Soulful Divas. Février 2009. Forget the "funk" in this album -- because the best bits are the mellow ones!
Crème D'Cocoa are one of those groups pushing slick bass-heavy funk when they should stick to the mellower cuts -- which they do nicely on this album, in a smooth male/female harmony style that has a bit of a quiet storm feel to it. The funkier cuts are really just uptempo club numbers, not really that strong, but pleasant enough in kind of a shouting catchy chorus sort of way. Titles include "Baby, Don't You Know", "Leading Lady", "Mr Me, Mrs You", "Sweet Dream Lady", "I Don't Wanna Be Lonely", and "Do What You Feel". HEAVY DUTY. German Funk Fieber Vol. 2. 01.
Siegfried Schwab - High Snobiety 02. Malcolm’s Locks - Get Up Stand Up 03. Orchestra And Chorus Les Humphries – Mandrake 04. 07. 08. 09. 10. 11. 13. 14. 15. 16. 17. 18. T La Rock & Jazzy Jay – It’s Yours 12" Single Repress (Partytime 2005) - Free Mp3 Download. Donald Byrd. March 2005. Music « museworthy. “Ode” from Music and Moonlight by Arthur O’Shaughnessy - We are the music-makers, And we are the dreamers of dreams, Wandering by lone sea-breakers, And sitting by desolate streams;- World-losers and world-forsakers, On whom the pale moon gleams: Yet we are the movers and shakers Of the world for ever, it seems.
A Summer Night, 1890, Winslow Homer. "Fables of Faubus" the "Original Faubus Fables" Fables of FaubusFrom Wikipedia, the free encyclopedia "Fables of Faubus" is a song composed by jazz bassist and composer Charles Mingus.
It was written as a direct protest against Arkansas governor Orval E. Faubus, who in 1957 sent out the National Guard to prevent the integration of Little Rock Central High School by nine African American teenagers. The song was first recorded for Mingus' 1959 album, Mingus Ah Um. It is often claimed that Columbia refused to allow the lyrics to be included on this album, though the liner notes to the 1998 reissue of the album state that the piece started life as an instrumental, and only gained the lyrics later.
Emergency ! : "Loveman plays psychedelic swing" Blow Up A Go-Go! Black Soul - Black Soul Music (Pat Les Stache Edit) (pat_les_stache-black_soul_disco. March 2008. More than a year ago a little bird told me that someone had turned up some lost tapes of Tim Maia during his "Racional" phase.
Now, if you don't read Portuguese it's difficult to find any information about Tim's "Racional" phase aside from how its really lauded as his best work, his most funky, etc. As a Tim Maia fanatic, I can agree with all of that, so the recent confirmation of some unreleased "Racional" tapes is indeed a revelation. To give you an idea of the context of this discovery, I've pasted the text from an article I wrote for Fader magazine a few years back. The photos here are courtesy of Paulinho Guitarra, guitarist for Tim Maia for most of his classic albums. Paulinho can be seen in the band pictures - he's the skinny white dude next to Tim when they're holding up the book and the one playing guitar in the band photo.
Absolutely Funky Mule. Marvin Holmes & The Uptights: The Funky Mule (Pt. 1) and (Pt. 2)From Absolute Funk Vol. 4 (Body and Soul, 2007)Buddy Miles Express: Funky MuleFrom Expressway to Your Skull (Mercury, 1968)Ike Turner and the Kings of Rhythm: Funky MuleFrom Black Man's Soul (Pompeii, 1969) First of all, I would like introduce this post by a great news!
Seun Kuti comes in Paris! Ness (Voodoo Night) send me the information these dayzzz. Ness is a Djay, and music writer for the renown french audioblog parisdjs.com and for the Teaser magazine. I learn on his myspace that his father introduced him to culture and music and that Manu Dibango, Don Cherry and Fela Kuti were friends of the family. Funk and Soul. HARD... RAW... DEEP... FUNK. Gabor Szabo. Gabor Szabo -Dreams -1968 -SkyeThis is no an ordinary Jazz album.
Through the seven pieces here, the guitar is naturally at the forefront, yet the backing group is anything but secondary. Here, Gabor Szabo's guitar genius, set to magnificent arrangements by Gary McFarland pairs his outstanding quintet (featuring Jimmy Stewart) with Gary McFarland's subtle string and horn arrangements in a collection of originals, pop covers, and classical reinterpretations. This is one of the most sophisticated albums Szabo ever cut, and the result is a sort of accessible third-stream music. The album has a slow-building style that steps off of his Impulse years with a deeper, broader vision of music. Szabo has many fine moments, and provides nice spaces for the beautiful guitar solos of Jimmy Stewart.by Douglas Payne.
A. Los Angeles, California: August 6, 7 & 9, 1968Gabor Szabo, Jim (Jimmy) Stewart (g); Louis Kabok (b); Jim Keltner (d); Hal Gordon (perc); b: March 8, 1936, d: February 26, 1982. Soul-Sides.com.