Geneo falls halfway between the classic styles of Garamond and Fournier, with aspects of contemporary slab serifs. From this blend of styles and genres, it emerges with a singular identity perfectly suited for modern illustrations of quality, savoir-faire, and culture. http://typofonderie.com/gazette/typehistory2/?lang=fr

Gazette - Fonts Typefaces - Typofonderie

http://www.tktype.com/chartwell.php

TK TYPE > Chartwell

Supports whole number values from 1-100. If the total is greater than 100, a new chart will begin.
futura

FontStruct | Build, Share, Download Fonts

http://fontstruct.com/ Witness an exquisite and controlled variation of stroke rarely seen on FontStruct.

Chez Porchez

France lost one of its A, thanks to Credit rating agencies As typeface designer, A is crucial in my everyday job. Help us to find back our A. http://www.porchez.com/
http://www.tooft.com/47-amazing-typography-inspirations/ This is something new.There is a little number of pictures like this on the web.This pictures are unusual but they are not bad.All these are some inspirations that are made by DeviantArt.com members.These inspirations really looks awesome.I hope you will love them and share with your friends.Also Please subscribe to ...

47 Amazing Typography Inspirations | Photo Collection - Graphics Arts, Amazing Desings and more

40 Excellent Freefonts For Professional Design - Smashing Magazine

The importance of typography in design can’t be overestimated. http://www.smashingmagazine.com/2007/11/08/40-excellent-freefonts-for-professional-design/
Cécile Alduy CONLEY, Tom, L'inconscient graphique. Essai sur l'écriture de la Renaissance (Marot, Ronsard, Rabelais, Montaigne) ,L'imaginaire du Texte, Presses Universitaires de Vincennes, 2000. http://www.fabula.org/revue/cr/169.php

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