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Cheap megashare Movies and options

18 november 2018

Cheap megashare Movies and options

1918, the great war is about to stop. The soldiers wait patiently in the trenches for the order announcing the retreat of the troops from the front. But the last offensive will take place, an offensive that will leave Edward Périgord disfigured forever when he had just saved his friend Albert Maillard a certain death. And that because of Paradelle, the crazy officer who lives only for and by the war. Now broken mouth, Edward leaves to live with Albert, who is struggling to find a decent job. The two accomplices decide to set up a crazy scam: sell war memorials to cities after Récourt’s drawings, pocket the money,  never build the monuments and leave. Far.

With Goodbye up their Albert DuPont adapted the novel of the same name written by Pierre Lemaitre and winner of the Prix Goncourt in 2013. But I will not compare with the novel here, for the simple reason that I did not point read. But for those who say that the megashare  movies passes very quickly on moments that took pages and pages in the novel, I will not take sides and I will quote DuPont himself: “An adaptation is an extension. I am subject to the rhythm of the image. That’s it, you do what you want with this sentence and I go to my criticism!

This is the kind of film that is a pleasure to see in the French cinematographic landscape. A daring film, a film of time with a real ambition of cinema, staging (I do not rank the very good Let tan the corpses in this basket because although the directors are French, all the production is Belgian. And Belgium is much less cautious with regard to genre cinema than France). But Goodbye up there is less a film of time than a film that will create its own universe. Thanks to his characters worthy of a vaudeville a bit bittersweet. But also, and especially thanks to the masks of Edward who will take the film in a register at the edge of the unreal, creating a damage form. The masks are sublime and are largely what allows the film to switch into a colorful and abundant universe of details.

Everything is done to embark the spectator on a cinema trip. Through another era, with the help of truculent characters to which one attaches. The narration is well proportioned so that the flashbacks do not clutter the story but add to the picaresque side of the thing. But as the film progresses, the film, even if it does not lose in quality, loses some of its magic. Gradually the universe seems less unique and the charm takes a little longer to operate. Fortunately, all that comes back in the scene of the terrace towards the end of the film where the two actors present are excellent and allow a real moment of emotion. Everything is supported by a very nice music composed by Christophe Julien.

The actors in megashare movies are overall very good. Nahual Perez Biscay art, we also saw this year in the grand Prix of the Cannes festival 120 beats per minute, is sensational in Édouard Périgord. Without speaking, without even showing his face, he managed to create his character from scratch, to give him a way of being to move, to move. A real body language. The face all the time hidden by a mask, he makes all the emotions of the world pass through his eyes, and he is quite awesome. Actor to follow very closely! DuPont offers himself the role of Albert Maillard, Dadaist who seems little resourceful and who is quite endearing. Laurent Lafitte (of the French comedy!) Is excellent in Paradelle, big villain of history, almost cartoons. He seems to revel in playing this unpleasant role in megashare . The kind of character we love to hate.