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Five years ago, electronica was poised to save us from the grungy din of a dying alternative and an increasingly formulaic hip-hop. Detroit and Chicago had become adjectives, Prodigy and the Chemical Brothers were storming the charts, mainstream magazines began running monthly "What You Need to Know About Jungle" articles, and DJs like Paul Oakenfold and Sasha & Digweed were quickly becoming household names. By the time the bass kicked in, though, it seemed that the Great Electronic Hope had fizzled. Teen-pop and nü-metal came and went, New York's superclubs were gradually dismantled, and rather than take the world by storm, electronica filtered slowly (but surely) into the mainstream by way of artists like Madonna, Radiohead, and Moby.