Engaging Museums by Dana Allen-Greil » “If people can see the images online, will they still come to the museum?” During last week’s broadcast of The Kojo Nnamdi Show, art critic Tyler Green referenced a question that’s been floating around museums for nearly two decades: “Well, if people can see the images online, will they need to come to the museum?”
It’s okay to groan if you’ve heard this one before. Green’s answer: We’ve seen an increase in attendance since museums have started putting their collections online, therefore these efforts—at least indirectly—have encouraged more people to visit and see art firsthand for themselves. So why won’t this question die? Some museum types are so tired of this “bad weed” query (I’m looking at you, Richard Urban) that they’ve compiled a list of 18 research studies detailing the connections between online and onsite visitation. How do you like to answer this question? Are (high quality) digital images really distortions of the painter’s art? Check out the archived broadcast for yourself to hear how Dueker, Goodyear, and Green deftly tackled each one. Contenus numériques et modèles d'affaires innovants / Les séminaires / Les colloques, séminaires, débats... / Etudes et statistiques / Politiques ministérielles.
Culture Street - Home. Nouveau site et stratégie éditoriale web pour le Walker Art Center. Le Walker Art Center vient de lancer une nouvelle version de son site internet, résolument repensé comme une plateforme de publications.
Une nouvelle image numérique pour ce musée qui ne souhaitait pas seulement d’une vitrine sur la toile. Avec ce nouveau site, le Walker Art Center entend publier, rassembler et se positionner au centre des sujets locaux et internationaux concernant l’art contemporain. Focus. Une stratégie éditoriale en ligne La page d’accueil du nouveau site est contrôlée par un redacteur web, fraîchement embauché, le journaliste Paul Schmelzer. . « Le site permet au Walker de connecter plus facilement des archives, avec de nouveaux contenus ou actualités. It's Here! NMC Horizon Report > 2011 Museum Edition. Login or Create New Account Member Spotlights RIT Launches Nation’s First Minor in Free and Open Source Software and Free Culture Submit Your Projects: NMC Horizon Report > 2014 K-12 Edition iTUNES U Ideas that Matter and More High Quality, Free EdTech Content Sparking innovation, learning and creativity.
> NMC News > NMC Blogs > NMC Member Spotlights > NMC Member News > NMC Most Engaging It's Here! Posted November 17, 2011 by Samantha Becker In partnership with the Marcus Institute for Digital Education in the Arts (MIDEA), the NMC is pleased to release the NMC Horizon Report > 2011 Museum Edition. The official release of the print version of the report is occurring at 4 pm EST in a showcase session at the 2011 Museum Computer Network Conference in Atlanta, Georgia. The NMC Horizon Report > 2011 Museum Edition identifies six emerging technology topics, as well as key trends and critical challenges, through a research process designed and conducted by the NMC with the 2011 Museum Advisory Board. News. Www.rencontres-numeriques.org. Médiation & numérique dans les équipements culturels Paris - Gaîté lyrique - 3 & 4 mai 2011 La première rencontre organisée en 2011 par le Ministère de la culture et de la communication dans le cadre de ses rencontres "culture numérique" porte sur le thème de la médiation et du numérique dans les équipements culturels.
A l'heure où l'importance des actions de médiation culturelle n'est plus à démontrer dans le cadre des politiques des publics de nombreux équipements culturels et où le numérique bouleverse les conditions de création, de diffusion et de réception / consommation des oeuvres et produits culturels, aborder la question des rapports entre médiation et numérique relève presque de l'évidence.
A fortiori dans un contexte, où l'univers numérique constitue l'univers naturel des publics jeunes. Elle se déroule les 3 et 4 mai à la Gaité lyrique, le nouvel équipement culturel parisien dédié aux cultures numériques : www.gaite-lyrique.net. Tate Online Strategy 2010–12. 1. Introduction Tate Online aims to help fulfil Tate’s mission to increase public understanding and enjoyment of British and modern international art.
Given the rapidly developing scope and potential of digital communications, Tate Online is uniquely placed to reach new audiences and engage them in new ways. New technologies and online services, together with the proliferation of high-speed internet connections and mobile internet connectivity, have changed the web radically in the past few years. However, cultural and heritage organisations have been slow, by and large, to respond to these changes. Our ambition is to make Tate Online the most engaging and most social arts website, to match this with the richest, deepest arts content found anywhere on the web, and to pair this with an increased presence for Tate beyond our own website, so that we engage with Tate audiences wherever they are active online. 2.
Urse: Podcasting: making and distributing audio for learning and teaching. Reciproque. Tate Papers Issue 15 Spring 2011: Jesse Ringham.