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Blackboard entry by Carlos Eduardo. Evolving Layout – next generation layout tool. Glyph Editor. RoboFab. RoboDocs — RoboDocs. Ivan Murit. OpenType. Colorful typography on the web: get ready for multicolor fonts – Pixelambacht. Fonts on the web have always been a single color deal.

Colorful typography on the web: get ready for multicolor fonts – Pixelambacht

But with emoji’s rising popularity, support for multicolor fonts is coming. When can we start using them? How is this going to work in older browsers? SVG OpenType. Un article de Wikipédia, l'encyclopédie libre.

SVG OpenType

Top 10 Programming Fonts. Sunday, 17 May 2009 • Permalink.

Top 10 Programming Fonts

Pointypo– - L’actualité typographique en français. : pointypo– Moritz Resl / Jewish Museum Identity. A project by Sagmeister & Walsh.

Moritz Resl / Jewish Museum Identity

The Jewish Museum is located in a beautiful seven-story mansion in the Upper East side of Manhattan in New York City. It is the preeminent museum in the United States devoted to art and Jewish culture. The Jewish Museum has a renowned collection of 30,000 objects that is among the three largest of its kind in the world and distinguished by its breadth and quality. The museum’s reach expands to a diverse audience through extensive interdisciplinary programming and contemporary exhibitions. While at Sagmeister & Walsh I worked on this project.

Using these systems, stationary, packaging, advertising campaigns, promotional materials, and an immersive new website which will launch in June were designed. Elementare typographie. #WDFR — Imprimez votre grille pour dessiner vos croquis. Calculer une grille de mise en page « typo » avec le nombre d'Or. About. Scriptographer is a scripting plugin for Adobe Illustrator™.

About

It gives the user the possibility to extend Illustrator’s functionality by the use of the JavaScript language. The user is no longer limited to the same tools that are used by most graphic designers around the globe. Scriptographer allows the creation of mouse controlled drawing-tools, effects that modify existing graphics and scripts that create new ones. But Scriptographer is also a webpage on which users can exchange scripts and ideas. Scriptographer gives the tool back into the hand of the user and confronts a closed product with the open source philosophy. If that sounds good to you, download it today. Processing + Typography. When I first got my hands on the Form + Code book what impressed me the most was the artwork with typography on the titles and opening pages.

Processing + Typography

It reminded me how much I like typography and how focusing on the shape of letters and text can produce beautiful visuals. FORM+CODE In Design, Art, and Architecture by Casey Reas, Chandler McWilliams, and LUST. Yeohyun Ahn. Graphic designer and educator. TYPE+CODE Ver2.5 by Yeohyun Ahn. Type + Code: Processing For Designers by John Corrigan. Streamlining font creation. FEIXEN: Design by Felix Pfäffli. Pyftgd.org. The joy of build scripts. When writing software, there is a big difference between the human readable code, and the compiled machine readable code.

The joy of build scripts

The human readable code is easy to edit, while the machine readable code can only be read by complete psycos, and even there with lots of effort. In order to get from human to computer readable, there is a step called compiling. I've found this to be a useful paradigm with type design as well. The source files are my FontLab files. There are a lot of things that need to happen between my easy to edit source files and the finished exported fonts. Enter the build script. I've started doing the same thing with my type design projects. Download RoboFab. Select the RoboFab installer in the archive format of choice.

Download RoboFab

(updated October 27, 2011). OpenType Font Features. The OpenType font format is an extension of the TrueType® font format, adding support for PostScript font data.

OpenType Font Features

The OpenType font format was developed jointly by Microsoft and Adobe Corporation. OpenType fonts and the operating system services which support OpenType fonts provide users with a simple way to install and use fonts, whether the fonts contain TrueType outlines or CFF (PostScript) outlines. The OpenType font format addresses the following developer challenges: Broader multi-platform support. Randomize Points Within a Radius – FontLab Script. OpenType Font Features. RoboThon09: Printable Matter. This is a printed version of the notes of the Robothon09 conference.

RoboThon09: Printable Matter

Robothon09, March 5 + 6, 2009, The Hague. Hosted at the Royal Academy of Arts. About the printed version This version of the notes is specially formatted for printing from a browser. FontLab Remote. A neat feature in RoboFab for FontLab on MacOS. Corner mitring python script for FontLab. I created a mitred corner algorithm for my build scripts to subtly mitre any extra sharp corners that are created when I remove overlaps. For more information on why it's a good idea to not flatten your glyphs until right before you export, see this post on using build scripts to author the final font files. Click "Read More" for the script """Mitre Glyph: mitreSize : Length of the segment created by the mitre.

The default is 4. maxAngle : Maximum angle in radians at which nodes will be mitred. Unicode Blocks . Byzantine Musical Symbols. Lumière Verte. J’aime bien les normographes alors quand je suis tombé sur la "Plaque Universelle" de M. David j’ai été très intéressé : un simple morceau de carton prédécoupé, inventé en 1876, capable de servir de guide au tracé de tous les caractères de l’alphabet latin (y compris les caractères accentués, ce qui n’est pas si naturel de la part d’un anglo-saxon) ! Maquette & Mise en page. Pointypo– - L’actualité typographique en français. : pointypo– Éloïsa Pérez ➞ Design graphique. Jean-Baptiste Levée Typographie / Enfantine Nathan. Xavier Dupre - Type / Font Design. Garamond - Commémorations nationales "Claude Garamond" Apeloig. Typographies - Alsace - Les Graphiquants. Mark Gowing Design. Les avant-gardes — partie I.

À gauche : El Lissitzky, Battez les Blancs avec le triangle rouge, lithographie de 1920. À droite : Hans Vitus Vierthaler, affiche pour une exposition nazie sur l’« art dégénéré » (Entartete Kunst) en 1936. Certains passages sont extraits de mon article « Les avant-gardes et leur relation avec le pouvoir dans le champ du graphisme et de la typographie », paru dans Articulo - revue de sciences humaines, 3 | 2007, mis en ligne le 27 novembre 2007 Introduction Les premiers travaux et réflexions et que nous pouvons aujourd’hui qualifier de « graphiques » au sens contemporain du terme, coïncident avec la naissance des mouvements d’avant-garde de manière générale, et parmi ceux-ci, du mouvement futuriste en particulier, premier groupe à investir de manière nouvelle et synthétique les possibilités offertes par la typographie, la peinture, la photographie, etc. La formation de l’avant-garde L’avant-garde n’existe qu’à travers l’arrière-garde.

À gauche : F.T.