background preloader

Renaissance

Facebook Twitter

Elizabethan and Early Jacobean Jackets. Diverse figure al numero di ottanta, disegnate di penna nell'hore di ricreatione da Annibale Carracci, intagliate in rame e cavate dagli originali da Simone Giulino Parigino. Titre : Diverse figure al numero di ottanta, disegnate di penna nell'hore di ricreatione da Annibale Carracci, intagliate in rame e cavate dagli originali da Simone Giulino Parigino Auteur : Carracci, Annibale (1560-1609). Dessinateur Auteur : Guillain, Simon 02 (1618-16..? ; aquafortiste). Graveur Éditeur : In Roma, Nella stamperia di Ludovico Grignani. Date d'édition : 1646 Sujet : Bologne, moeurs, cris, XVIe-XVIIe siècle Type : image fixe Langue : Italien Format : 22 p., table, 80 pl. d'estampes : eau-forte ; 39 cm Format : image/jpeg Droits : domaine public Identifiant : ark:/12148/btv1b8454358x Source : Bibliothèque nationale de France, département Estampes et photographie, PETFOL-BD-25(G) Relation : Description : Référence bibliographique : IFF, 17 GUILLAIN (Simon II), n° 3-83 Provenance : bnf.fr.

The Leonfeldner Schnittbuch. The Leonfeldner Schnittbuch, currently resides in the Stadtmuseum in Linz. A microfilm copy is also kept at the Berliner Lipperheide museum. (Many thanks and kudos to Markus Baur for helping me to get a copy of this manuscript!) I don't have much information about this manuscript; what I do have comes mostly from Ingeborg Petrascheck-Heim's article "Tailor's Masterpiece-books" in the Journal of Costume vol. 3. This book has been dated by Ingeborg to c. 1590, although I haven't been able to find details on how this date was determined. According to Ingeborg, this book was probably used by journeyman tailors as a catalog of items they need to know how to make before they can become masters of their trade.

Because of this, some of the garments may be "traditional" and someone old-fashioned for the date of the book. I have yet to decipher the handwriting; currently I can figure out about one word in four. Back to the Elizabethan Costume Page. Www.elizabethancostume.net/Tailors/pages/f95R.html. The Milanese Tailor's Album-Women's Clothing. General Mode - The historical costume. Quelques images d'un travail en cours ! Bonjour à tous. Comme je n'ai pas posté d'article depuis bien longtemps, j'aimerais vous présenter quelques images du projet sur lequel je suis en train de travailler.

Il s'agit d'un montage vidéo qui présentera l'évolution de la mode de 1550 à 1600. J'y travaille chaque jour depuis un mois. En voici quelques images : Ce sont des images qui ne sont pas encore tout à fait terminées. J'espère avoir fini ce travail, au mieux, dans un mois. Article modifié en janvier 2012 pour mettre à jour les images. Quelques images d'un travail en cours ! Plus d'un mois est passé et je n'ai toujours pas terminé mon ouvrage. Cela s'explique notamment par le fait que j'ai rallongé le champ chronologique de mon projet. Comme la fois dernière, je vous propose plusieurs images (que je dois encore retoucher pour supprimer quelques imperfections)..

Article modifié en décembre 2011 pour mettre à jour les images. La mode de 1550 à 1610 Explication de la vidéo - robe et manches. Blackwork Patterns. Designs. Chemise-Cuffs. BlackWork Collection. Machine Embroidery Designs at Embroidery Library! - A Classic Blackwork Design Pack - Lg. Www.thredworks.com/blakwrk.php. Lady Maerwynn's. Vatican+Museum+Paintings01.JPG (1024×768) Elizabethan Renaissance Black Doublet Gown. Universiteitsbibliotheek Gent. Doublet in a Week - Day 1. Instructions for the construction of a Basic Block Doublet Original presentation by Jose Fellipe Franciso of the SCA, with thanks for showing me the way of thirds. Measurements - for a Doublet or Jerkin these are the basics. · Front length = FL - From the hollow of the throat to the bottom of the belt (as worn in jeans) · Back length = BL – from the top of the neck to the top of the pants. · From the neck to the shoulder = S – as close in to the neck as possible to the point of the shoulder (the point that goes up and down when you raise and lower your arm) · Around the chest + 3-4 fingers = C · Around the belly (quit sucking it in) at the belly button +2-3 fingers = Be · Waist at the top of the jeans or pants + 2 fingers = W · Neck around with 1 finger under tape +3 fingers = N · Armscye = AS – fairly tight in around the armpit from shoulder point and back to shoulder point.

Sleeve measurements · Arm length from point of shoulder to wrist = A · Wrist Circumference = Wr · Bicep measurement = B 1. Sewing an Elizabethan Smock. Once you have the pieces for your smock or t-tunic, using the Smock and T-tunic Pattern Generator or cutting them out on your own, you are ready to sew it together. The instructions below assume that you have: Two sleeve pieces One main body piece four triangular underarm gussets four long side gores a square of fabric for the neck facing (about a foot square) Step 1: Sew the underarm gussets to the sleeves Step 2: Sew the gores onto the body Step 3: Sew the sleeves to the body Lay the top end of the sleeve against the edge of the body piece right sides together, matching the center line of the sleeve with the shoulder line of the body.

Sew the two together 1/2 an inch away from the edge of the fabric. You will end up with a shape like so: 4. Place the square on the right side (the outer side) of the smock, locating the neckline square so that it is centered and so that the shoulder line on the body comes to around 2 inches inside one edge. Back to the Smock Pattern GeneratorHome.