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JSTOR uses cookies to maintain information that will enable access to the archive and improve the response time and performance of the system. Any personal information, other than what is voluntarily submitted, is not extracted in this process, and we do not use cookies to identify what other websites or pages you have visited. An Error Occurred Setting Your User Cookie. 1512675.pdf.bannered. Art Review: Transition to Christianity, Onassis Cultural Center, New York City. Plate with David fighting a Bear 628 – 30 Constantinopolitan workshop Silver, cast, hammered, engraved, punched, and chased Max. diam. 0.14 m.

Art Review: Transition to Christianity, Onassis Cultural Center, New York City

Found at Lambousa, Cyprus Nicosia, Cyprus Museum, inv. no. J453 Photo © Cyprus Museum, Nicosia An insightful art exhibition at the Onassis Cultural Center in New York City is providing answers to one of the central mysteries of Western civilization. How did Christianity evolve from a persecuted religious sect under the Roman Empire into a global faith and one of the world’s greatest patrons of the arts? Transition to Christianity presents 170 rare artifacts from the third to the seventh centuries AD, many never seen before in the United States. The earlier, negative assessment of this epoch chiefly derives from Edward Gibbon’s The Decline and Fall of the Roman Empire, dating to 1776. Transition to Christianity tells a different story. Images of the Good Shepherd, aka. Icons are spiritual portraits, revered as ways to commune with God. Online Publications. Books in Print Online Publications Dumbarton Oaks Papers The publishing program at Dumbarton Oaks began with the printing of the Inaugural Lectures in 1941.

Online Publications

We publish scholarly series in our dedicated fields of study; catalogs of our collections; and books and articles on the history of the institution. Our publishing projects are dedicated to continuity of scholarship; at the same time, we are constantly searching for new ways to deliver scholarly content in the digital culture of the 21st century. Our in-print books are distributed by Harvard University Press. Wielki Jubileusz Watopedu - 21 stycznia 2007r. - Monaster w Ujkowicach. Thematic Essays. "We came to the sands of Acre, where we pitched camp, the King [Louis IX] and the host.

Thematic Essays

Thither in that place came to me a troop of many people from Great Armenia, that were going on pilgrimage to Jerusalem … By an interpreter … they begged me that I would show them the saintly King. I went to the King where he sat in a pavilion, leaning against the pole of the pavilion … I said to him: 'Sir, there is without a band of many folk from Great Armenia, that are going to Jerusalem,... More » Kanony Euzebiusza. Tablice Kanonów Euzebiusza (zakończenie pierwszego kanonu).

Kanony Euzebiusza

Manuel d'art byzantin. Byzantine Museum - Thessaloniki Greece. Notatki – sztuka bizantyjska « art folie. Terytorium Cesarstwa Rzymskiego w 395 r. - podział na Wschód i Zachód Sztuka bizantyjska (lub bizantyńska) – sztuka chrześcijańska Wschodniego Cesarstwa Rzymskiego (Bizantyńskiego) i kręgu jego oddziaływania.

notatki – sztuka bizantyjska « art folie

Za jej początek uważa się założenie Konstantynopola (330 rok), podział Cesarstwa w 395 roku lub czasy Justyniana (VI wiek), za koniec - rok 1453 – zdobycie Konstatynopola przez Turków. Sztuka ta stanowiła przedłużenie greckiej sztuki starożytnej i wypowiadała się głównie w architekturze, przede wszystkim sakralnej. Istotną rolę odgrywało również malarstwo pod postacią malowideł ściennych, mozaik i obrazów (ikon). Rozwijało się rzemiosło, rzeźba natomiast (zwłaszcza figuralna) pełniła funkcję marginalną. Jej rozwój był związany z dziejami państwa. Ośrodkiem była przede wszystkim stolica, Konstantynopol, a zasięgiem obejmowała Grecję i półwysep Bałkański. Trochę historii… Od VI w. datuje się początek ustroju feudalnego, zarówno na terenie Bizancjum, jak i Europy Zachodniej. Mozaiki. Internet History Sourcebooks. Internet Medieval Sourcebook Selected Sources: Byzantium Contents General WEB Byzantium: The Byzantine Studies Page WEB Dumbarton Oaks Byzantine Collection: Selected Images [At DO] WEB Dumbarton Oaks Byzantine Collection: Slide List of the Dumbarton Oaks Byzantine Collection [At DO] WEB Dumbarton Oaks Electronic Texts [Uses Acrobat] Byzantine, Landscape Architecture and Pre-Columbian etext.

Internet History Sourcebooks

Basilica of Santa Prassede in Rome. Luckily, the efforts of later "restorers" from the 1500s to 1800s have not (with the exception of the visually obstructive Ciborium / Baldacchino) destroyed the basic beauty of the classic Basilica shape built by Pope St Paschal I (?

Basilica of Santa Prassede in Rome

- 814 - 824) in the early 800s, on the site of a crumbling predecessor church. The brilliant glass tesserae mosaics of the triumphal arch and apse were part of Paschal's 800s rebuild. Other churches given the rebuild / mosaic treatment by this great builder pope were Santa Maria in Domnica on the Celean Hill, and Santa Cecilia in Trastevere. The Basilica on the Esquiline Hill is only a few minutes walk from our stand out favourite Major Basilica - Santa Maria Maggiore, with the church named after Pudenziana, Prassede's sister, at the bottom of the hill. Most visitors enter through the undistinguished north-east side door, but if it is a nice day it's worth walking round and coming up through the peaceful garden which frames the main facade (left).

Bizancjum10.