
Directoras y directores de cine
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WIM WENDERS
Was Ever a City More Bewildering? Wim Wenders, John Singleton, Richard Rodriguez, and Others Grapple With the Hidden, Violent, Beautiful, Sunny, Dreamy Mystery That Is Los Angeles Images of Los Angeles in art, film, television, and advertising have captivated global audiences for decades.La promotion est terminée, le film est sorti, je suis tout étourdie de ce qui m'est arrivée (à Sète, on dirait que je suis toute destimbourlée). Ce qui me fait souci, c'est comment répondre à toutes les lettres reçues, comment remercier ceux et celles qui se sont manifestés, parfois avec des lettres de quatre pages, parfois avec juste quelques mots bien sentis. Je suis assise face à la mer, et j'attends que le temps passe.
Agnès Varda
Werner Herzog Film: Home
10. "Into the Abyss" Werner Herzog's death-penalty documentary finds sad ironies and unbelievable waste in the sordid, heartbreaking tale of a Texas triple murder that is initially inspired by lust for a Camaro.» Claudia Llosa – Directora » Cinencuentro - No podemos parar de
Jim Jarmusch
THIS IS AN UNOFFICIAL WEB SITE. I have no official connection to Jim Jarmusch and cannot assist with any inquiries that should be directed to him, or to his production company. Seriously! In all other matters, feel free to contact me .The Quentin Tarantino Archives
Quentin Tarantino, as did friends, family and colleagues, suffered a great loss with the passing away of Sally Menke. She had been more than his editor on all his movies, she had been his right hand, and many wondered who would be able to succeed her in this role as the editor. Judging from IMDB and New York Times listings, Quentin might have found this successor in Fred Raskin (imdb), who had previously worked …Marking a departure from his revered and influential musical collaborations in the past with Angelo Badalamenti (Twin Peaks), Polish pianist Marek Zebrowski (Inland Empire), and Sparklehorse and Danger Mouse (Dark Night of the Soul), David Lynch now reveals his first solo musical project, with the release of Crazy Clown Time on Sunday Best Recordings available worldwide now. Recorded over several months at his own studio in Mulholland Drive with engineer Dean Hurley (who also contributes guitar and drums), "Crazy Clown Time" unveils a majestic, yet powerfully idiosyncratic vision of "modern blues" that could only be drawn from the mind of David Lynch. Filled with foreboding soundscapes, hypnotic rhythms and enigmatic lyrics, this is music that will resonate not only with fans of Lynch's films, but also to listeners who appreciate daring, experimental music.

