2005. EMERGENCY BIENNALE. 2013. LONDON ART BIENNALE. 1996. MANIFESTA. Meeting Points 6. Kustoski kolektiv WHW iz Zagreba dobionovi veliki posao u Kairu - Kultura - likovnost. America. 1996. MERCOSUL. 1993. Bienal de Curitiba. The VentoSul exhibition project was conceived in 1990.
In its first edition in 1993 it emerged as one of the main exhibitions of Latin American art, including the participation of some of the most expressive contemporary artists from the region. Since the beginning VentoSul has had an itinerant character, which was kept in the following editions. In the first editions, the VentoSul exhibition took place in important cultural spaces in São Paolo, Rio de Janeiro amongst other, and more than a hundred artists, selected by established Latin American art critics, participated.
For the fourth edition in 2007 Fabio Margalhães, Fernando Cocchiarale and Ticio Escobar were selected as general trustees. In this edition artists from seven countries participated: Argentina, Brazil, Chile, Colombia, Costa Rica, Mexico and Paraguay. New York Biennale Art. BIENNAIL OF THE AMERICAS. 1984. Havana Biennial. The Havana Biennial was established in 1984, long before the worldwide boom of Biennials in the Mid-nineties.
Its first edition was focused on artists from Latin America and the Caribbean who live or have their cultural roots there. Since the 2nd Havana Biennial in 1986, the focus was extended to include Africa and Asia, thus becoming the most important meeting place for artists from "non-Western" countries. For this reason, Universes in Universe dedicated particular attention to this event several times. For the 10th Havana Biennial in the year 2009, the organizers have announced a more open concept, which means that the restriction to invite artists from the so-called "Third World" will be officially lifted. Organizer: Centro de Arte Contemporáneo Wifredo Lam(see our Information) San Ignacio 22, esquina a Empedrado Plaza de la Catedral La Habana Vieja / Cuba Email: contactobienal@wlam.cult.cu Website: www.bienalhabana.cult.cu 10th Havana Biennial27 March - 30 April 2009 Brief information: Africa. 1992. Dak’Art: AFRICAN BIENNALE (Senegal)
Since 1992, the Dak’Art, the Biennial of the Contemporary African Art has been a platform for contemporary art with cultural roots in Africa.
The Biennale of Contemporary African Art aims at being a space of different prejudice-free visions on approaches and inspirations to analyse in relation to a plurality of influences from both immediate and farther sources. The environment itself is today characterised by its relative spatial limitations in spite of the strong influence of the immediate social environment. Dak’Art provides an occasion to fight the propensity to be prejudiced about contemporary art as expressed by some African creators by giving the floor to a different category of experts working at other levels of the visual arts world that refuse to confine themselves within some certainties and are concerned about a certain ethic.
In its maturation phase, Dak’Art is no doubt a relevant cultural proposal for the African Union. It has enabled: Australia. 1973. Biennale of Sydney. 1990. ADELAIDE BIENNALE. Asia. 1991. RIWAQ BIENNALE. About When we began in 1991, we recognized the challenge before us as we tried to understand the world of cultural heritage.
Harnessing the energy and skills of students, architects, archaeologists, and historians, Riwaq took on the imposing work of the National Register of Historic Buildings: a 13-year project (1994-2007) resulting in the publication of 3 impressive volumes that include detailed information, maps and photos of some 420 villages in 16 districts of the West Bank, Jerusalem and the Gaza Strip. Other projects may not have had the same grandiose vision, but certainly they boast valuable impacts. For example, shifting the conception of conservation from an expensive and elitist activity into a meaningful skill that sustains livelihoods, Riwaq's “Job Creation Through Conservation” has successfully transformed cultural heritage into an important economic tool. Kina. 1996. SHANGHAI BIENNALE. Large exhibitions such as the ones organized by Shanghai Biennale provide not only an important occasion to showcase of contemporary art production, but also forums where artists can meet, challenge their own works and expand their experiences.
Besides, the biennale offers the opportunity of a truly international exchange of ideas; while bringing together artists, curators, writers, theorists and art supporters from around the world, the biennale has become a critical space of dialogue within an increasingly global art market. 1996. TAIPEI BIENNALE. Modern Monsters / Death and Life of Fiction The narrative-imaginary vacuum of the present bears the imprint of the systemic monstrosity of modern history.
The re-visioning of modernity and the rewriting of its master narratives constitute a trans-disciplinary project of global proportions. Japan. 2011. AICHI TRIENNALE. 2007. KOBE Biennale. Outline ■Title KOBE Biennale 2013：Encounters with Art in the Port ■Theme さく "Saku" ■Period October 1 (Tue.) to December 1 (Sun.), 2013 (62 days) ■Main Venues Kobe Meriken Park area Port of Kobe Hyogo Prefectural Museum of Art ,the Museum Road zone Sannomiya / Motomachi area ■Budjet Approx. 300 million yen ■Organized by.
2001. YOKOHAMA TRIENNALE. Korea. 2011. BIENNALE JOGJA. 2000. Mediacity Seoul. 1995. GWANGJU BIENNALE. The Gwangju Biennale shows contemporary art under a theme along with special guest exhibitions and various performances.
Under the helm of previous curators that include Kerry Brougher, Sukwon Chang, Okwui Enwezor, Charles Esche, Massimiliano Gioni, Hou Hanru, Honghee Kim, Yongwoo Lee, Youngchul Lee, Kwangsoo Oh, Wan-kyung Sung, and Harald Szeemann, the Gwangju Biennale has established itself as a highlight of the international contemporary art biennial circuit.
1993. SHARJAH ART FOUNDATION. Kochi Muziris Biennale » India's First Biennale 12/12/12. Europe. Russia. 2003. MOSCOW BIENNALE. State Historical Museum (former Lenin Museum), Moscow The Moscow Biennale of Contemporary Art is one of the most important Russian cultural events and was founded in 2003.
First Moscow Biennale of Contemporary Art[edit] The First Moscow Biennale of Contemporary Art (January 28 – February 28, 2005) caused great response both in Russia and abroad. The main exhibition “Dialectics of Hope” included projects by 41 artists from 22 countries and represented art that focuses on one of the most fundamental experiences of a modern human being: hope. 2010. URAL INDUSTRIAL BIENNALE OF C.A. 1895. VENICE BIENNALE. Kata Mijatović - 'Između neba i zemlje' 2013. 1984. Boris Bučan. 1999. Liverpool Biennial. Deutschland. 1977. Skulptur Projekte Münster. 1955. DOCUMENTA. 1996. BERLIN BIENNALE. 1987. ISTANBUL BIENNALE. The Istanbul Foundation for Culture and Arts (İKSV) has organized the Istanbul Biennial since 1987.
The Istanbul Biennial prefers an exhibition model that enables a dialogue between artists and the audience through the work of the artists instead of a national representation model. The curator, appointed by an international advisory board, develops a conceptual framework according to which a variety of artists and projects are invited to the exhibition. 2004. BUCHAREST BIENNALE. 1984. LYON BIENNALE.