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:::  Acústica Musical:    Curiosidades relacionadas con la Música  ::: Antes de nada, es necesario aclarar el concepto de fractal. Bien, un fractal es un objeto geométrico compuesto de elementos, también geométricos, de tamaño y orientación variable, pero de aspecto similar. Los objetos fractales tienen la particularidad de que al aumentar la escala de observación de dicho objeto, los elementos que aparecen vuelven a tener el mismo aspecto independientemente de cual sea la escala que utilicemos, y formando parte, como en un mosaico de los elementos mayores, es decir, estos elementos tienen una estructura geométrica recursiva, propiedad conocida con el nombre de autosemejanza. A este tipo de formas geométricas que, entre otras propiedades, contienen una imagen de sí mismas en cada una de sus partes, se les llama y hace ya más de una década que inundaron el mundo científico con un conjunto de nuevas reglas para enfrentarse con el reto de conocer y describir la naturaleza.

Como entidades geométricas, los fractales tienen características peculiares. Madredeus. Madredeus (Portuguese pronunciation: [maðɾɨˈðewʃ]) is a Portuguese musical ensemble. Their music combines traditional Portuguese music (which is sometimes erroneously associated with the subgenre of Fado) with influences of modern folk music. The lyrics are often melancholy, related to the sea or travelling or absence, continuing a tradition of songs dating back to Medieval times (with obvious connection to cantigas de amigo among others). Madredeus founding members were Pedro Ayres Magalhães (classical guitar), Rodrigo Leão (keyboard synthesizer), Francisco Ribeiro (cello), Gabriel Gomes (accordion) and Teresa Salgueiro (vocals). Magalhães and Leão formed the band in 1985, Ribeiro and Gomes joined in 1986. The first album was recorded in their rehearsal space, a converted abbey in Lisbon. In 1993, Pedro Ayres Magalhães left the band temporarily and was replaced in live concerts by José Peixoto (classical guitar).

In April 2012 Madredeus announced its new album Essencia. Prince (musician) ). In 1994, he began releasing new albums at a faster pace to remove himself from contractual obligations to Warner Bros, releasing five records in a span of two years before signing to Arista Records in 1998. In 2000, he began referring to himself as "Prince" once again. He has released thirteen albums since then, including his latest, 20Ten, released in 2010.

Prince has a wide vocal range and is known for his flamboyant stage presence and costumes. Early life In a PBS interview Prince told Tavis Smiley that he was "born epileptic" and "used to have seizures" when he was young. Prince's sister Tika Evene (usually called Tyka) was born in 1960.[19] Both siblings developed a keen interest in music, and this was encouraged by their father.[20] Prince wrote his first tune, "Funk Machine" on his father's piano when he was seven.[20] Prince's parents separated when Prince was ten years old. Career Beginnings and breakthrough (1975–84) Charles Mingus. Charles Mingus Jr. (April 22, 1922 – January 5, 1979) was a highly influential American jazz double bassist, composer and bandleader. Mingus's compositions retained the hot and soulful feel of hard bop and drew heavily from black gospel music while sometimes drawing on elements of Third Stream, free jazz, and classical music.

Yet Mingus avoided categorization, forging his own brand of music that fused tradition with unique and unexplored realms of jazz. He once cited Duke Ellington and church as his main influences. Mingus focused on collective improvisation, similar to the old New Orleans jazz parades, paying particular attention to how each band member interacted with the group as a whole. In creating his bands, Mingus looked not only at the skills of the available musicians, but also their personalities. Many musicians passed through his bands and later went on to impressive careers. Biography[edit] Early life and career[edit] Charles Mingus was born in Nogales, Arizona. Lhasa de Sela. 2011-03-18 - Radio shows about Lhasa Three comprehensive and very moving programs about Lhasa (each one longer than 54 minutes) have been produced during the first three months of 2011: two on CBC Radio in English, and one on France Culture in French.

Please consult our page of links to listen to them streaming. 2011-01-01 - 1st Anniversary Again it's the 1st of January. One year has passed. 365 nights later and yet it seems like yesterday. For some… for many. It is not easy to witness the passing of someone so exceptional, and so young. Her departure has been honored throughout the world. In newspapers, in magazines, on television. We have received thousands of e-mails, and many thousands of testimonies across different websites. All this has shown us clearly the extent of the influence of her music and her personality, how so many have been so profoundly affected by her music. It has been one year. During this year we decided to remain silent… To let the snow fall. Lhasa taught us many things, Photos. Lhasa de Sela. Johann Pachelbel. Pachelbel's autograph signature from his 1695 letter to Gotha city authorities Johann Pachelbel (German: [ˈjoːhan ˈpaxəlbɛl]; baptised September 1, 1653 – buried March 9, 1706)[1] was a German Baroque composer, organist and teacher who brought the south German organ tradition to its peak.

He composed a large body of sacred and secular music, and his contributions to the development of the chorale prelude and fugue have earned him a place among the most important composers of the middle Baroque era.[2] Life[edit] 1653–1674: Early youth and education (Nuremberg, Altdorf, Regensburg)[edit] Johann Pachelbel was born in 1653 in Nuremberg into a middle-class family, son of Johann (Hans) Pachelbel (born 1613 in Wunsiedel, Germany), a wine dealer,[4] and his second wife Anna (Anne) Maria Mair. The exact date of Johann's birth is unknown, but since he was baptized on September 1, he may have been born in late August. Pachelbel was also permitted to study music outside the Gymnasium. Thrill Jockey. Boca Negra is the 5th release of the critically acclaimed Chicago Underground Duo and 11th release by the Chicago Underground Collective. As with the previous four Duo records it contains both composed and improvised music. The recording contains powerful grooves along with ambient sound structures, folk song simplicity and polyrhythmic bursts of energy with lyrical melodic vignettes.

It also combines high energy music with slow moving ballads. Boca Negra was recorded in Sao Paulo, Brazil at Rocha Studios making it the first record not created in Chicago. It is also the first record that contains a “cover”, that being Ornette Coleman’s “Broken Shadows”. This record has been three years in the making and took so long to make due partly to both Chad and Rob’s frantic touring schedules (Rob is the leader of the Exploding Star Orchestra, Sao Paulo Underground, Mandarin Movie, and more while Chad performs with Iron and Wine, Marc Ribot, and so forth).

Sinfonía Virtual - Julio 2012. Los modos del Canto Gregoriano. Versión para imprimir La escala diatónica única de que se sirve el canto gregoriano, es la siguiente: No todas las melodías recorren esta extensión: algunas se mantienen en la octava inferior (de LA a LA), otras en la central (de MI a MI) y otras en la superior (de SOL a LA). En cada una de estas octavas, los SEMITONOS distan más o menos de la nota final, con lo cual tenemos un elemento fundamental para entender los modos. Para los greco-romanos, la octava que conocemos hoy no existía. Eran más bien dos tretracordos separados o simplemente yuxtapuestos: DO, RE, MI, FA SOL, LA, Si,DO El tetracordo es pues considerado como la base modal, el primer elemento completo o núcleo generador de toda la melodía. Igual cosa sucede con el tetracordo superior. Los nombres de estos modos son: Existe una nota tónica en la cual, si no siempre comienza la melodía, en ella de ordinario termina y descansa.

En consecuencia, los modos se distinguen por: su tónica, su dominante y el ámbito o extensión. How to Sight Read Music: 14 steps. Edit Article Edited by Julia Maureen, Fireline12, Krystle, Sondra C and 37 others Sight reading music is one of the most important things you need to know to be any good at your instrument of choice, only beaten by the importance of learning how to actually play the instrument itself. Almost every audition you will ever take part in will include some form or another of sight reading. Most of this sight reading, though, is not really sight reading in its purest form -- looking at the music for the very first time while you are playing or singing the notes. Ad Steps 1Find music to sight read. 15Cultivate the habit of keeping your eyes slightly ahead of the note(s) you're playing.

Tips Tune, tune, tune! Acogida. Experimental Musical Instruments — Books, CDs & More for Unusual Instruments and Instrument Making. Berklee Press - Catalog - Harmonic Ear Training. By Roberta Radley A vital introduction to ear training for songwriters and performers looking to improve their listening skills and become better musicians. Starting with the bass line, you'll learn a step-by-step approach to help you break down the hearing process, internalize the music, and then identify the elements of the progression. Harmonic Ear Training will help you to: Recognize chord progressions quickly and confidently Incorporate chord progressions into your writing and performing Learn to listen to music more analytically, and apply this knowledge to all your projects About the Author Roberta Radley is the assistant chair of the Ear Training Department at Berklee College of Music. Roberta Radley What I like most about this DVD is that ear training is so much better to watch and try out than it is to just read about.

What I like about Roberta Radley as a teacher is that she is very smart and very focused. -MusesMuse.com (Singer /Songwriter website) Sample Lessons on Berklee Shares. Página oficial de David Valdés - Discografía. Petrouschka, El Sombrero de Tres Picos. Orquesta Sinfónica de Principado de Asturias. J. Rodrigo. Obras completas, vol. 1. Orquesta Sinfónica del Principado de Asturias. J. Rodrigo. J. "La Boheme" G. "Entartete Musik". Orquesta Sinfónica de Gijón. "Requiem" G. "Dream Ticket" Elton John. RAM Symphony Orchestra.

Festival Internacional de Santander. "Romeo y Julieta" C. XX Aniversario Estatuo Autonomía. Premios "Príncipe de Asturias". "Gijón De Nota 05". "Gijón De Nota 06". "Gijón De Nota 07". "Gijón De Nota 08". Concerto München Sinfonieorchester. Sinfonía nº 9 L. Manuel de Falla. "El Refugio del Mal" B.S.O. "Cunning Little Vixen" L. "Corpus Christi en Toledo".

Big Band del Conservatorio de Gijón. "País Soledad". "Christmas: With One Breath He Come". Taller de Músicos de Gijón. "Sinfónica Clara". Bongo lessons. Berklee Press - Catalog - Harmonic Ear Training. Untitled Document. Dos problemas de interpretación en el Barroco mexicano by Francisco José Grijalva Vega Toda obra del Barroco novohispano obliga al intérprete a resolver diversos problemas que le exigen tener herramientas que van desde el conocimiento del gregoriano, el contrapunto y la estilística europea hasta el conocimiento de la liturgia, pasando por la investigación de los usos y costumbres que permearon a los actores tanto indígenas como españoles con el fin de recrear ese un universo mestizado o sincrético religioso que incidió tanto en lo lingüístico como en lo musical durante la Colonia. Hablaré de dos problemas de interpretación el primero: Que criterios entran en juego para buscar un pulso adecuado para la ejecución de la plegaria a la Virgen, Sancta María In illhuicac, escrita en náhuatl y tomada del códice Valdés —un manuscrito encontrado en el pueblo de Cacalomacán Estado de México —, en la que existe un dilema en cuanto a la autoría y también en cuanto a su designación como forma musical.

Welcome to the arvopart.info website. Categoría:Teoría musical. Portal:Música. Teoría musical. Virtual Music School - Home. Scott Herren. Guillermo Scott Herren is a producer who has been based in Atlanta, Barcelona and New York. Herren releases music under the aliases Prefuse 73, Delarosa & Asora, Ahmad Szabo, and Piano Overlord, and is also part of the groups Savath y Savalas, Sons of the Morning, Risil, and Diamond Watch Wrists. Biography[edit] Guillermo Scott Herren was born in Miami, Florida and grew up in Atlanta, Georgia. His father is Catalan and his mother is Irish and Cuban. At an early age his parents encouraged him to play piano and other instruments; his mother "forced" Herren to play a wide variety of instruments, even going so far as to teach him the Suzuki Method in order to "keep him out of trouble".

In 2000, Herren released the album Folk Songs For Trains, Trees, And Honey under the name "Savath & Savalas". Herren first released music under the name "Prefuse 73" with 2001's commercially and critically successful Vocal Studies + Uprock Narratives. Discography[edit] Prefuse 73[edit] Albums Compilations EPs. Gregorian chant.

Gregorian chant is the central tradition of Western plainchant, a form of monophonic, unaccompanied sacred song of the western Roman Catholic Church. Gregorian chant developed mainly in western and central Europe during the 9th and 10th centuries, with later additions and redactions. Although popular legend credits Pope St. Gregory the Great with inventing Gregorian chant, scholars believe that it arose from a later Carolingian synthesis of Roman chant and Gallican chant.

History[edit] Development of earlier plainchant[edit] Musical elements that would later be used in the Roman Rite began to appear in the 3rd century. The Apostolic Tradition, attributed to the theologian Hippolytus, attests the singing of Hallel psalms with Alleluia as the refrain in early Christian agape feasts.[8] Chants of the Office, sung during the canonical hours, have their roots in the early 4th century, when desert monks following St.

Origins of mature plainchant[edit] Dissemination and hegemony[edit] Indexmenu. The Blues . Blues Classroom . Teacher's Guide CD. A CD of blues music was included in a mailing to a limited number of teachers at the time of the original program broadcast. We invite you to listen to clips from the CD on the Web site and to use them in connection with the lesson plans also available on this Web site. 1. Lost Your Head Blues (1926) Listen Written and Performed by Bessie Smith (Publisher: Frank Music, ASCAP) Source: BESSIE SMITH: THE COMPLETE RECORDINGS, VOL. 3 (Columbia/Legacy, 47474) Like most blues singers of the "classic" or "vaudeville" style that dominated the 1920s, Bessie Smith drew on a variety of related genres, from Tin Pan Alley and vaudeville standards to early blues and jazz forms.

Smith, however, sang every piece with a vocal strength and emotional conviction that few, if any, of her contemporaries matched. This ability to personalize the songs she sang made them powerfully resonant for her audience, as evident in this track, a tale of love lost to which any rejected lover can readily relate. 2. 3. 4. 5. Home Page in Oxford Music Online. Vaudeville. Stereolab. KUNSTDERFUGE.COM. Free Classical MIDI files. Classical Music. Diamanda Galas. ON CLASSICAL. WAV/CD download & music licensing. Classical music. Learn about jazz? Rueda armonica. The Blues. NEWS - G-Stone Recordings. Massive Attack. Massive Attack. Thievery Corporation - Tour Dates. Música medieval. Música virreinal Mexicana (Musical LP, 1980. El rojo y el negro. Bass drum. How to Learn Simple Jazz Improvisation. Free Piano Sheet Music - EasySheetMusic.com. Myriad: Music Notation Software, and much more... MuseData: Antonio Vivaldi - CCARHWiki.

PG Music - Band-in-a-Box for Windows Add-ons - Essential Riffs & Phrases. El blog de La Mosca. Nils Petter Molvær. Panthalassa. Panthalassa. TuneGlue° | Relationship Explorer. Carátula Frontal de Radiohead - Ok Computer - Portada. Music theory : classic jazz harmony. AllMusic : Music Search, Recommendations, Videos and Reviews. Arvo Part - musicolog.com. Perfect Pitch Ear Training SuperCourse: Name Notes & Chords by EAR. Pop blues : piano : jazz improvisation : music harmony. Queens & Kings of Bel Canto. Ligeti: continuum for harpsichord. Ligeti - Artikulation. Home | Light In The Attic Records. Maja Ratkje. Mozart forever. Cachao López. Tortoise (band) Midnight Juggernauts. NUEVOS RICOS. La Jornada. Jessy bulbo | Música gratuita, fechas de tour, fotografías, videos. Leticia Servín - Breve Biografía y Discos.

A su estilo, Tere Estrada rinde tributo a compositoras mexicanas. Pedagogia de la musica. Ear training. Pedagogía de la música - descarga de la versión en PDF. How to play yesterday! Patti Smith meets Robert Mapplethorpe. Patti Smith da una fiesta. Tom Waits. Tiger Lillies.