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How Do We Identify Good Ideas? | Wired Science I’ve always been fascinated by the failures of genius. Consider Bob Dylan. How did the same songwriter who produced Blood on the Tracks and Blonde on Blonde also conclude that Down in the Groove was worthy of release? Or what about Steve Jobs: What did he possibly see in the hockey puck mouse? How could Bono not realize that Spiderman was a disaster? And why have so many of my favorite novelists produced so many middling works? The inconsistency of genius is a consistent theme of creativity: Even those blessed with ridiculous talent still produce works of startling mediocrity.
Nietzsche stressed this point. Artists have a vested interest in our believing in the flash of revelation, the so-called inspiration … shining down from heavens as a ray of grace. Notice the emphasis on rejection. A new study led by Simone Ritter of the Radboud University in the Netherlands sheds some light on this mystery. Here’s where things get interesting. But waiting isn’t the only approach. P.S. A Wandering Mind Is an Intelligent Mind. What's the Latest Development? Resent research suggests that mind wandering is associated with good working memory, itself a measure of intelligence, reading comprehension and IQ score. The new study, published in Psychological Science, asked individuals to perform routine tasks and monitored how often their minds wandered. Later, scientists measured each person's working memory and found that people with better memories were also more likely to have a roaming mind.
The results are the first indication that memory may enable off-topic thoughts. What's the Big Idea? Despite humans' proclivity for self-conscious and intentional behavior, scientists estimate that our minds wander about half the time, demonstrating the complex behavior and purpose of our brain. Photo credit: shutterstock.com. Crush the "I'm Not Creative" Barrier - Jeff Dyer, Hal Gregersen, and Clayton M. Christensen.
Did you know that if you think you are creative, you’re more likely to actually be creative? This surprising fact pops up again and again in our research. In our database of over 6,000 professionals who have taken the Innovator’s DNA self & 360 assessments, people (entrepreneurs and managers alike) who “agree” with the survey statement “I am creative” consistently deliver disruptive solutions — by creating new businesses, products, services, and processes that no one has done before. They see themselves as creative and act that way. But what if you don’t see yourself as creative? Are you actually less creative? This is an important question to ask because many — probably half — of you don’t think that you’re creative. The bad news is that if you don’t think you’re creative, our survey data say that you probably are not.
The magic materializes as people engage unique innovation skills (what we call their innovator’s DNA) on an everyday basis. The result?
13 sites to get your creative juices flowing | dreambeaker. Steal Like An Artist, a book by Austin Kleon. Download the cover, author photo, and flip through the book in the blogger kit. About the book ISBN: 9780761169253 | Foreign Translations | Ordering FAQ When I was asked to talk to students at a community college in upstate New York, I sat down and wrote a talk based on a list of 10 things I wished I’d heard when I was starting out: Steal like an artist.Don’t wait until you know who you are to get started.Write the book you want to read.Use your hands.Side projects and hobbies are important.The secret: do good work and share it with people.Geography is no longer our master.Be nice. (The world is a small town.)Be boring. (It’s the only way to get work done.)Creativity is subtraction. The text and slides from the talk “rocked the creative world” (GalleyCat) and went viral. The book now has hundreds of thousands of copies in print and has been translated into over a dozen languages.
Praise for the book Amazon.com Top Best-Selling Book of 2012 Brain Pickings Best Art Books of 2012 “Beautiful.” Jonah Lehrer on How to Be Creative. Jonah Lehrer on How Creativity Works. By Maria Popova Inside the ‘seething cauldron of ideas,’ or what Bob Dylan has to do with the value of the synthesizer mind. In his 1878 book, Human, All Too Human: A Book for Free Spirits, Nietzsche observed: Artists have a vested interest in our believing in the flash of revelation, the so-called inspiration… shining down from heavens as a ray of grace.
In reality, the imagination of the good artist or thinker produces continuously good, mediocre or bad things, but his judgment, trained and sharpened to a fine point, rejects, selects, connects… All great artists and thinkers are great workers, indefatigable not only in inventing, but also in rejecting, sifting, transforming, ordering.” Some 131 years later, Elizabeth Gilbert echoed that observation in her now-legendary TED talk. The origin, pursuit, and secret of creativity are a central fixation of the Idea Age. Lehrer writes in the introduction, echoing Nietzsche’s lament: How does one measure the imagination? Share on Tumblr.