Shen nu (AKA The Goddess) (1934) (1/8) Kjell Grede - Harry Munter (1969) Sueco I Subs: Castellano, English, .Srt 97 min | Xvid 560x368| 860 kb/s | 128 kb/s Mp3 | 25 fps Harry es un joven inventor de 20 años. Debido a sus capacidades le ofrecen irse a Estados Unidos donde podrá desarrollar su genialidad y ganar mucho dinero, pero Harry tambien es un joven sensible y no se siente capaz de abandonar a varias personas que necesitan de él... Subtítulos en castellano, cortesía de euridice Harry Munter, a sensitive, kind, appealing man in his twenties, lives with his parents. He's an inventor, a bit of a mystic, maybe a genius, and a good son and grandson. He's offered work in the U.S. Amos Vogel in "Film as Subversive Art": "A powerful, poetic image: the mystery of black against white, of an outsider walking on the water, on stilts, Christ-like, stubborn, the tension of his forward-leaning body reflecting his determination.
English subtitles by Voice Harry Munter, (en sueco Munter significa feliz, alegre) es una película dirigida por Kjell Grede en 1969. Sukeban Deka: Dirty Mary « Sketches of Cinema. Sukeban deka: daati Marii (Japan, 1974) Yasuharu Hasebe was quite a unique director for having pioneered two very different type of genres. Following his success in the Nikkatsu Action genre Hasebe directed the film that set the standard for all modern girl gang movies: Stray Cat Rock: Girl Boss (1970). But it was soon after Hasebe’s pop-art tornado that Nikkatsu nearly went bankrupt, and switched almost exclusively to pink cinema.
Most of the studio’s talent found themselves looking for a new employer. Hasebe’s second golden era was, however, nowhere else but at Nikkatsu. Sukeban Deka: Dirty Mary, which was not related to Shinji Wada’s Sukeban Deka manga that rocked the world two years later, was the last film Hasebe made for Nikkatsu before becoming the leading director in violent pink. Dirty Mary, to some extent at least, could indeed pass as one of the numerous Dirty Harry sequels. Like this: Like Loading... Midnight Eye - Visions of Japanese cinema - interviews, features, film reviews, book reviews, calendar of events, links and more... Nihon Cine Art. MEIKO KAJII. I have only actually seen the diminutive but powerful Meiko Kaji in a couple films but am in the process of correcting that.
I saw her in three of the four Female Scorpion films she starred in and the second of the Lady Snowblood movies that served as a (not "the") inspiration for the Quentin Taratino Kill Bill films. She is my favorite of the Pinky Violence Big Four (Meiko Kaji, Ike Reiko, Oshida Reiko and Sugimoto Riki) but maybe only because I have seen her in more films than the others. I am trying to get as many of these films as I can and see if that opinion changes later. I selected her to begin this new series/category called Psychotronic Personas since I had just seen Lady Snowblood II and got a collection of 60’s/70’s Japanese film music that featured her among the various artists.
Like many Japanese actors and actresses her acting career paralleled a successful singing career. Cool Ass Cinema: Shaw Brothers Cinema: Eight Gorgeous Ladies of Shaw. Fandor - Films, glorious films.
The Golden Age of Chinese Language Cinema.