Advertisement As printed typography enjoys the fruits of high-DPI glory, proudly displaying its beautiful curves and subtleties, its on-screen counterpart remains stifled by bulky pixels, living in a world of jagged edges, distorted letterforms and trimmed serifs. Until display manufacturers produce affordable 200 or 300 PPI monitors, we’ll have to rely on software advances to fix these problems. Enter anti-aliasing: the next best thing to a world of higher-resolution monitors. The Ails Of Typographic Anti-Aliasing
Jun 16, 2009; Category: CSS, Design/Development; Tags: CSS, Design/Development; 6 Comments The other day I pointed out some of the differences between web design and print design. It started me thinking about some of the things I learned as a print designer that are also applicable to web design. One of the most useful is the Principle of Optimal Line Length. It states that, for any given font-size of a multiple-line block of type (like a paragraph), there is a range of line lengths and line-heights that most people consider easily readable. Those 3 attributes—font-size, line-height, line length—are inter-related.* Change one, and you may need to change at least one of the others for most people to consider the text readable. The Optimal Line Length Principle Applied to Web Design
Keyword Valid options for setting font-size in keyword are xx-small, x-small, small, medium, large, x-large, and xx-large as well as relative keywords smaller and larger. Surprisingly enough, keyword sizing is pretty consistent across browsers and platforms. See below a test page in Opera, Firefox, IE 6, and Safari: px - em - % - pt - keyword
UPDATE Oct 24: We have released version 1.09i, which is the same as 1.09 but IE9-compatible. 1.10 is on its way as well. Keep in mind that you do not need to convert your font files again, just replace your old cufon-yui.js with a new one and you're good to go. As it currently stands, version 1.09 does not work in IE9 beta which was just released. Just in case it doesn't work in the final version either, we've implemented a fix in the latest development version.
10 Principles For Readable Web Typography Advertisement by Matt Cronin Readability is one of the more important aspects of Web design usability. Readable text affects how users process the information in the content. Poor readability scares readers away from the content.
CSS Typography Reference Sheet This Reference Sheet was created to emphasize the many options available within CSS, particularly for Typography. So, what are you waiting for, get creative with your headlines! The page is split into three: CSS Typography Property Table, Web Safe Fonts Table and CSS Typography Value Conversion Table. Hope this helps.
Last updated: 2008/06/03 Return to the main page Introduction Here you can find the list with the standard set of fonts common to all versions of Windows and their Mac substitutes, referred sometimes as "browser safe fonts". This is the reference I use when making web pages and I expect you will find it useful too. If you are new to web design, maybe you are thinking: "Why I have to limit to that small set of fonts?
sIFR Generator sIFR (or Scalable Inman Flash Replacement) is a technology that allows you to replace text elements on screen with Flash equivalents. Put simply, sIFR allows website headings, pull-quotes and other elements to be styled in whatever font the designer chooses - be that Foundry Monoline, Gill Sans, Impact, Frutiger or any other font - without the user having it installed on their machine. sIFR is a great way for web designers to use fonts on their web pages without needing them to be installed on the users' computer, thus gathering full control over the way the font is rendered in the browser. The big disadvantage of sIFR is that creating sIFR files is a tedious task that also requires Adobe Flash Studio in order to create a .swf file with the font of your choice. At least, that was the big disadvantage until now. sIFR Generator is an online tool that allows you to create sIFR .swf files with a few clicks of your mouse.
"It auto-detects the text color of elements!" nce upon a time some really good web developers created sIFR. Their goal was to seamlessly convert HTML headlines into nice fonts. Well, these developers did a great job getting it to work nicely. Looking at their code, I decided I would create a "lite" version of sIFR using a more object-oriented approach. sIFR Lite is a bit easier to read, and more intuitive to use. The only drawbacks are that it is currently unproven on a large scale in the real world. sIFR lite
Looking for FLIR (Facelift Image Replacement)? You’re in the right place. I created the web font polyfill known as FLIR to be an alternative to sIFR, however, it is no longer needed and is effectively dead. Good riddance!! :) Facelift Image Replacement
Advertisement Typography is elegant when it is attractive and communicates the designer’s ideas. When chosen wisely and used carefully, it can be very effective in supporting the overall design. Designers are always exploring different techniques with type: some use images or sIFR to produce very beautiful typography, while others prefer CSS alone to get the typography just right. Today, we will look at 50 most useful typographic tools, techniques and resources for creating effective and expressive designs.
With typeface. js you can embed custom fonts in your web pages so you don' t have to render text to images. NEW! Version 0.15 is released, now with support for Internet Explorer 9. typeface. js is easy...
As you have probably know, most online readers don't read line by line, instead they scan (from one point to another). For this reason, designers create typographic contrast and flow by emphasizing certain text. Contrast is important because not all the content within a page have the same value, some have greater significance than the others. By creating contrast, you can direct the reader's attention to the important messages and at the same time enhance the visual appearance. Here are seven basic methods on how you can create typographic contrast. 1. Typographic Contrast and Flow
“Web design is 95% typography.” – Oliver Reichenstein “Typography is not ‘picking a cool font.’” – Jeff Croft “Typography is … about shaping text for optimal reading experience.” – Oliver Reichenstein 8 Definitive Web Font Stacks [Design Tips & Tricks]