VHYB LA VILLE HYBRIDE© We need to kill the label “green” – part 2 | News & Stories at Stylepark. We need to kill the label “green” – part 2 26 février 2011 Paola Antonelli, photo © Robin Holland, montage © Dimitrios Tsatsas, Stylepark Jochen Stöckmann: What do you offer the visitor to understand the cultural background of software, operating systems or the @-sign? Umberto Eco for example compared DOS with the protestant church, called Mac with its icons a "catholic" system and draw the conclusion, that Windows should be something in between both, like the Anglican Church. Paola Antonelli: This kind of "Mitteleuropäer"-thinking wouldn't work in the United States. What I do is, I give the background of what I have discovered about the @-sign and why I made it a design object. I do it on a label on the wall and then, if you want you can go at the MoMA-Log you can find out more.
Do you recognize a history, an evolution of curatorial ideas at the MoMA? Antonelli: There were so many groundbreaking curators. You mentioned the exhibition "Italy. Catalogues in former times were very important. Architecture with intent: Canódromo Meridiana. Canodromo Meridiana Barcelona Dogtrack by Antoni Bonet. Definitely one of my all-time favourite buildings by one of my favourite architects.
ARTEFACTORYLAB. Large scale building » GIRLS ARE ALSO ARCHITECTS. AMO Aquitaine. Laboratoire HTC. Zébra3 et Le Bruit du Frigo : Le Nuage, refuge périurbain | FLODEAU. REFUGE, n.m. (lat. refugium). Asile, retraite, lieu où l’on se retire pour échapper à un danger, se mettre à l’abri ///Abri de haute montagne /// Sorte de trottoir central au milieu des voies urbaines et des places les plus vastes permettant aux piétons de se mettre à l’abri de la circulation /// (Extraits du Petit Larousse Illustré, éd.1984) D’après une idée de refuge urbain par l’association Le Bruit du frigo, le collectif Zébra3 / Buy-Sellf a imaginé et réalisé Le Nuage, une micro-architecture ludique et poétique faite de bois et de plexiglas, proposant un couchage pour 7 personnes. « Marcher.
Traverser des plaines. Gravir puis dévaler des pentes, longer les sentiers, s’enfoncer dans les broussailles. S’orienter, se perdre, se repérer. . « Pas besoin de prendre le tram ni d’interrompre sa route. À propos : Fondée en 1993, Zébra3 intervient dans le domaine de l’art contemporain. Photos © Zébra3 + Le Bruit du Frigo. Eikongraphia.
Fuck Yeah Brutalism. Storefront for Art and Architecture | Home. Unhappy Hipsters. House Satiya by adn Architectures. Here's an extension to a family home in rural Belgium by Brussels studio adn Architectures. Called House Satiya, the project features an inclined triangular skylight at one end of the pitched roof. White-painted brickwork and a black tiled sloping roof were used to tie in with existing local buildings. Photographs are by Filip Dujardin. See also: Bastogne by adn Architectures (February 2010) The following information is from the architects: The client wished to transform and extend his house to be able to accommodate a large family. The existing situation, a working house of the years '30 of 100 m ², consequently will become a resolutely contemporary house of 350 m ².
The first will is to include the extension in continuity with the neighbourhood (inclined roof, black tiles, white painted bricks, etc). The extension results in a principle of envelope recovering a volume in which the included spaces are conceived like functionalized boxes. Weingut von PLANT am Plattensee / Abstraktes Modell eines Hauses - Architektur und Architekten - News / Meldungen / Nachrichten - BauNetz. Architekten-Ranking, Büroranking – Ranglisten – International | BauNetz. Página de inicio : Página 2. SimTech research center (Universität Stuttgart) Stuttgart – Germany (2010). Arquitectura, hartwig schneider architekten. Grafísmo, L2M3 Kommunikationsdesign. Fotografías, l2m3.com El centro de investigación SinTech, acoge despachos, salas para seminarios y laboratorios para la docencia y la investigación interdisciplinaria.
El diseño de la señalización conecta con la concepción sobria del espacio, así como, con la actividad experimental que en el, se realiza. Si, La investigación, se inicia con la reserva de espacios en blanco, a medida que el proceso avanza, estos se completan con datos, de una forma equivalente, el soporte de la señalización, se incorpora a las paredes formando una tablilla de celdas pautadas con chips, predispuestas para sujetar los datos, letras y señales, impresas sobre paneles, con las que se codifica (en cada caso y momento) el mensaje.