Zen :: Welcome to Sprenger Geigenbau - the oldest established violin making atelier in Switzerland. University Musical Encyclopedia/Great Composers: A Series of Biographical Studies/Claudio Monteverde. Monteverde, the originator of the modern style of composition, was born at Cremona, Italy, in the year 1568. At a very early period he entered the service of the Duke of Mantua as a violist, showing, from the first, unmistakable signs of a talent which gave good promise of future excellence, and which, before long, met with cordial recognition, not only at the ducal court, but from end to end of Europe. The youthful violist was instructed in counterpoint by the Duke's maestro di capella, Antonio Ingegneri, a learned musician, and a composer of some eminence, who, if we may judge by the result of his teaching, does not seem to have been blessed in this instance, with a very attentive pupil.
It is, indeed, difficult to believe that Monteverde can ever have taken any real interest in the study of scholastic music. Contrapuntal excellence was not one of his strong points; and he never shines to advantage in music in which it is demanded. The success of this great work was unprecedented. University Musical Encyclopedia/Great Composers: A Series of Biographical Studies. From Wikisource IntroductionBeginnings of Modern Music — How Modern Differs from Medieval Music — Two Musical Channels — Church Music and Folk-songs — Representative Composers — Secularization of Music — Origin and Development of Opera — First Oratorio — Tendencies of Modern OperaGiovanni Pierluigi da PalestrinaBirth and Early Career — First Volume — Marriage — Pontifical Singer — Preferments — Great Work for Musical Art — Penury and Affliction — Continued Labors — Impressive Death-scenePalestrina's Place among ComposersClaudio MonteverdeThe Young Violist — First Compositions — Inventor of New Harmony — Defeat of Polyphonic Schools — His Operas "Arianna" and "Orfeo" — Later Works — Influence upon ArtHenry PurcellA Precocious Genius — Meager Biographical Records — Purcell's Opera "Dido and Æneas" — His Dramatic, Church, and other Music — Early Death — Critical Estimate of His WorkJohann Sebastian BachThe Bach Family — Birth and Boyhood of J.
S. University Musical Encyclopedia. Tarquinio Merula. Life[edit] He was born in Busseto. He probably received early musical training in Cremona, where he was first employed as an organist. In 1616 he took a position as organist at S Maria Incoronata in Lodi, where he remained until 1621, at which time he went to Warsaw, Poland to work as an organist at the court of Sigismund III Vasa. In 1626 he returned to Cremona, and in 1627 became maestro di cappella at the cathedral there, but he only remained for four years, moving to Bergamo to accept a similar position in 1631. Alessandro Grandi, his predecessor, had died in the terrible plague of 1630 (which affected many cities in northern Italy, including Venice), and he faced the formidable task of rebuilding the musical institution there after many of its members had died.
Unfortunately Merula got into trouble with some of his students, and was charged with indecency; he chose to return to Cremona, where he remained until 1635. Music and influence[edit] Works[edit] External links[edit] v4.0 :: is storing all your File-Hosting links. Pinturas del siglo xvi. Oscar Cornago Bernal. Monteverdi il combattimento di tancredi e clorinda.
Miserere mei (Gregorio Allegri) - ChoralWiki. Music files Editor: Rod Mather (submitted 2008-11-10). Score information: A4, 19 pages, 159 kB Copyright: Personal Edition notes: 2 editions - Latin and English, both have rehearsal accompaniment, and alternative where resources can avoid the high C. CPDL #16055: NoteWorthy Composer Editor: Brian Russell (submitted 2008-02-17). Score information: A4, 19 pages, 130 kB Copyright: CPDL Edition notes: No keyboard reduction. CPDL #10530: Sibelius 3 Editor: Philip Legge (submitted 2005-12-30). Edition notes: Latin. Editor: Christopher Moore (submitted 2002-03-05). Edition notes: Latin. CPDL #02947: Sibelius Editor: Denis Mason (submitted 2001-08-15). Edition notes: Includes a keyboard reduction of the a cappella choral score. CPDL #02690: Sibelius Editor: Denis Mason (submitted 2001-08-15).
Edition notes: Includes a keyboard reduction of the a cappella choral score. General Information Title: Miserere mei, DeusComposer: Gregorio Allegri Languages: Latin, EnglishInstruments: a cappellaPublished: M. Talbot. Vivaldi. 1993. LIBRETTI A STAMPA di Benedetto Riccio. Benedetto Riccio (Napoli 1678, 1710) L'alloggiamentare (Napoli, Teatro dei Fiorentini, 1710) FRONTESPIZIOLl' Alloggiamentare, Commeddia Napoletana, Composta da lo Dottore Nicola Gianni Pe lo Teatro De Li Shiorentinoe in Chist'anno 1710, Dedecata Alla Llostriss. e Azzellentiss.
Segnora D. Giovanna Pignatiello D'aragona Pymentel Y Cortes, Dochessa De Monteleone (...) /(la Museca e De lo Signo Beneditto (!) L'Ateone (Napoli, Teatro dei Fiorentini, 1708) L'Iride in cielo (Napoli, 1704) L'umanità consolata (Napoli, Sala Maria del Porto dei Dottori, 1704) Hitos de Nuestro Sistema Musical. El Barroco Tardío Su rasgo característico es el desrrollo de la música instrumental y las nuevas Formas Musicales que predominan y se perfeccionan en el Barroco Tardío (c. 1680- 1759), a saber: 1.
En la Música Vocal: consolidación y perfeccionamiento de la Opera, el Recitativo, el Aria, la Cantata, el Oratorio y auge del Bel Canto. 2. Desarrollo y apogeo de la Música Instrumental: El Concerto Grosso, el Concerto da Camera, la Suite (Preludio u Obertura, Allemande, Courante, Sarabande), la Sonata da Camera y da Chiesa, la Toccata y la Fuga. (El primer concierto de piano lo realiza Henry Walsh en Dublín, 1762) El Concerto da Camera, composición para uno o varios instrumentos solistas con acompañamiento de orquesta, desarrollado en Italia, será el género instrumental típicamente Barroco, a partir de mediados del siglo XVII.
En Italia, los compositores más relevantes en este período son: En Alemania se destacan: Simultáneamente, cada Preludio y su Fuga, marcan la característica de su tonalidad. GIULIANO CARMIGNOLA: UN VIOLIN EN IMPARABLE ASCENSO. Por Ignacio Deleyto Alcalá. Lee su Curriculum. El sello SONY CLASSICAL presenta dos importantes registros de la mano de uno de los violinistas barrocos más inquietos y de mayor proyección en el momento, el italiano Giuliano Carmignola del que no hace mucho comentamos su excelente versión de Las Cuatro Estaciones de Vivaldi (Filomúsica, Julio 2001). En el primer disco Carmignola y el laudista alemán, Lutz Kirchhof, otro de los valores estables del sello, han unido sus fuerzas para presentar un original trabajo que reclama el uso de la improvisación -tan importante en el Barroco- como método compositivo (SK 51351). La obra de mayor interés e inédita hasta ahora en esta forma es una composición supuestamente realizada a dúo por dos de los grandes maestros del Barroco alemán, J.
S. Según el propio Lutz Kirchhof, el misterio de esta obra se resolvió cuando se comparó con una Sonata para laúd de Weiss y se descubrió que eran prácticamente iguales. Un breve apunte final. Giovanni Battista Bononcini: a detailed biography. The Bononcini family were string players and composers with an established reputation. Giovanni Maria Bononcini (1642-78, the father) studied the violin and composition, and his own trio sonatas are considered important precursors of Corelli's op 1-4.
His musical treatise - Musico prattico - circulated widely and influenced such later writers as J.G. Walther and Mattheson. He also left cantatas, a volume of madrigals and a later volume of trios. Giovanni Battista Bononcini was born in Modena, Italy, in 1670, the eldest and most successful of three sons; he died Vienna in 1747. From Bologna he went to Milan to take up a commission from the Duke of Modena, and then to Rome - via Bologna, where he played in Cardinal Pamphili's orchestra.
He had been recruited in 1698 to the court of Leopold I in Vienna, where he became a particular favorite of the heir Joseph who acceded the throne in 1705. Visit BAROQUE COMPOSERS & MUSICIANS to see this composer in geographical and historical context. HOME: Dipartimento di Musica e Spettacolo – Università di Bologna. Works of Art. How to Read a Caption A caption gives basic information about a work of art. Title Titles appear in boldface. Date Titles are usually followed by a date or date range.
Artist The name and nationality of the artist/maker(s) of the work of art are given, if known. Country or Culture of Origin The country or culture of origin indicates the geographic area where the work of art was made or found and may be followed by a specific city or region. Medium and Dimensions The medium describes the material(s) that the work of art is made of. Credit Line The credit line indicates how a work came into the permanent collection or how it came to be on view at the Metropolitan Museum. Accession Number The accession number for Edgar Degas's A Woman Seated Beside a Vase of Flowers (Madame Paul Valpinçon?)
The accession number for the Roman statue Old Market Woman is 09.39. In 1970, a century after the Museum's founding, the style of accession numbers changed. Copyright Description. Entender el Barroco (comparación con el Renacimiento) « SÉ HISTORIA. Deutsche Harmonia Mundi: 50 Years 1958-2008 (50 CD box set, APE) | BOXSET.RU. Deutsche Harmonia Mundi: 50 Years 1958-2008 (50 CD box set, APE) Audio CD SPARS Code: ADD Number of Discs: 50 CD boxset Format: APE (image+cue) Label: Size: 13.4 GB Recovery: +3% Scan: yes Server: filepost If you’re an avid fan of the music which has been released by Deutsche Harmonia Mundi over the last 50 years then you’re sure to love this box set compilation. This is a great collection for any music-lover, but especially those who enjoy tracks released by Deutsche Harmonia Mundi. Secondo libro de madrigali a cinque voci (Venice, 1604) - Alfonso Fontanelli, Anthony Newcomb.