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Billboard - Google Livres
In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.Soul-Sides.com
Part of the “cost” for having grown up as a hip-hop fiend of the ’80s and ’90s is that the line between hip-hop and pop was always clearly drawn in the sand. It didn’t mean you couldn’t enjoy both but they were just two different beasts. Of course, by the end of the ’90s, rap artists threw that memo out, mostly because hip-hop had all but taken over pop music anyway and, for a good while, many a pop artist trying to stay relevant, would have to kiss the ring and try their hand at integrating hip-hop into their style. And thus, you could have hip-hop producers crossing into the pop realm to lend some “cred” to someone like, say, Christina Aguilera but at the end of the day, you still knew that DJ Premier was “on our side” and Xtina was on the other. That’s just how it went."Fans of the exquisite, often never-before-released funk championed by Now Again Records are no stranger to Amnesty. Based in Indianapolis in the early 1970s, the group released only two obscure 45s in their recording career. Birthed from the same scene as the Ebony Rhythm Band (Soul Heart Transplant – NA 5011), Amnesty had a poltical edge similar to LA Carnival (Would Like To Pose A Question – NA 5009) and the hardest brass section since The Kashmere Stage Band (Texas Thunder Soul – NA 5023). This previously unreleased anthology comes from the same sessions as “Free Your Mind”. In 1973 Amnesty recorded five hard, vocal funk numbers alongside some ballads and a handful of demos based around nothing more than guitar accompaniment.

