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AGENTS

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Cope Management | Welcome to VOExpress. Voiceover Canada. Atlas Talent Agency - Home. How To Get An Agent Dos and Don'ts. How To Get An Agent Dos and Don'ts At VOICE 2010, I happened to observe a panel where Joyce Castellanos shared some tips on what works and what doesn't when trying to get a talent agent. Joyce has worked for over 25 years as an audio director/producer for promo departments at NBC, Disney Channel, Warner Marketing and The WB Television Network. She is also an agent in the Promo and Trailer department at AVO Talent.

If you're in the process of pitching your voice to agents and would like some direction, keep these insights in mind and think them through carefully before you pound the proverbial pavement for representation. What Works When Approaching Talent Agents ๏ Introduce yourself by email or phone (depending on the agent's preference - research!) Don't, Don't, DON'T! À¹ Sound needy ๏ Second guess yourself Do You Have Anything To Share? If you've managed to secure representation, I'd love to hear about what worked for you! Add your tips in the comments below. Best wishes, Stephanie Comments.

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Talent Agency and Voice Over Talent Demo Reels. Launching a Career in Voiceover Is Tough Work. By Simi Horwitz | Posted April 28, 2011, 2:04 p.m. Sara Krieger, a veteran commercial voiceover artist, says it's a common mistake to believe that having a deep, resonant, well-trained voice makes you a shoo-in for a career in voiceover. But neither does having a quirky, distinctive voice, she adds: "When someone comes to me and says, 'I've been told I have a voice for voiceovers,' I say, 'Can you read copy? You have to be able to get a point across, relate a feeling, and nail it the first time.

It's being able to act on a mic.' Commercial voiceover is an actor's medium today. Breaking In One constant remains, however: To have a serious career in commercial voiceover, an actor needs representation, preferably in a major market. So how do you land that elusive voiceover agent? Other agents insist they must hear a demo before representing someone, maintaining that the recorded voice is the actor's calling card and that it's distinctly different from the live voice. A Voiceover Tool Kit.