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Shades of the timeless pop of Odessey & Oracle -era Zombies on this beautifully restrained track from Memphis' Magic Kids , taken from their upcoming full-length MEMPHIS , out later this summer on True Panther . If the lush, soaring Memphis tracks I've heard so far are any indication, this record represents a huge leap forward for the young band. Catch 'em on tour this summer with Ariel Pink's Haunted Graffiti + Puro Instinct . http://gorillavsbear.blogspot.com/

gorillavsbear.net

Boomkat - Your independent music specialist

http://boomkat.com/ The pull of the 'floor was too much to ignore this week, hence these 14 driving, dramatic aces from the intersection of Industrial Funk, Wavey disco and Machine Pop. It's fair to say a lot of this stuff has seen a resurgence of interest recently, in no small part thanks to expertly-curated comps like Trevor Jackson's 'Metal Dance', Optimo's ongoing reissue series, and the modulations of Veronica Vasicka's Minimal Wave and Cititrax imprints. Pneumatic drums, libidinous bass and steely synths galvanize this selection into action, running the gamut from Diseno Corbusier's Latinized torque to the taut drum programming of Phillipe…

Pitchfork: Home

On the Philly rapper's first mixtape to reflect his heightened profile-- a collection featuring guest spots from Drake, Wale, Big Sean, Fabolous, and Kendrick Lamar, among others-- he doesn't so much step out of his own world as merge it with the one he's about to enter. http://pitchfork.com/

Mix Tapes | Tiny Mix Tapes

07. Quiet Company - “It’s Better To Spend Money Like There’s No Tomorrow Than Spend Tonight Like There’s No Money” (Everyone You Love Will Be Happy Soon) http://www.tinymixtapes.com/mix-tapes
Au programme : un poncho, un escabeau, une basket cendrier, une poubelle tambour, des craquinettes, deux vélos avec leurs sonnettes, un saxophoniste torse nu, un drapeau étoilé, un réal avec un chapeau de paille sur la tête, six mains sur un piano, une voix écorchée, détruite et puissante, et la plus heureuse anarchie possible. Comme si nous avions filmé ce qui n’aurait jamais supposé l’avoir été. Mais on est là pour partager de la joie, non ?

LA BLOGOTHEQUE

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