Los Lobos - La Bamba. Tejano music. Tejano music or Tex-Mex music (Texan-Mexican music) is the name given to various forms of folk and popular music originating among the Mexican-American populations of Central and Southern Texas. With roots in the late 19th century, it became a music genre with a wider audience in the late 20th century thanks to artists such as Selena, often referred to as "The Queen of Tejano", Mazz, Elida Reyna, Los Palominos, Ramón Ayala, Elsa García, Laura Canales, La Mafia, Jay Perez, Emilio Navaira, Alicia Villarreal, Gary Hobbs, Shelly Lares, Stefani Montiel, David Lee Garza and Jennifer Peña. Origins[edit] In the 1850s, Europeans from Germany (first during Spanish time and 1830s), Poland, and what is now the Czech Republic migrated to Texas and Mexico, bringing with them their style of music and dance.
They brought with them the waltz, polkas and other popular forms of music and dance. At the turn of the century, Tejanos were mostly involved in ranching and agriculture. Influence[edit] Live - Lightning Crashes. Alternative rock. Alternative rock (also called alternative music, alt-rock or simply alternative) is a style of rock music that emerged from the independent music underground of the 1980s and became widely popular in the 1990s.
In this instance, the word "alternative" refers to the genre's distinction from mainstream rock music. The term's original meaning was broader, referring to a generation of musicians unified by their collective debt[clarification needed] to either the musical style or simply the independent, DIY ethos of punk rock, which in the late 1970s laid the groundwork for alternative music.[4] At times, "alternative" has been used as a catch-all description for music from underground rock artists that receives mainstream recognition, or for any music, whether rock or not, that is seen to be descended from punk rock (including some examples of punk itself, as well as new wave, and post-punk).
Origin of term[edit] Characteristics[edit] History[edit] 1980s[edit] Popularization in the 1990s[edit] Salsa music. Conga drums, one of the foundational instruments of salsa music. Salsa is primarily Cuban son, itself a fusion of Spanish canción and guitar and Afro-Cuban percussion, merged with North American music styles such as jazz. Salsa also occasionally incorporates elements of rock, R&B, and funk.[6] All of these non-Cuban elements are grafted onto the basic Cuban son montuno template when performed within the context of salsa.[7] Salsa as a musical term[edit] "In 1973, I hosted the television show Salsa which was the first reference to this particular music as salsa. But promotion certainly wasn't the only factor in the music's success, as Sanabria makes clear: "Musicians were busy creating the music but played no role in promoting the name salsa Globally, the term salsa has eclipsed the original names of the various Cuban musical genres it encompasses.
Issues of identity and ownership[edit] The Cuban origins of the music do not conveniently fit into the pan-Latino narrative. Lyrics[edit] Salsa music - A great salsa song Mary by Joe Arroyo. Bob Marley: Three Little Birds. Reggae (music. Cajun Music: The Savoy Family Band. Cajun music. Cajun music, an emblematic music of Louisiana, is rooted in the ballads of the French-speaking Acadians of Canada. Cajun music is often mentioned in tandem with the Creole-based, Cajun-influenced zydeco form, both of Acadiana origin. These French Louisiana sounds have influenced American popular music for many decades, especially country music, and have influenced pop culture through mass media, such as television commercials. Aural analysis[edit] Cajun music is relatively harsh with an infectious beat and a lot of forward drive, placing the accordion at the center. Besides the voices, only two melodic instruments are heard, the accordion and fiddle, but usually in the background can also be heard the high, clear tones of a metal triangle.
The harmonies of Cajun music are simple, basically I, IV, and V, tonic, sub-dominant, and dominant with many tunes just using I and V. The melodic range is just one octave, rising a fifth above the tonic and descending a fourth below. Lyrics[edit] Native American music. Characteristics[edit] Singing and percussion are the most important aspects of traditional Native American music. Vocalization takes many forms, ranging from solo and choral song to responsorial, unison and multipart singing. Percussion, especially drums and rattles, are common accompaniment to keep the rhythm steady for the singers, who generally use their native language or non-lexical vocables (nonsense syllables).
Traditional music usually begins with slow and steady beats that grow gradually faster and more emphatic, while various flourishes like drum and rattle tremolos, shouts and accented patterns add variety and signal changes in performance for singers and dancers.[1] Song texts and sources[edit] Native American song texts include both public pieces and secret songs, said to be "ancient and unchanging", which are used only for sacred and ceremonial purposes. Societal role[edit] The styles and purposes of music vary greatly between and among each Native American tribe. 2 Hours Long Native American Indians Spiritual Vocal Shamanic Music | Relax Music - Soothing Music.