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Plexus. This software ("the Software Product") and accompanying documentation is licensed and not sold. This Software Product is protected by copyright laws and treaties, as well as laws and treaties related to other forms of intellectual property. The author owns intellectual property rights in the Software Product. The Licensee's ("you" or "your") license to download, use, copy, or change the Software Product is subject to these rights and to all the terms and conditions of this End User License Agreement ("Agreement").

Acceptance YOU ACCEPT AND AGREE TO BE BOUND BY THE TERMS OF THIS AGREEMENT BY SELECTING THE "ACCEPT" OPTION AND DOWNLOADING THE SOFTWARE PRODUCT OR BY INSTALLING, USING, OR COPYING THE SOFTWARE PRODUCT. YOU MUST AGREE TO ALL OF THE TERMS OF THIS AGREEMENT BEFORE YOU WILL BE ALLOWED TO DOWNLOAD THE SOFTWARE PRODUCT.

IF YOU DO NOT AGREE TO ALL OF THE TERMS OF THIS AGREEMENT, YOU MUST SELECT "DECLINE" AND YOU MUST NOT INSTALL, USE, OR COPY THE SOFTWARE PRODUCT. Thinking Particles - Volume Breaker node. Making of "The Legends" Jeep Willys MBby Rasyid Ridha » Computer Graphics. Introduction – Hi, my name is Mhd. Rasyid Ridha also known as XtremeTm. I want to share with you the making of Jeep Willys MB. Every time before starting any project, I collect as much as references as I needed for the project including blueprints. Everything you will see in my work is self thought, may be what I explained here is not the best technique to do that thing but works for me and hopefully for you too.

I used XSI for basic compositing and all the models, Maxon Bodypaint used for unwrap and texturing and the last one I used Adobe Photoshop for post-production including the final composite, some painting and other tweaking. Modeling – In my opinion looking at the pictures, references or real objects is very important for modeling because you can really see the scale, proportion, dimension and other aspects including how they related to each other. Texturing – Before continuing with texturing I usually go back again to see the reference photos. Rendering and Lighting. Cinema 4D And After Effects Training, Tutorials, and Plugins for Motion Graphic Designers.

Congratulations to Michael Rinnan for winning the Five Second Project for March. His entry had a great concept and was outfitted with excellent lighting, atmosphere, camera movements and sound design. We wanted to know a little bit more about Michael’s entry, so we asked him a few questions regarding his workflow and the process for creating his winning piece. Where do you work? What is your title? Tell us about what you do at your company. I am a 3D generalist at NFL films in Mt. How did you come up with your concept for the Bright Lights Five Second Project? For my concept, my goal was to come up with a quick story I could tell in 5 seconds. What was the most challenging thing about your project? The most challenging part of this project was honestly the lighting. Tell us a little about how you achieved the zolly (push-pull zoom) effect.

To achieve the zolly, I initially mapped out the motion of the motorcycles with a spline and then dropped a camera onto that motion path. Home - V-Ray Anniversary Challenge: A Decisive Moment. “The decisive moment, it is the simultaneous recognition, in a fraction of a second, of the significance of an event as well as the precise organization of forms which gives that event its proper expression.” – Henri Cartier-Bresson A decisive moment is the split second when everything changes. It could be an instant from history that altered everything on Earth.

Or a pivotal point in time that changed you personally. Perhaps a knockout punch in a heavy weight championship. The Chaos Group and CGSociety invite you to create an image to tell that story. Click here for more information about V-Ray's 10th anniversary. Deliverables:Final beauty image - rendered in V-RayAt least two stages of Work in Progress, which must be uploaded to the challenge pages.

VIDEO COPILOT | After Effects Tutorials, Plug-ins and Stock Footage for Post Production Professionals.