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http://disruptivescience.blogspot.com/ Dynamic Dissent The history of science is invariably told through the prism of its heroes, and modern biology is no exception. Through those heroes, historians have analyzed the growth of the life sciences, the rise of their institutions and subfields, and the evolution of biologists' understanding of nature.

Disruptive Science: Brave New WorldViews

http://bottledmonsters.blogspot.com/

A Repository for Bottled Monsters

This is presented by friends of mine who really know their stuff and should be excellent. I'm planning on seeing it. Join us for a screening of The Reward of Courage , the first public education film about cancer. Released 90 years ago this fall, the film introduced many ideas about cancer that are familiar today. A copy of this hitherto lost silent film was recently discovered, and in excellent

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http://morbidanatomy.blogspot.com/ I am very excited to draw your attention this year's annual Coney Island USA Spring Gala, fast approaching and taking place this Saturday, March 24th! Last year's iteration was amazing; these folks really really know how to put on a party. The $100 ticket gets you not only an evening of performance, music, burlesque and spectacle, but also free booze from 7-11, hors d'oeuvres and exclusive access to the VIP balcony where you and hide from the throngs if so desired; you are also supporting the wonderful cause that is Coney Island USA. I will definitely be there; hope to see you there, too!

Morbid Anatomy

Memento mori

http://www.romeartlover.it/Mememori.html Memento Mori (Remember that you will die) This page deals with the representation of Death in sculptures in Rome during the XVIIth and XVIIIth centuries. The request for sculptures was mainly linked to funerary monuments. A visit to Galleria Doria Pamphilj in Rome which is still set up as a private property shows the lack of balance between the number of paintings and the number of sculptures in the decoration of a rich palace: while the paintings covered the walls up to the ceiling, the sculptures were limited to a few busts and antique statues, so sculptors had to rely on funerary monuments for their living. Because the rich were buried in the churches, they wanted a monument inside the church to mark their graves: the optimum was to have a family chapel, but this was reserved to a limited number of very rich families, so very often the monuments were just put along the walls or on the pillars of the churches.