Eduardo P.V.Rubaudonadeu. Jan Saudek & Sára Saudková. William Eggleston. Oscar Pintor. Lee Friedlander. Sara Facio. Cindy Sherman. Adriana Lestido. Josef Koudelka. Koudelka Josef Koudelka Datar - en Lorraine, dans le Nord et à Paris Periplanissis - Following Ulysses' Gaze Prague, 1968 Mission Photographique Transmanche Photo Poche. César Saldivar. Sebastiao Salgado. Sally Mann. Franco Fontana. Annie Leibovitz. Joan Fontcuberta. Raymond Depardon. Lucien Clergue. Joel-Peter Witkin Gallery. Robert Frank. Robert Frank's fine flatulent black joke on American politics can be read as either farce or anguished protest. It is possible that Frank himself was not sure which he meant. In 1956, he was still a relative newcomer to the United States, and his basic reaction might well have been one of dumb amazement as he investigated the gaudy insanities and strangely touching contradictions of American culture.
A similar shock has been experienced by many others who have been suddenly transplanted as adults to this exotic soil. A few artists and intellectuals have even managed to turn the experience to their creative advantage, if their direction had not yet been too firmly set, as though a new country might be a substitute for being born again. It is tempting to believe that Frank's emergence in the fifties as a photographer of profound originality was a measure of his success in meeting on artistic grounds the very difficult challenge of a radically new culture.
From "Looking at Photographs.