Informatique Musicale
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Synthèse sonore
Interfaces gestuels
Serpent
A Real-Time Language for Music and Animation Serpent is the scripting language for Aura, a platform for computer music, animation, and interactive systems. Serpent was designed and implemented as a stand-alone, general purpose interpreter.do cumentation de pure data mai 2004 Jérôme Abel http://impala-utopia.org : : INSTALLATIONS SONORES : : Pure Data met en jeu un ensemble de disciplines très diverses : l'informatique, l'audionumérique, l'art interactif et musicale. Je propose ici, une synthèse de notes de lectures destinée à une meilleure appropriation de l'outil informatique.
documentation de pure data
PURE data
h.f.p. | Christopher Ariza | Computer Music
Computer music includes open-source and/or free software for algorithmic composition, interactive composition, and utilities for music production and analysis. featured hi-fi mp3 ogg for a limited time to leave the best untold: for voice and 8-channel real-time signal processing download complete audio (15:30) hi-fi 256kbs mp3 download complete audio (15:30) hi-fi 256kbs ogg
Computer Music Center at Columbia University
What oscillates? From swinging pendulums to throbbing beats and harmonics, Oscillations are repetitive variations from one state to another that occur usually over time. Found in human-made systems and in physical, biological, and informational processes, they can arise, either by design or by accident. Sometimes they’re a critical component, essential to the correct function of a system, other times they might be a curiosity or a nuisance, or even a catastrophic force. Although well documented there are oscillations that we still can’t quite mathematically explain, from the vibrations of Eulers disk to the peculiar regular and chaotic motion of a Swinging Spring.
The purpose of MuseData code is to represent the logical content of musical scores in a software-neutral fashion. The code is currently being used in the construction of full-text databases of music for several composers, including J. S. Bach, Beethoven, Corelli, Handel, Haydn, Mozart, Telemann, and Vivaldi. It is intended that these full-text databases be used for music printing, music analysis, and production of electronic sound files.
MuseData Representation of Musical Information
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[d]espacio - le 6 Mars Première mondiale de [d]espacio: acousmatic series on four Spanish construction de Angel Arranz Moreno. plus... Huddersfield Contemporary Music Festival dans le contexte d'une exposition sur Iannis Xenakis. plus... Version 2.86 Localisation complète francais et interface en espagnol. plus... Programme Education Les écoles et étudiants qui utilisent HighC ont maintenant droit à des prix réduits. plus... HighC aux Ateliers volants Journée d'études en terrain sur les usages pédagogiques de HighC dans une classe d'adolescents. plus...
dessiner sa musique
Computer Science Laboratory Paris » Music
: How to extract features from audio signals (such as music titles or sound samples) that are efficient for a given classification task ? Our team has pionneered the development of so-called “feature generation” techniques, in the audio domain. Feature generation consists in letting a system evolve features automatically, for a given classification problem, rather than relying on existing feature sets. We have introduced the notion of as audio features consisting in mathematical compositions of elementary operators. The EDS system was designed to generate billions of these features and test them, to evolve efficient features and feature sets.Représentations musicales
Logiciels de CAO