50 ways to breathe life into your productions. How to Make a Great Kick Drum Sound. As a producer your kick drum defines your sound and can make or break your track. It is is easily one of the most important elements in any dance track. After battling kick drums for years, Ableton Certified Trainer Lenny Kiser has found some simple and effective techniques for getting kicks to sound punchy and fat on a club system and laptop – read on for his secrets!
There are many different ways to design and process a kick and many producers do it in their own unique way. This is not the only way to do it but rather a great starting point for learning how to build great kicks. Editor’s Note: Lenny, an Ableton Certified Trainer, has experience making kick drums off all kinds in his own remixes and productions. 1. Choosing the right sample is number one. 2. The next step to an effective kick is to layer different samples together – designate one as the, “Top Kick” which will contain the mid and high frequencies and one as the, “Bottom Kick” which will contain the low frequencies. 3. Shmastering: Rapid Fire Mastering With Mad Zach. When working on a track or remix on the road or on the day of a gig, there’s often little time to get a song professional mastered before playing out.
Today, Mad Zach shares his tried and true “schmastering” technique, using a solid reference track and a few tools to bring the mastering on a track to a point where it can be tested on a real system while still sounding great! Obviously the best tip are all wrapped into the video above, but if you need a guide to refer to after the fact, here’s the basic steps (and the critical free download!) : ProTip: If you spend too much time tweaking and referencing, you’ll lose your ability to know what’s good anymore.
Take twenty minutes to an hour, walk away from the track and computer, and come back with a fresh head and set of ears to try again. Related. Original Documentaries for Producers and DJs: Round Four | Learn How To DJ with Digital DJ Controllers and DJ Techniques. By popular request, we’re back with another article that shares some of the latest, most essential DJ and producer video content from around the web. As in the past, the films featured all focus on various elements of DJ culture, including performances, production interviews, spotlights on rising clubbing scenes, and more.
Take the rest of your Friday off to kick back and enjoy the videos inside! DJ Morse Code Shares His Tone Play Routines (4:11, DJ City) Tone play, the art of mixing two tracks together by mirroring rhythm and tones, has become incredibly enhanced with controllers. Watch DJ Morse Code show off and narrate some of his cooler tone play routines in this short video from our friends over at DJ City. Avicii In The Studio: Making of “Dancing In My Head” (1:12:46, Future Music) The Beat Junkies: For the Record (14:18, LRG) FaltyDL Chats at a Record Store (4:10, Pitchfork) Gaslamp Killer: Listen Deep (6:02, noMSG) The Warehouse Project (12:05, Pitchfork) DJ Derek (18:14, Grand Finale)
Blend.io: A Peek Into The Future Of Music Project Collaboration? | Learn How To DJ with Digital DJ Controllers and DJ Techniques. If you’ve ever had the urge to collaborate with a fellow musician but have run into the messy tangle of software compatibility, sharing services, and slow communication, a few upstart music tech developers in New York might just have the solution for you. Blend.io, currently in beta, is a website that enables real time collaboration and remixing across the web.
Inside, check out our first look at the beta, read an interview with the founder, and get instant access to the beta! Aiming not to be a Soundcloud-killer, the site instead fills the gap in collaboration mediums online by creating an easy to use site that allows for easy downloading, editing, and auto-updating. The experience feels a bit like GitHub for producers. The interface, with waveform displays reminiscent of Soundcloud, syncs with Dropbox to create a “pull” feature, which auto-updates a draft of a track as soon as someone edits it, all while keeping a record of all changes in case future disputes arise.
Related. Record Labels 101: Winning the Music Lottery | Learn How To DJ with Digital DJ Controllers and DJ Techniques. Signing to a label can make an artist’s career; labels like Desolat, Defected, Toolroom, Mad Decent and Fool’s Gold all have a proven track record of “breaking” a producer. The secret to signing with any of these musical minds is, of course, to spend time making good music, knowing that eventually someone will hear it and enjoy it. But the process of getting a track to the right people at the right time is somewhat of a science, and a little finesse goes along way. Throughout high school and college marketing classes, one of the pieces of dogma almost every instructor reminded us of was the effectiveness of the so-called “Purple Cow Approach.”
The name derives from a parable of a man driving a car through farmland, unobservant and bored, until he stumbles across a purple cow. The cow, unlike anything the man has seen before, leaves an indelible mark, and the man drives on continuing to think about the purple cow for days to come. Mass-shared tracks: not exactly a conversation starter. Assignments | linear music assignment project.
How To Start DJing In Ableton (Part 1) | Learn How To DJ with Digital DJ Controllers and DJ Techniques. For the past several years, we’ve seen Ableton Live establish itself as a popular and powerful DJ tool, with many top DJs routinely using the software in clubs and stages around the world. While the switch to Live may be daunting for those accustomed to traditional DJ paradigms, the advanced performance capabilities offered can be very worthwhile. In this series, we explore how DJs new to Ableton can use Live 8 to unlock greater creativity in the booth, starting with an overview of Session View and a lesson on how to easily warp dance music for sets. Why Live?
A Different Kind of DJ Live stands apart from other DAWs in that it has always been as much about performance as it is about production. The software was from the onset designed to be used on stage, with forward-thinking users taking advantage of Live’s noted clip launching and timestretching facilities to suit the particular needs of DJs. Songs stay perfectly in sync without manual beatmatching with track warping. ACAPELLAS4U • Index page. Wax To Tracks Contest: Become A Producer | Learn How To DJ with Digital DJ Controllers and DJ Techniques.
When looking at requests for articles and content on our site, we noticed a recurring theme: DJ’s out there are really interested in production, but many aren’t sure how to get started, or haven’t had the opportunity to really dive in. We want to fix this – so we’re announcing a competition that aims to both educate on the topic of production and find members of our community who have it in them to produce some killer tracks! Learn how to enter and what it entails after the jump. 5 competitors will be selected via YouTube, where any DJ – yes, that means you – without commercial (meaning label-issued) releases may submit a video detailing their musical background and what they believe they would bring to the competition. We thought long and hard about how to structure this contest: we wanted to go beyond the typical structures of production competitions, and create something that incorporates all facets of production.
We couldn’t be more excited to see what all of you have to offer. Ableton Live Tutorial-Videos - macProVideo.com. DJ - Deejay Forum: DJ Equipment, DJ Tools - Deejayforum.de. Nick Yulman: Der Gegenstand ist Musik. One hundred years ago, Luigi Russolo formulated the Art of Noises; a manifesto that argued that the sonic palette of the industrialized, mechanized world requires a fresh approach to musical instrumentation and composition. In it he postulated that electronics and other technology will allow futurist musicians to "substitute for the limited variety of timbres that the orchestra possesses today, the infinite variety of timbres in noises, using the appropriate mechanisms for their reproduction”.
Sound familiar? In a very real sense, we are living out Russolo’s prophecy today, with an “infinite variety of timbres in noises” now available to any musician with a computer. Our modern palette of sounds extends far beyond what was available to musicians of previous eras. And in an ironic twist, ‘noise-like’ or synthetically generated sounds have become so commonplace in music today that they have largely lost their ability to astound. Song Cabinet Animal Magnetizer Concert Hall. Machine love: Dadub. You'd be forgiven for thinking that Dadub are analogue defenders. Most people do. Their complex dub techno tracks exude the sort of grit that many identify with "real machines.
" Walk into the Italian duo's studio, however, and you're greeted by only a Uher reel-to-reel tape and a large computer screen with Ableton pulled up on the display. The last time they turned on the Uher, smoke started pouring out. We are in 2012, which will likely see Daniele Antezza and Giovanni Conti's first album drop on Stroboscopic Artefacts at some point. Everyone talks about your mastering as though it's some sort of magical, wondrous process—that you're doing something special to tracks. Daniele Antezza: Maybe one of the not different but important things with our approach is how we try to make an interpretation of the track that we get. Giovanni Conti: Today I read an interview with Monolake on RA.
Daniele Antezza: Sometimes it's the mistake, the error of the mix that's magic. Who did you learn from? Arduino + ableton. 17 Amazing Ableton Live Tutorials. Ableton Live is a DAW that's not only good at producing music, but it's also useful when you're playing live. It's available for both PCs and Macs, so just about anyone can use the software.
One of Live's unique features is its session view. This is a non-linear grid for recording and playing your music ideas in any order. The program can deal with MIDI and audio, supports VST instruments, and has great looping features. It is flexible for musicians, and loved by DJs. The program was first released in 2001, and version 8 came out in April of this year. An LE version is also available. This article was previously published on the AudioJungle blog. Last week’s article covered Live’s history and features. 1. Ableton have their own Youtube channel of useful tutorials. 2. "Ableton Live is about making music. 3.
This video show you how Timofey works with Ableton Live to make electro house music. 4. 5. 6. 7. 8. 9. Jun 11th in Ableton Live, Production by Mo Volans Continue Reading 10. 11. 12. 13. 5 Ableton Live Tips To Revolutionize Your Workflow | Learn How To DJ with Digital DJ Controllers and DJ Techniques. Ableton is a bit like a Russian doll: the more layers you peel back, the more you discover underneath. While there are countless articles written on unlocking the power inside the obvious plug-ins, like the built-in compressor and EQ, there’s a host of features that go ignored. Click on to find 4 not-so-secret tricks in Ableton that we think might just change the way you work. Though less flashy and obviously useful than its audio effect counterparts, the utility can save hours of mixdown adjustment andheadaches with just 4 parameters. Try adding a utility to your master chain and bringing the “width” down to zero. This will render your mixdown out to mono immediately, which may cause either grief or joy depending on how you use it.
Mixing in mono means that you can’t use stereo at all (no “horizontal” mixing), so you have to really get the gain structure right. Another feature of macro-ing toggles to macro knobs is the ability to trigger devices only at specific values.