Dada

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Dada is a new tendency in art. One can tell this from the fact that until now nobody knew anything about it, and tomorrow everyone in Zurich will be talking about it. Dada comes from the dictionary. http://en.wikisource.org/wiki/Dada_Manifesto_(1916,_Hugo_Ball)

Dada Manifesto (1916, Hugo Ball) - Wikisource

DADA, the DADA Manifesto, Tristan Tzara

Dada is the bitterness which opens its laugh on all that which has been made consecrated forgotten in our language in our brain in our habits. http://www.ralphmag.org/AR/dada.html
http://en.wikipedia.org/wiki/Dada Dada ( / ˈ d ɑː d ɑː / ) or Dadaism is a cultural movement that began in Zurich , Switzerland , during World War I and peaked from 1916 to 1922. [ 1 ] "Dada was born out of negative reaction to the horrors of World War I. This international movement was begun by a group of artists and poets associated with the Cabaret Voltaire in Zurich. Dada rejected reason and logic, prizing nonsense, irrationality and intuition. The name 'Dada' was reputedly arrived at during a meeting of the group when a paper knife stuck into a French-German dictionary happened to point to 'dada', a French word for 'hobbyhorse." [ 2 ] The movement primarily involved visual arts , literature — poetry , art manifestoes , art theory — theatre , and graphic design , and concentrated its anti-war politics through a rejection of the prevailing standards in art through anti-art cultural works. Its purpose was to ridicule the meaninglessness of the modern world as its participants saw it.

Dada - Wikipedia, the free encyclopedia

June 24–September 4, 2006 Dada was a provocative and irreverent art movement, founded in Switzerland in the early twentieth century, in which a seemingly chaotic, spontaneous, and pessimistic aesthetic influenced painting, sculpture, theater, literature, and film. The movement’s name is a willfully nonsensical word, intended to punctuate the meaninglessness artists saw in their contemporaneous worldview. Dada filmmakers such as Hans Richter, Man Ray, and Viking Eggeling were challenged by the developing technology of filmmaking in the 1920s. This confluence of technology and aesthetic experimentation suited the Dadaists’ passion for the machine-made object.

Dada on Film

http://www.moma.org/visit/calendar/films/893