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Kaneva blurs the line between the offline and online world in a 3D virtual world where the virtual you is an extension of the real you. A truly unique online experience, Kaneva brings web profiles and entertainment to life. Join the free 3D virtual world full of real friends and good times An online Virtual World to Make Your Own http://www.kaneva.com/

Kaneva

Unless you have been living under a rock for the last six months, you will have noticed that the virtual world Second Life is much in the news . According to its home page, there are currently around 1,700,000 residents, who are spending $600,000 – that's real, not virtual, money – in the world each day. These figures are a little deceptive – there are typically only 10,000 to 15,000 residents online at any one time, and the money flow is not a rigorous measurement of economic activity – but there is no doubt that Second Life is growing very rapidly; moreover, we are beginning to see it enter the mainstream in a way that has close parallels with the arrival of the Web ten years ago. Companies are beginning to set up shop in Second Life, including big names like Adidas, American Apparel, Dell, Nissan, Penguin Books, Reebok, Sun Microsystems, Toyota, Reuters and Wired.

Why We Need an Open Source Second Life

http://www.linuxjournal.com/node/1000133
http://www.turbulence.org/blog/archives/003333.html Immersive Virtual Art and the Essence of Spatiality Char Davies' Immersive Virtual Art and the Essence of Spatiality by Laurie McRobert :: In this first book-length study of the internationally renowned Canadian artist Char Davies, Laurie McRobert examines the digital installations Osmose and Ephmre in the context of Davies artistic and conceptual inspirations. Davies, originally a painter, turned to technology in an effort to create the effect of osmosis between self and world. By donning a head-mounted display unit and a body vest to monitor breathing and balance, participants are immersed in 3D-virtual space where they interact with abstract images of nature while manoeuvring in an artificial spatial environment.

Char Davies