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Disclosure - When A Fire Starts To Burn. Slow Motion Music Video Shot Using One Continuous 18 Second Shot. When tasked with making the music video for the song HAVOC by While You Slept, Frokost films decided to get a little creative.

Slow Motion Music Video Shot Using One Continuous 18 Second Shot

In addition to shooting the whole thing in slow motion, they managed to shoot the entire music video using just one 18-second continuous shot. For gear they had a Red Epic and a 75mm master prime lens, as well as a few trampolines, mats, lights, fire, and fog machines. They put it all together in a warehouse courtesy of Aspelin Ramm and took one 18-second shot at 300fps, which translates into approximately three and a half minutes at slow motion.

Here’s how it turned out: The BTS at the top is a little less than half the length of the full-length version they link to in the description, but this one has English subtitles. (via Fstoppers) Pinterest. BEACH HOUSE - "WISHES" - Directed by ERIC WAREHEIM (Official Video) - PLEASE SET TO 1080p!!! Ghost In My House Official Music Video - Lucy Schwartz. All Day I Dream - Für Die Liebe OFFICIAL MUSIC VIDEO. Ian & Cooper Direct Joel Compass Debut. A picture may be worth a thousand words, but the mystical video for Brixton-born R&B newcomer Joel Compass’ debut track leaves the viewer near speechless.

Ian & Cooper Direct Joel Compass Debut

Directed by Ian and Cooper, “Back to Me” is a visual-pushing, vertebrae-chilling film that takes an already haunting song to new heights. The video was voted as Vimeo Staff Pick after its initial release last week. The black and white video incorporates a glitchy movement in the background of otherwise-inanimate frames, creating an uncanny feeling perfectly suited to the chilling r+b track that tells the story of a less-than-stellar father and his son.

After a heist goes wrong, the young boy is forced to deal with his father’s gunshot wound – and that’s where things take a turn for the witchy. "The initial spark for the technique came from the lovely video commissioner Dilly Gent, who referenced La Jetée (a 1962 short film by Chris Marker composed from a series of still images) in her brief," says Ian Schwartz. Credits Title: Back To Me. Agency - Location Machines à Confetti... Soft gravitational pull towards fleshy architectural bodies. Soft gravitational pull towards fleshy architectural bodies.

Soft gravitational pull towards fleshy architectural bodies

External Stimuli : Ernesto Neto at the Armoury, Themes : Architecture, Sculpture Nodes : densities, Ernesto Neto, organic, soft, surreal, transparency, womb. Helsinki School - Helsinki school frontpage. Helsinki School - Helsinki school frontpage. Ernesto Neto, Two columns for one bubble light ... Diana Orving. Nordic Light. Q Unique - Green Grass : Ian Pons Jewell. Q UNIQUE 'Green Grass' 2011 | 4 mins, 49 secs | HD [Red One] Shot in East London’s Brick Lane in one Steadicam move, this video demonstrates what happens to your face after puffing on a doobie sent from New York in this easy, strolling promo for the equally easy vibes of Q Unique, who appears courtesy of a transatlantic compositing effort...

Q Unique - Green Grass : Ian Pons Jewell

Creditsartist _ Q Unique label _ production co _ Studio Murmurdirector _ Ian Pons Jewell dop / steadicam _ Doug Walshevisual fx _ Morgan Beringersound recordist _ Rory Buckleydubbing mixer _ Tim Harrisoncolourist _ Luke Morrison @ The Millpost producer _ Serena Nooranipost house _ The Mill.