Johannes Ockeghem Home Page. Much of the bibliographic data included on the Johannes Ockeghem Home Page as well as a substantial amount of research-related information contained in the author's revised doctoral dissertation is currently being updated and substantially augmented in order to be submitted for publication in monographic form. The monograph includes information on hundreds of items (see examples under Introduction below) not yet included on this page.
These will be added gradually to the Johannes Ockeghem Home Page once the monograph has been published. In order to locate items not furnished on this page or to obtain more recent bibliographic information for any of the items provided here please contact the author directly. Die Goldberg Stiftung (Dr. Clemens Goldberg). Introduction [Word Search and/or Index Find browser capabilities may help in locating a particular author, title, subject, keyword term, or phrase.] N.B.: Links verified as of 20130402. New: Added sound recordings entries. Purpose Dedication. Aztec ethnomusicology. SEM - Error Page. Dr. J. Marshall Bevil, Ph.D.Historical and Systematic Musicology7918 Millbrook Drive Houston, Texas, U.S.A. 77095Telephone (U.S. / 281) 859-5965 Cellular (U.S. / 713) 419-6829 Fax (U.S. / 281) 550-866 Areas of Expertise ~ Forensic Musicology ~consultation and expert testimony in matters pertaining to musical identity and similarity in connection with intellectual property issues; computer-assisted comparative analysis developed in connection with dissertation on tune relationships ~ Historical and Systematic Musicology, Ethnomusicology ~British art music and popular music of the Late Romantic, Postromantic, and Early Modern periods (Elgar, Sullivan, C.H.H.
Celtic and Celtic-American folk music; oral-aural traditions; computer-assisted analysis ; the Welsh Crwth; oral-aural folk musical traditions (centonization)Link to Online Bibliography . ~ Post-Secondary Education ~ ~ Educational Consultation ~ and, at the collegiate level, on music in general and period-historical humanities studies. 'Musical space and its inhabitants: an inquiry into three kinds of audible space' In his tent in the Provence surrounded by chirping crickets, young Stockhausen was so impressed by the vast aural space unfolding around him, that he decided to create such a space in music as well. He was not alone. In ‘Les iseaux de l’arbre de vie’ form ‘Visions de l’au delà’, Messiaen evokes the many-layered depths emerging in the woods as soon as the birds begin to sing. Also more urban aural spaces created by men have fascinated composers.
In Stravinsky’s Petrouchka, we hear the jumble of sounds on a fairground and in ‘The Miraculous Mandarin’ Bartok places us amidst the hustle and bustle of a modern city. And also the pre-industrial age had its own soundscapes: think of the turmoil of battle or the cries of the hawkers in the market that inspired many a madrigalist. It matters, thus, to investigate the relation between aural space that unfolds when the crickets in the Provence begin to chirp and musical space that emerges when the instruments begin to play in the concert-hall. Publications: Computing in Musicology, Vol. 15. Modo menor. Generalidades[editar] Secuencia de intervalos en la escala menor de la. Secuencia de intervalos en la escala menor de si.
La correspondencia entre escala mayor y escala menor viene dada por un tono y medio de una respecto de la otra. Por ejemplo: si menor es la escala relativa menor de re mayor. Mi menor es la escala relativa menor de sol mayor. Tipos[editar] Escala menor natural[editar] Escala menor natural: 1 2 ♭3 4 5 ♭6 ♭7 Los acordes que se forman en cada grado de la escala menor natural son los siguientes: I, acorde menor.II, acorde disminuido.III, acorde mayor.IV, acorde menor.V, acorde menor.VI, acorde mayor.VII, acorde mayor.
Escala menor armónica[editar] La escala menor armónica se forma subiendo un semitono al séptimo grado Escala de la menor: la-si-do-re-mi-fa-sol-laEscala de la menor armónica: la-si-do-re-mi-fa-sol#-la Escala menor armónica de la (se altera el grado VII). Reproducir Los acordes que se forman en cada grado de la escala menor armónica son los siguientes: Reproducir General. Music 253. Music 253: Musical Information Labs. CCARH Homepage. CCARH Publications: Scores and Parts.