25 Things You Should Know About Character. Previous iterations of the “25 Things” series: 25 Things Every Writer Should Know 25 Things You Should Know About Storytelling And now… Here you’ll find the many things I believe — at this moment!
— about characters: 1. Without character, you have nothing. 2. A great character can be the line between narrative life and story death. 3. Don’t believe that all those other aspects are separate from the character. "The greatest irony of life is loving the right person at the wrong time, havi..." - bun soup. Lover Boys - Witness. Filmmakers: Julia Rooke and Caroline Pare This is the story of Ibrahim, a courageous Dutch-Moroccan social worker in the Netherlands who is tackling the high incidences of sex-trafficking of young Dutch girls by their so-called 'boyfriends' - the Lover Boys - the majority of whom are Dutch-Moroccan.
It is a taboo subject, but Ibrahim and his allies, including a local sheikh, are determined to remove this stain from their community. This raw and often graphic film introduces us to both perpetrators and victims of this branch of internal sex-trafficking. Ibrahim does preventative work with vulnerable young men in youth clubs as well as political lobbying to get the matter addressed in his local authority. The complications of working in a country where prostitution is legal for over 18s, as well as cultural taboos within his own community, make for many challenges - and he is only too aware that right-wing elements thrive on any vulnerabilities among immigrant groups.
Waldosia. The Dictionary of Obscure Sorrows is a compendium of invented words written by John Koenig.
Each original definition aims to fill a hole in the language—to give a name to emotions we all might experience but don’t yet have a word for. The author's mission is to capture the aches, demons, vibes, joys and urges that roam the wilderness of the psychological interior. Each sorrow is bagged, tagged and tranquilized, then released gently back into the subconscious.
Internet Resources - Writers Resources - Writing Links & Writers Links for Writers - Word Stuff. Unsorted [/writers] James Patrick Kelly - Murder Your Darlings - "When time comes to make that final revision, however, you must harden your heart, sharpen the ax and murder your darlings.
" Greda Vaso - Determining the Readability of a Book - includes formulas for Gunning's Fog Index, Flesch Formula, Powers Sumner Kearl L. Kip Wheeler - Literary Terms and Definitions L. 36 Writing Essays by Chuck Palahniuk. 1: Establishing Your Authority Chuck teaches two principal methods for building a narrative voice your readers will believe in.
Discover the Heart Method and the Head Method and how to employ each to greatest effect. 2: Developing a Theme At the core of Minimalism is focusing any piece of writing to support one or two major themes. Learn harvesting, listing, and other methods, after a fun excursion into the spooky side of Chuck's childhood. 3: Using “On-The-Body” Physical Sensation Great writing must reach both the mind and the heart of your reader, but to effectively suspend reality in favor of the fictional world, you must communicate on a physical level, as well. 4: Submerging the “I” First-person narration, for all its immediacy and power, becomes a liability if your reader can't identify with your narrator. 5: Nuts and Bolts: Hiding a Gun 6: Nuts and Bolts: “Thought” Verbs You've always heard the maxim, "Show, don't tell... " but almost no writing teacher ever explains...
Tension. Hook Your Readers With Tension By Laura Backes, Write4Kids.com Tension.
Without it, life would be—let's face it—boring. So would fiction. Tension works with conflict to raise the emotional level of the text to a boiling point. It forces the reader to become invested in the story. Word Perhect. National Novel Writing Month. English 50 Exercises for Story Writers. English 50 – Intro to Creative Writing: Exercises for Story Writers Basic Theory: What is a short story?
As soon as someone delivers a definition, some good writer will write a story that proves the theory wrong. About the only thing we can say for sure is that short stories are short and that they are written in what we call prose. Some attributes, however, seem to show up more often than not. Short stories have a narrator; that is, someone tells the story; have at least one character in them; have some action occur (or perhaps fails to occur); take place somewhere; that is, there is a setting for the action; and someone either learns something or fails to learn something (theme).With these five characteristics in mind, we can create an almost endless supply of exercises to help sharpen our techniques of story telling. Narrative Voice Twenty or so years ago, voice was the "rite of passage" into a successful writing career. If you've written a story in third person, try it in first. Perception.
A quote by Elisabeth Kübler-Ross. 201 Ways to Arouse Your Creativity. Arouse your creativity Electric flesh-arrows … traversing the body.
