A better way to use a compressor. How to Use Nuendo: Video Series. How to use the music recording and MIDI sequencing program Steinberg Nuendo; learn more about music editing software in this free instructional video series.
Steinberg's music recording software Nuendo is a digital audio workstation consisting of music recording and editing applications. Nuendo allows users to create projects in which they can edit and mix audio tracks and other formats into .wav files to be burned to CD. The program also features a musical sequencer and MIDI capabilities. In this free online Nuendo tutorial, you'll learn how to record you own music using the basic features of this digital recording program. Expert Shawn Waller demonstrates how to set up the software, create a new project, add tracks, use the various editing and looping tools, and mix down your multi-track recording to burn on CD.
Wave Clone sending audio to a port shared (cloned) record from the line input to several applications. :: Use PAS-Software like a DirectX Plugin with Wave Clone :: Wave Clone is a Windows multimedia tool programed by Eugene Muzychenko, allowing you to share Wave (MME) ports among several applications.
Because many audio (wave) drivers are single-client, allowing only single application to use each port at same time, you cannot, for example, record from the microphone to two application simultaneously. Wave Clone brings multi-client feature to any audio port in your system, allowing unlimited number of applications to use them at same time. Sampling rate (44,1 kHz, 96 kHz, 192 kHz) and number of channels are limited only by host port features. Sample size 16 bit, 24 bit, 32 bit. If more than one applications are sending audio to a port shared (cloned) by the Wave Clone, it will mix all streams together.
Wave Clone is useful to, for example, record from the line input to several applications - encoders, level and THD meters, disk recorders etc. :: See Screenshot below Host application. ART SyncGEN Wordclock Generator at zZounds. The ART SyncGen is a simple to use and inexpensive way to improve the sound of your digital recording gear and eliminate seemingly random pops and clicks resulting from synchronization timing errors between different pieces of equipment.
Using a word-clock generator will centralize all of the timing, reducing accumulated timing errors between the individual units that make up a digital recording chain. You can drive either BNC word-clock inputs or coaxial S/PDIF inputs. This allows the SyncGen to work together with a wide variety of digital audio equipment. The ART SyncGen can also double as a system tester by telling you about the status of your BNC word-clock cables and terminations. You can see which pieces of gear are internally terminated, and if a cable is connected properly. What Is Jitter? Digital systems need to do this millions of times a second since audio samples are broken up into 64 (bit) intervals per sample (44,100 samples/sec. x 64 = 2.822 million bits/sec.)
Features. The Definitive DTRS Guide, Chapter 1: Equipment Overview. DTRS Compatible recorders: Tascam DA-88, DA-98, DA-38, Sony PCM-800, Tascam DA-78HR, DA-98HR and DS-D98 Before I describe the "DTRS compatibles," I'll address the nickname for this format.
The official party line is to call this format "DTRS," which stands for Digital Tape Recording System. Not quite as catchy as "ADAT. " First they picked a five-syllable name for the DA-88, then they pick a four-syllable name as a supposedly catchier nickname. So, I've resorted to nicknaming each machine "88," "98," "38," "800" etc. The Tascam DA-88 and DTRS compatibles all record 8 tracks of digital audio on a Hi-8 tape and multiple machines operate together as one unit, synchronized with sample accuracy for up to 128 tracks. The very first units of the DA-88 had a few problems in the first production run.
The system software has been updated many times. Sony's compatible deck is the PCM-800. Setting up Word Clock by TweakHeadz Lab. By TweakHeadz Lab As your digital audio rig gets larger you will inevitably have to deal with word clock distribution.
At first, synchronizing word clocks of different digital audio devices is easy. In most cases, you can generate and transmit the word clock signal along with the digital audio signals passing from master to slave through s/pdif coax, Toslink and (sometimes) ADAT optical cables and AES/EBU cables. But soon enough you will run into a situation where syncing through audio cables will stop working. Glyn Johns drum mic setup. Glyn Johns drum mic setup: one of the truely great engineers, Glyn Johns' credits include the kinks ,the stones,the who and the beatles, amoung many others.
His technique of drum micing is fast and sounds great. You can use 20 mics and take 3 days to set them up, and if you're lucky, it might sound as good as this technique, which takes about 20 minutes. Hint: it only works well if you have a good drummer and a good sounding room to record in... 1) Over (cardiod:panned Left) about 4"-6" above Floor Tom facing Hi-Hat across Snare. 2) Over (cardiod:Panned Right) about 2'-3' above the kit facing between the toms and snare. 3) Snare 4) Kick 5)room mics, bottom snare mic,2nd kick mic are all optional...the overheads work best if they are large diaphragm condensers....