Informatique Musicale

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Synthèse sonore

Interfaces gestuels

Carnegie Mellon School of Music | Alumni Music

http://music.cmu.edu/musicandtechnology/

Carnegie Mellon is in a unique position to capitalize on its singular excellence in science, technology, and the performing arts to forge an exciting new synthesis of these areas of professional activity. The university’s Music and Technology degree programs were established in 2009. Students in these programs will develop a profound understanding and integration of the realms of music and supporting technologies, primarily from computer science and electrical engineering. Carnegie Mellon is a global research university of more than 10,000 students, 70,000 alumni, and 4,000 faculty and staff. Recognized for its world-class arts and technology programs, collaboration across disciplines and innovative leadership in education, Carnegie Mellon is consistently a top-ranked university.

PortMedia is the result of discussion among many computer music researchers and developers. After considering many options, the group decided to endorse the work of Phil Burk and Ross Bencina who created the PortAudio library. Supporters and users of PortMedia are listed below. Our goal is to extend the PortAudio foundation to support MIDI, sound files, and perhaps other basic music software interfaces. You can help!

PortMedia

PortMusic

Computer Music Group

Serpent

Serpent is the scripting language for Aura, a platform for computer music, animation, and interactive systems. Serpent was designed and implemented as a stand-alone, general purpose interpreter. Serpent is perhaps ideal as a game scripting language due to its real-time design and support for external C++ objects and C functions.

Audacity is available for Windows®, Mac®, GNU/Linux®, and other operating systems. Learn more about Audacity... Also check our Wiki and Forum for more information. The current release of Audacity is 2.0.0 .

Audacity: Free Audio Editor and Recorder

CICM - Centre de recherche Informatique et Création Musicale

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Couprie

pierre couprie : logiciels

iAnalyse est un logiciel d’aide à l’analyse musicale. Il fonctionne exclusivement sous Macintosh OS 10.5 ou supérieur. iAnalyse permet de synchroniser les pages d’une partition (images ou PDF) sur un fichier audio ou vidéo. Vous pouvez dessiner des annotations (graphismes, textes ou images) sur les partitions, l’apparition et la disparition de ces annotations étant aussi synchronisées avec le fichier audio. Un curseur se déplaçant sur la partition au rythme de la musique peut être dessiné très rapidement. Les fonctions d’affichage en plein écran et d’exportation (images ou film Quicktime) vous permettent de montrer ou distribuer votre travail.

http://web.mac.com/pierre.couprie/informatique_musicale_et_pedagogie/Bienvenue.html

informatique musicale & pédagogie

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by Miller S. Puckette — last modified 2012-03-12 11:58 AM Pd (aka Pure Data) is a real-time graphical programming environment for audio, video, and graphical processing. It is the third major branch of the family of patcher programming languages known as Max (Max/FTS, ISPW Max, Max/MSP, jMax , etc.) originally developed by Miller Puckette and company at IRCAM.

Pure Data — PD Community Site

Pure Data met en jeu un ensemble de disciplines très diverses : l'informatique, l'audionumérique, l'art interactif et musicale. Je propose ici, une synthèse de notes de lectures destinée à une meilleure appropriation de l'outil informatique. C'est un mélange d’extraits de livres, de cours, de textes sur Internet, de débats, plus ou moins repris intégralement. Il est important de préciser que ce n'est pas un travail universitaire et que la seule originalité de ce texte réside dans l'agencement des différentes sources .

documentation de pure data

http://impala.utopia.free.fr/pd/patchs/doc_tut_workshop/Fr_Documentation_pd_giair/00_index.htm

PURE data

h.f.p. | Christopher Ariza | Main

h.f.p. | Christopher Ariza | Computer Music

Computer music includes open-source and/or free software for algorithmic composition, interactive composition, and utilities for music production and analysis. The athenaCL system is an open-source, object-oriented composition tool written in Python. The system can be scripted and embedded, and includes integrated instrument libraries, post-tonal and microtonal pitch modeling tools, multiple-format graphical outputs, and musical output in Csound, SuperCollider, Pure Data, MIDI, audio file, XML, and text formats. envl.net provides a collection of free, online, web-based tools for music composition, generation, and sound design. Rather than employing the representations of Western notated music, these tools provide generative mechanisms and alternative representations to specify and create musical structures. Post-Ut is a free, web-based, on-line sonic measure ear training system.

Computer Music Center at Columbia University

Noise Occupation is Alec Hall, electric violin & electronics, and Aaron Einbond, electronics. Both with backgrounds as score-based composers, we have come together to develop new contexts for quotidian noise and field recordings in an improvised setting and to develop generative strategies for real-time musical structures. With influences ranging from Berlin’s Echtzeitmusik scene (Andrea Neumann), to environmental sound (Francisco Lopéz), to sound installation (Peter Ablinger), we hope to create a dialogue between real-time experimentation and its feedback (literal and figurative), bringing insight to new score-based works, as well as developing new models of audience-performer-environment interaction. Heather Frasch is a composer of acoustic and electroacoustic music. Also, she performs frequently as an improviser and experimental flutist, and creates sound installations.

CMC: Software

Association Française d'Informatique Musicale - AFIM

Bienvenue sur le site internet de l’Association Française d’Informatique Musicale ! L’AFIM est l’Association Française d’Informatique Musicale. Elle a pour but le développement de l’informatique musicale en France, de ses relations avec les autres disciplines artistiques et scientifiques, de ses liens internationaux. Elle pilote notamment l’organisation de Journées d’Informatique Musicale JIM et participe au comité de pilotage de Sound & Music Computing SMC . L’AFIM est ouverte, à titre individuel, à tous ceux et toutes celles qui développent une activité de recherche, de création, d’analyse et de pédagogie musicales liées à l’informatique et aux technologies nouvelles. Le prix du jeune chercheur AFIM a été décerné lors des JIM 2011 à Romain Michon pour sa présentation intitulée "Faust-STK : une bibliothèque de modèles physiques pour le langage Faust."

CCARH Homepage

Founded in 1984, the Center for Computer Assisted Research in the Humanities is engaged in the development of large databases of musical and textual materials for applications in research, teaching, and performance.

The purpose of MuseData code is to represent the logical content of musical scores in a software-neutral fashion. The code is currently being used in the construction of full-text databases of music for several composers, including J. S. Bach, Beethoven, Corelli, Handel, Haydn, Mozart, Telemann, and Vivaldi. It is intended that these full-text databases be used for music printing, music analysis, and production of electronic sound files.