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Education sonorité et espace

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Des fictions autour de récits d'émigration à la Cité Nationale de l'Histoire de l'Immigration - Faïdos Sonore. Cette année, des groupes vont créer des fictions sonores autour de récits d’émigration.

Des fictions autour de récits d'émigration à la Cité Nationale de l'Histoire de l'Immigration - Faïdos Sonore

Ces ateliers font suite à une visite dans l’exposition permanente à la Cité Nationale de l’Histoire de l’Immigration. Tous les sons servant pour le paysage sonore des fictions ont été enregistrés avec les groupes et échantillonnés par la suite. Le jeune homme qui a bravé le désert, la mer et les frontières : Une fiction d’un jeune homme parti du Mali pour venir en France gagner sa vie. Les chroniques de Gilles Malatray. Analyse Paysage sonore. [Environnement sonore] : Ressources. Esprit de l'Eau. Activities - Xpeditions @ nationalgeographic.com. Your Mission Your mission is to "collect" sounds that define your zip code's sense of place !

Activities - Xpeditions @ nationalgeographic.com

Briefing Learn About It When you are asked to describe where you live, what do you say? Do you describe the homes, shops, and businesses? Do you describe the people? One distinctive characteristic which helps to create a sense of place is sound. Walk around your home for a few minutes. Think about another place you are familiar with, such as an airport, a beach, or a neighborhood park. Think About It Every place has sounds that you might not notice, but those sounds help to create a sense of place. In each zip code on this map, you'll find three types of sounds: Ecology of Sound: The Sonic Order of Urban Space. Bibliography - istanbul soundscapes. Sound Escape: sonic geography remembered and imagined. Abstract 112 Ellen Waterman Ecumene 2000 7 (1) rom its inception in the late 1960s in Canada, the interdiscipline of acoustic ecology has always been conceived of in spatial terms.

Sound Escape: sonic geography remembered and imagined

Its founder, the com- poser and writer R. Murray Schafer, was concerned with uniting the various branches of sonic research from acoustics to communications, from sound recording to sound design, from music to audio art and from otology to noise pollution activism under the rubric of soundscape studies. His seminal book The tuning of the world (1977) mapped the (western) sonic environment both his- torically (through literary evidence) and ethnographically (through sound tech- nologies), and imagined its future design.

Acoustic ecology is an emerging field concerned with a broad approach to the sonic environment ­ not merely the prohibition of harmful noises, but the preservation and design of unique, beautiful or culturally significant sounds. Human Preference for Countryside Soundscapes. Buy & download fulltext article: Abstract: Human evaluation of soundscapes has been postulated to depend on whether sounds are wanted or unwanted in a particular context, rather than on simple metrics of sound level.

Human Preference for Countryside Soundscapes

A study was undertaken in the countryside of Hong Kong to determine how visitors evaluate soundscapes and what factors influence their preferences. A questionnaire survey was undertaken at 44 locations in different parts of the countryside of Hong Kong representing all major soundscape types. The results indicate that human preference is not statistically related to common acoustical and psychoacoustical metrics. Making Maps with Sound. Quite a few years ago I wrote an overview article on the use of sound for representing geographic data, including a series of sound variables for mapping I developed.

Making Maps with Sound

The article was titled “Sound and Geographic Visualization” and was published as a chapter in the now out-of-print book Visualization in Modern Cartography (MacEachren & Taylor eds., 1994). Sound is used to convey information all the time, but less so in the realm of mapping where the visual dominates. The article explores the possibilities of making maps with sound, or using sound in tandem with a visual display to add additional layers of information. Some work on tactile mapping had had occurred at the time the article was published, as well as a few dozen articles on sound for representing data in general (not geographic data).

Subsequently, research on multi-sensory mapping has expanded but not as much as I expected. The article is below as originally published. Sound Recording Tutorial from Wildlife Sound Recordist John Acorn. I thought I would share the first experimental attempts of John Acorn (University of Alberta) and I to find the best way to record a walking interview whilst also capturing the surrounding sound-environment.

Sound Recording Tutorial from Wildlife Sound Recordist John Acorn

Merle and John walking, recording sound and video through Hawrelak Park, Edmonton. Still photo taken from GoPro moving footage. The following sound file acts as an introductory tutorial from Dr John Acorn to the basics of sound recording and documents our attempts to find the best way of recording people moving through landscape (in our case Hawrelak park) and develop a walking interview technique that captures both the sound environment and the interview: Click on the link to access the sound file: Sound Tutorial. Lesson 2: Fieldwork. Documentary: John Luther Adams - A Sonic Geography of Alaska. Area, Vol. 26, No. 3 (Sep., 1994), pp. 232-240. The Soundscape of Your Home. 1.

The Soundscape of Your Home

Have students think about the sounds they hear every day. Ask: When you are asked to describe where you live, what do you say? Do you describe the homes, shops, and businesses? Do you describe the people? The landscape? 2. Ask students to imagine another place they are familiar with, such as a grocery store, a bus stop, or a neighborhood park. 3. Have students close their eyes and listen to the sounds that surround them in the classroom. 4. 5. Back in the classroom, have students share their home’s sense of place and some of the distinctive natural sounds, human-made sounds, and sounds of humans and the environment interacting. Découvrez les cartes de bruit en animation. Concours "écoles mobiles" - Paysages sonores.

Les sons et le sens : Pour parler profession : septembre 2011. Professeur Jonathan Bolduc accueille les 15 élèves de sa classe de maternelle à la porte de son laboratoire Mus-Alpha de l'Université d'Ottawa, avec d'énormes lunettes sur le nez.

Les sons et le sens : Pour parler profession : septembre 2011

Une énorme paire de lunettes sur le nez, Jonathan Bolduc salue les 15 élèves de la maternelle à l'entrée du laboratoire Mus-Alpha de l'Université d'Ottawa. Les enfants le connaissent bien, car ils le rencontrent une fois par semaine pour participer à son projet de recherche. Cependant, ses lunettes les étonnent. Bruit - Introduction. Paysages_visuels_sonores. Histoire des arts: paysages sonores et visuels à Montboucher Animation pédagogique en co-intervention Pascal Jodar CPD musique, Irène Mieussens CPD arts visuels module 6h.

paysages_visuels_sonores

Oeuvre_musicale_2010_03_jazz. AUDITORIUM - Outil de gestion du paysage sonore de Nice Côte d'Azur. APPRENDRE LE PAYSAGE SONORE « SONOS//FAIRE. Bastien Gallet, dans son ouvrage "Composer des étendues", parle des "paysagistes sonores" comme des artistes ne cherchant pas à révéler des caractèristiques acoustiques d’un lieu, sous-entendu à "apprendre" ce lieu , à mieux le connaître par l’écoute, mais plutôt d’artistes se servant d’un lieu comme support à ce qu’il veulent nous faire entendre.

APPRENDRE LE PAYSAGE SONORE « SONOS//FAIRE

L’auteur nous explique que, si l’on ne peut pas gommer l’empreinte acoustique préexistante d’un lieu, on peut "agir par recouvrement", en lui plaquant une "seconde peau sonore", via l’installation, qui viendra, par superposition, modifier notre perception d’un espace. Cette approche est très intéressante, offrant une perspective de composition paysagère purement esthétique. Au départ, en écrivant cet article, je pensais proposer un tour d’horizon global de ce qu’étaient les pédagogies paysagères, abordées au travers du filtre des arts sonores. . … En tendant l’oreille, les bruits racontent le monde… 44 rue Raulin 69007 Lyon France. Le Tarot des Sons. Cartographie du bruit et milieux sonores : étudier la ville avec des outils mobiles.

Retour au projet Géomatique et EDD. AACASC-1. Pauline%20nadrigny.